Since her suicide in 1963 at the age of 30, Sylvia Plath has become a strange icon. This book addresses why this is the case and what this tells us about the way culture picks out important writers. The author argues that without a concept of fantasy we can understand neither Plath's work nor what she has come to represent. She proposes that no writer demonstrates more forcefully than Plath the importance of inner psychic life for the wider sexual and political world. By the author of Sexuality in the Field of Vision .
Since her death in 1963 at the age of thirty, Sylvia Plath has become a strange icon--an object of intense speculation, of fantasy, repulsion, and desire. Few twentieth-century Western writers have inspired such a range of deeply felt responses: not even her tombstone is allowed to rest in peace. Admirers exalt Plath as a priestess of high art in a degenerate culture, or see her work as an indictment of patriarchal society, as she painfully experienced it in her relationships with her family, her analysts, and her husband, poet Ted Hughes. Detractors, however, see Plath as a seductive, destructive death figure whose solipsistic, negative rantings offend conventional mores and values. In both popular and scholarly circles, there seem to be no middle ground. Jacqueline Rose stands back from the debates, and looks instead at the swirl of controversy, recognizing it as a phenomenon in itself--one with much to tell us about how a culture selects and judges writers; how we hear women's voices; and how we receive messages from, to, and about our unconscious selves. Rose frees Plath from the rigid opposition between psychoanalytic and feminist agendas and offers a new way of understanding Plath and ourselves. --jacket.
Giving Up is Jillian Becker's intimate account of her brief but extraordinary time with Sylvia Plath during the winter of 1963, the last months of the poet's life. Abandoned by Ted Hughes, Sylvia found companionship and care in the home of Becker and her husband, who helped care for the estranged couple's two small children while Sylvia tried to rest. In clear-eyed recollections unclouded by the intervening decades, Becker describes the events of Sylvia's final days and suicide: her physical and emotional state, her grief over Hughes's infidelity, her mysterious meeting with an unknown companion the night before her suicide, and the harsh aftermath of her funeral. Alongside this tragic conclusion is a beautifully rendered portrait of a friendship between two very different women.
The complete, uncensored journals of Sylvia Plath—essential reading for anyone who has been moved and fascinated by the poet's life and work. "A genuine literary event.... Plath's journals contain marvels of discovery." —The New York Times Book Review Sylvia Plath's journals were originally published in 1982 in a heavily abridged version authorized by Plath's husband, Ted Hughes. This new edition is an exact and complete transcription of the diaries Plath kept during the last twelve years of her life. Sixty percent of the book is material that has never before been made public, more fully revealing the intensity of the poet's personal and literary struggles, and providing fresh insight into both her frequent desperation and the bravery with which she faced down her demons.
The authors discuss Sylvia Plath archival discoveries in unique ways, unearthing previously unknown materials and bringing new context to well-known worksNew essays on the sociological notion of ‘haunting’ in the archiveInnovative approaches to distance/international collaboration in archival scholarshipIntroduces new ways of understanding Sylvia PlathPlath’s The Bell Jar is to be released in 2018 as a major film starring Dakota Fanning and directed by Kirsten Dunst These Ghostly Archives: The Unearthing of Sylvia Plath offers a ground-breaking look at Plath studies. Focusing on previously unpublished material found in archives from around the world, These Ghostly Archives aims to reconstruct the ghostly figure of Plath within our culture via unseen letters, manuscripts, photographs, places and poems. This book approaches archival studies exploring both the practical and experiential work carried out in the archive, highlighting the ‘detective’-type work that it involves and the traces left behind from history. However, for the first time, this work also combines the sociological notion of ‘haunting’ - that is, the archive as a location where researchers haunt the research subject and in turn are haunted by the traces left behind. Never is material culture more powerful than when associated with the dead; never is the archive ghostlier when haunted by the absent presence of Plath. This book showcases the necessity to leave no archival box or folder left unopened, and how the researcher and the archive can change even though its documents might stay the same. Illustrations: 32 colour photographs
The Grief of Influence follows Sylvia Plath and Ted Hughes through alternating periods of collaboation and competition, showing how each poet forged a voice both through and against the other's, and offering a new assessment of the twentieth century's most important poetic partnership.
On a bleak February day in 1963 a young American poet died by her own hand, and passed into a myth that has since imprinted itself on the hearts and minds of millions. She was and is Sylvia Plath and Your Own, Sylvia is a portrait of her life, told in poems. With photos and an extensive list of facts and sources to round out the reading experience, Your Own, Sylvia is a great curriculum companion to Plath's The Bell Jar and Ariel, a welcoming introduction for newcomers, and an unflinching valentine for the devoted.
"What I fear most, I think, is the death of the imagination. . . . If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; The poverty of life without dreams is too horrible to imagine." — Sylvia Plath, "Cambridge Notes" (From Notebooks, February 1956) Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imagination. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. Johnny Panic and the Bible of Dreams truly showcases the talent and genius of Sylvia Plath.
