The Hasty Papers. 1960-.
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Published: 1960
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The Hasty Papers
Author: Alfred Leslie
Publisher: Host Publications, Inc.
Published: 1999
Total Pages: 268
ISBN-13: 0924047127
DOWNLOAD EBOOKCultural Writing. This expanded version of THE HASTY PAPERS is a seamless vision of the literary, artistic, political and cultural concerns of the 20th century, concerns that still engage us today and lead us into the future. This oversized archival edition (11" x 14 1/2") includes nearly 400 photographs, drawings and paintings, along with 5 plays (Aristophanes, John Ashbery, Frank O'Hara, Terry Southern, Derek Walcott), 16 poems (Kenneth Koch's is 104 stanzas), Fidel Castro's famous 1960 United Nations speech (uncut), along with the complete United States response, a full length novel on hashish, an epistolary novel-of-sorts, an examination of the paintings of Hitler, Churchill and Eisenhower and more.
Encyclopedia of the New York School Poets
Author: Terence Diggory
Publisher: Infobase Publishing
Published: 2009
Total Pages: 577
ISBN-13: 1438119054
DOWNLOAD EBOOKAn A-to-Z reference to writers of the New York School, including John Ashbery, who is often considered America's greatest living poet. Examines significant movements in literary history and its development through the years.
The Collected Poems of Frank O'Hara
Author: Frank O'Hara
Publisher: Univ of California Press
Published: 1995-03-31
Total Pages: 626
ISBN-13: 9780520201668
DOWNLOAD EBOOKAvailable for the first time in paperback, The Collected Poems of Frank O'Hara reflects the poet's growth as an artist from the earliest dazzling, experimental verses that he began writing in the late 1940s to the years before his accidental death at forty, when his poems became increasingly individual and reflective.
A Dictionary of the Avant-Gardes
Author:
Publisher: Routledge
Published: 2013-05-13
Total Pages: 736
ISBN-13: 1136806199
DOWNLOAD EBOOKA Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
Eye of the Sixties
Author: Judith E. Stein
Publisher: Macmillan + ORM
Published: 2016-07-12
Total Pages: 293
ISBN-13: 0374715203
DOWNLOAD EBOOKIn 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli
The Annotated Hasheesh Eater
Author: Fitz Hugh Ludlow
Publisher: David M Gross
Published: 2007
Total Pages: 322
ISBN-13: 1434809862
DOWNLOAD EBOOK"I recommend The Annotated Hasheesh Eater, edited by David Gross. [Fitz Hugh] Ludlow is outrageously erudite, sprinkling his drug tale with references to Hindu mythology, ancient Chinese folk medicine, and tenth-century Welsh royalty. Gross turns what could be maddening into a pleasure by providing helpful notations that explain the arcana."-- Justin Martin, "Rebel Souls: Walt Whitman and America's First Bohemians" (2014)
Engineers for Change
Author: Matthew Wisnioski
Publisher: MIT Press
Published: 2012-10-19
Total Pages: 305
ISBN-13: 0262304260
DOWNLOAD EBOOKAn account of conflicts within engineering in the 1960s that helped shape our dominant contemporary understanding of technological change as the driver of history. In the late 1960s an eclectic group of engineers joined the antiwar and civil rights activists of the time in agitating for change. The engineers were fighting to remake their profession, challenging their fellow engineers to embrace a more humane vision of technology. In Engineers for Change, Matthew Wisnioski offers an account of this conflict within engineering, linking it to deep-seated assumptions about technology and American life. The postwar period in America saw a near-utopian belief in technology's beneficence. Beginning in the mid-1960s, however, society—influenced by the antitechnology writings of such thinkers as Jacques Ellul and Lewis Mumford—began to view technology in a more negative light. Engineers themselves were seen as conformist organization men propping up the military-industrial complex. A dissident minority of engineers offered critiques of their profession that appropriated concepts from technology's critics. These dissidents were criticized in turn by conservatives who regarded them as countercultural Luddites. And yet, as Wisnioski shows, the radical minority spurred the professional elite to promote a new understanding of technology as a rapidly accelerating force that our institutions are ill-equipped to handle. The negative consequences of technology spring from its very nature—and not from engineering's failures. “Sociotechnologists” were recruited to help society adjust to its technology. Wisnioski argues that in responding to the challenges posed by critics within their profession, engineers in the 1960s helped shape our dominant contemporary understanding of technological change as the driver of history.
A Dictionary of the American Avant-Gardes
Author: Richard Kostelanetz
Publisher: Routledge
Published: 2019-03-04
Total Pages: 647
ISBN-13: 1351267027
DOWNLOAD EBOOKFor this American edition of his legendary arts dictionary of information and opinion, the distinguished critic and arts historian Richard Kostelanetz has selected from the fuller third edition his entries on North Americans, including Canadians, Mexicans, and resident immigrants. Typically, he provides intelligence unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Focused upon what is truly innovative and excellent, Kostelanetz also ranges widely with insight and surprise, including appreciations of artistic athletes such as Muhammad Ali and the Harlem Globetrotters, and such collective creations as Las Vegas and his native New York City. Continuing the traditions of cheeky high-style Dictionarysts, honoring Ambrose Bierce and Nicolas Slonimsky (both with individual entries), Kostelanetz offers a "reference book" to be treasured not only in bits and chunks, but continuously as one of the ten books someone would take if they planned to be stranded on a desert isle.
Alice Neel: The Art of Not Sitting Pretty
Author: Phoebe Hoban
Publisher: Simon and Schuster
Published: 2021-08-10
Total Pages: 467
ISBN-13: 1644230623
DOWNLOAD EBOOK“Neel emerges as a resolute survivor who lived by her convictions, both aesthetically and politically.” —Publisher’s Weekly Phoebe Hoban’s definitive biography of the renowned American painter Alice Neel tells the unforgettable story of an artist whose life spanned the twentieth century, from women’s suffrage through the Depression, McCarthyism, the civil rights movement, the sexual revolution, and second-wave feminism. Throughout her life and work, Neel constantly challenged convention, ultimately gaining an enduring place in the canon. Alice Neel’s stated goal was to “capture the zeitgeist.” Born into a proper Victorian family at the turn of the twentieth century, Neel reached voting age during suffrage. A quintessential bohemian, she was one of the first artists participating in the Easel Project of the Works Progress Administration, documenting the challenges of life during the Depression. An avowed humanist, Neel chose to paint the world around her, sticking to figurative work even during the peak of abstract expressionism. Neel never ceased pushing the envelope, creating a unique chronicle of her time. Neel was fiercely democratic in selecting her subjects, who represent an extraordinarily diverse population—from such legendary figures as Joe Gould to her Spanish Harlem neighbors in the 1940s, the art critic Meyer Schapiro, Nobel Laureate Linus Pauling, Andy Warhol, and major figures of the labor, civil rights, and feminist movements—producing an indelible portrait of twentieth-century America. By dictating her own terms, Neel was able to transcend such personal tragedy as the death of her infant daughter, Santillana, a nervous breakdown and suicide attempts, and the separation from her second child, Isabetta. After spending much of her career in relative obscurity, Neel finally received a major museum retrospective in 1974, at the Whitney Museum of American Art, in New York. In this first paperback edition of the authoritative biography of Neel, which serves also as a cultural history of twentieth-century New York, Hoban documents the tumultuous life of the artist in vivid detail, creating a portrait as incisive as Neel’s relentlessly honest paintings. With a new introduction by Hoban that explores Neel’s enduring relevance, this biography is essential to understanding and appreciating the life and work of one of America’s foremost artists.
