The Harvard Classics Shelf of Fiction - Complete 20 Volumes
The Harvard Classics Shelf of Fiction - Complete 20 Volumes

Author: Bjørnstjerne Bjørnson

Publisher: Good Press

Published: 2023-12-04

Total Pages: 9383

ISBN-13:

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The Harvard Classics Shelf of Fiction - Complete 20 Volumes is a monumental collection that traverses the rich territories of nineteenth and early twentieth-century literature, bringing together an unparalleled range of literary styles, from the gothic to the realist, the romantic to the naturalist. This anthology encapsulates the evolution of modern storytelling, showcasing seminal works that have shaped the literary canon. Its diversity is its strength, featuring texts that explore themes of love, morality, society, and human psychology, among others. The inclusion of works from a spectrum of authors, including standout pieces from heavyweights such as Dostoevsky, Dickens, Hugo, and Austen, offers readers a comprehensive insight into the era's diverse literary landscape. The contributing authors and editors, hailing from various cultural backgrounds and literary traditions, collectively present a multifaceted view of the human condition across different societies and historical moments. This collective effort aligns with significant historical, cultural, and literary movements, from the Enlightenment's emphasis on reason to Romanticism's celebration of emotion and individuality, offering a panoramic view of the shifts in thought that have influenced literature and society. By bringing together these varied voices, the anthology provides a unique lens through which to explore the complexities of the human experience, as conveyed through the art of storytelling. The Harvard Classics Shelf of Fiction - Complete 20 Volumes is an essential collection for anyone interested in the development of fiction and its role in reflecting and shaping our understanding of the world. Offering an extraordinary opportunity to engage with the thoughts and experiences of some of literature's most influential figures, this anthology is a treasure trove for scholars, students, and general readers alike. It encourages a deep dive into a multitude of perspectives, enriching the reader's appreciation of literature's power to provoke thought, evoke emotion, and connect disparate human experiences across time and space.

The Harvard Classics Shelf of Fiction (Classic Reprint)
The Harvard Classics Shelf of Fiction (Classic Reprint)

Author: Charles William Eliot

Publisher: Forgotten Books

Published: 2017-10-16

Total Pages: 480

ISBN-13: 9780265381007

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Excerpt from The Harvard Classics Shelf of Fiction The history of the German novel would have, however, also to record that those writers have secured the most permanent distinction who have most significantly modified in their own way the suggestions which foreign examples gave them, and that the greatest distinction of all belongs to writers whom we can, if we will, associate with one or another Of the main currents, but wh'o are by no means carried away by it. In the work of these men the national character Of the German novel, if it has a national character, ought to be discoverable. For two reasons it is a fair question whether the Ger man novel has a national character. In the first place, modern Germany has been a nation only Since 1871; and in the second place, only in times of some great crisis does there appear to be in Germany a national life, as we under stand the term. At other times life in Germany is urban, provincial, or private, in those aspects of existence which the Germans most prize. The imperial capital affects to represent Germany as London represents England and Paris represents France; but such ascendancy is stoutly denied Berlin in the capitals of the other states, and Saxons or Bavarians refuse to submit to Prussian hegemony in any other than political and military affairs. In literature Prussia is not the nation; the empire itself is a federation of states, and Berlin is less specifically a German city than any other in the realm. Germany is emphatically e plum'bus. Still, there may be some bond of union stronger than political alliance, some fundamental quality common to Prussian, Saxon, and Bavarian. In this we should seek the national character. We should find the national character depicted in the historical novel, which has had a great vogue in Germany; but we may discern it also in the fiction devoted to the problems Of contemporary life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Complete Harvard Classics - ALL 71 Volumes
The Complete Harvard Classics - ALL 71 Volumes

Author: Benjamin Franklin

Publisher: e-artnow

Published: 2019-07-26

Total Pages: 24787

ISBN-13:

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The original Harvard Classics Collection contains 51 volumes of the essential works of world literature, showing the progress of man from antics to modern age. In this edition, the original collection is supplemented with the 20 volume Harvard Shelf of Fiction, a selection of the greatest works of fiction. Content: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: John Milton V. 5: R. W. Emerson V. 6: Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarchs V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: 1001 Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English & American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland

Quicklet on Charles Dickens' David Copperfield (CliffNotes-like Summary)
Quicklet on Charles Dickens' David Copperfield (CliffNotes-like Summary)

Author: April Short

Publisher: Hyperink Inc

Published: 2012-02-24

Total Pages: 36

ISBN-13: 1614641234

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ABOUT THE BOOK Until the summer after my second year of college, I despised Charles Dickens. I couldn’t stomach his outdated witticisms and had no patience for his Gothic writing style. In high school, when my AP English teacher assigned A Tale of Two Cities, I read Chapters 1-10 and gave up. I could stand to fail an English test since it was my best subject. I couldn’t stand to spend one more second trudging through the doldrums of Charles Darnay’s self-righteousness and Sydney Carton’s unrequited sob-fest. Everything changed when I signed up for an annual week-long educational program called “Dickens Universe”. I was a literature major at the University of California, Santa Cruz (UCSC) and the completion of Dickens Universe, part of UCSC’s world-renowned Dickens Project, meant I’d receive a full quarter’s course credits in just one week. The incentive was greater than my distaste for Dickens, so I enrolled and bought a copy of that year’s featured novel: David Copperfield. My preconceptions about Charles Dickens began to melt away within minutes of my arrival on the first day. Dickens experts from 35 of the world’s top universities gathered beneath the redwood groves of the UCSC campus for lectures, study groups, and Victorian-style tea each day. MEET THE AUTHOR April graduated from University of California, Santa Cruz in 2011 with a BA degree in English literature and a minor in history focused on the Islamic world. A lifelong storyteller and working journalist based in Santa Cruz, CA, she is currently the senior contributing writer for Good Times Weekly, Santa Cruz County's largest print and online publication. April also works as a professional writer/editor. Her topics of interest range from arts and music to political and environmental pieces. She has always lived near the ocean and grew up surfing with her dad on the Central Coast of California. Her favorite outdoor hobbies include backpacking in the Sierra Nevadas, bicycling in the Bay Area, hiking through the redwoods of Northern CA, and she has recently taken up rock climbing. In addition to journalism and informational pieces, April writes creative prose and poetry that can be viewed, alongside a portfolio of her journalistic work, on her website: AprilMichelleShort.com. Among her favorite authors is Anais Nin, who said, “We write to taste life twice, in the moment and in retrospect.” EXCERPT FROM THE BOOK The Personal History, Adventures, Experience and Observation of David Copperfield the Younger of Blunderstone Rookery (Which He Never Meant to Publish on Any Account), or more commonly, David Copperfield, is Dickens’ eighth and perhaps most intimate novel. Originally published in 1850, the novel first appeared in serial form, or segments in the above-described “penny dreadfuls” a year previous to its compilation. David Copperfield closely follows events from Dickens’ own life, and many Dickens analysts believe the novel’s title character, David Copperfield, represents Charles Dickens himself. This would make David Copperfield a fictional biography of sorts. David Copperfield was Dickens’ first novel to be written in first-person point of view narration, and whether or not Copperfield is based on Dickens, the novel is certainly the most autobiographical of Dickens’ collection. The novel’s 1867 edition includes a preface by the author, in which he writes, “...like many fond parents, I have in my heart of hearts a favourite child. And his name is David Copperfield.” Buy a copy to keep reading!