The Harold Letters, 1928-1943
Author: Clement Greenberg
Publisher:
Published: 2003
Total Pages: 310
ISBN-13:
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The Harold Letters, 1928-1943
Author: Clement Greenberg
Publisher: Counterpoint LLC
Published: 2000
Total Pages: 344
ISBN-13:
DOWNLOAD EBOOKClement Greenberg (1904-1994) was a lifelong New Yorkers. His works include Art and Culture and the four-volume Collected Essays and Criticism, 1939-1969.
The Harold Letters
Author: Clement Greenberg
Publisher: National Geographic Books
Published: 2003-07-18
Total Pages: 0
ISBN-13: 1582432392
DOWNLOAD EBOOKCandid, breathless, arrogant, ambitious--here, in his own words, is Clement Greenberg, a young man of limitless intellectual appetite on his way to becoming the twentieth century's greatest art critic . Clement Greenberg was, and remains, America's most perceptive, prescient, and influential art critic. More alive than any of his contemporaries to the genius of art in his time, it was Greenberg who, in the 1940s and '50s, charted and celebrated the rise of Abstract Expressionism. The authority of his aesthetic judgment, and the force and clarity of his arguments, went far to establish those artists whose work he championed--Pollock, de Kooning, Hans Hofmann, David Smith. Before all that, however, he was a young man burning to become an intellectual, to make what he called Important Discoveries about art and life. His confidant during these early years was Harold Lazarus, a classmate at Syracuse University and a future professor of English. From 1928, when both were nineteen, until 1943, when they went their separate ways, the two exchanged honest, funny, deeply personal letters, collected by his widow, Janice Van Horne.
The Harold Letters, 1928-1965
Author: Clement Greenberg
Publisher: Odyssey Editions
Published: 2013-11-06
Total Pages: 313
ISBN-13: 1623730163
DOWNLOAD EBOOKIn The Harold Letters, Janice Van Horne, Clement Greenberg’s widow, has gathered together Greenberg’s letters as a young man to his then friend and confidant, Harold Lazarus. Spanning fifteen years, this collection of letters intimately chronicles the development of Greenberg’s taste and ideas. The Harold Letters is frequently funny and always candid, revealing the young Greenberg’s passion, ambition, and intellectualism that would lead to his future status as the greatest art critic of the twentieth century.
Harold Rosenberg
Author: Debra Bricker Balken
Publisher: University of Chicago Press
Published: 2021-10-06
Total Pages: 657
ISBN-13: 022674020X
DOWNLOAD EBOOKDespite being one of the foremost American intellectuals of the mid-twentieth century, Harold Rosenberg (1906–1978) was utterly incapable of fitting in—and he liked it that way. Signature cane in one hand and a cigarette in the other, he cut a distinctive figure on the New York City culture scene, with his radiant dark eyes and black bushy brows. A gangly giant at six foot four, he would tower over others as he forcefully expounded on his latest obsession in an oddly high-pitched, nasal voice. And people would listen, captivated by his ideas. With Harold Rosenberg: A Critic’s Life, Debra Bricker Balken offers the first-ever complete biography of this great and eccentric man. Although he is now known mainly for his role as an art critic at the New Yorker from 1962 to 1978, Balken weaves together a complete tapestry of Rosenberg’s life and literary production, cast against the dynamic intellectual and social ferment of his time. She explores his role in some of the most contentious cultural debates of the Cold War period, including those over the commodification of art and the erosion of individuality in favor of celebrity, demonstrated in his famous essay “The Herd of Independent Minds.” An outspoken socialist and advocate for the political agency of art, he formed deep alliances with figures such as Hannah Arendt, Saul Bellow, Paul Goodman, Mary McCarthy, Jean-Paul Sartre, Willem de Kooning, and Jackson Pollock, all of whom Balken portrays with vivid accounts from Rosenberg’s life. Thoroughly researched and captivatingly written, this book tells in full Rosenberg’s brilliant, fiercely independent life and the five decades in which he played a leading role in US cultural, intellectual, and political history.
A Memoir of Creativity
Author: Piri Halasz
Publisher: iUniverse
Published: 2009-03-30
Total Pages: 526
ISBN-13: 1440123241
DOWNLOAD EBOOKA Memoir of Creativity chronicles one womans life journey as she derives a theory, revealing meaning in abstract painting, from varied personal and professional experiences, and tells how she locates this theory within a broader social context. In 1966, Piri Halasz became the first woman within living memory to write a cover story for Time (and not just any cover story, either: the notorious one on Swinging London). With wit and wisdom, she provides a glimpse into her red-diaper childhood, as well as reporting on her climb at Time from research to the writing staff. Vividly, she describes her controversial career as a female journalist during the sixties, offering an inside view of newsweekly rivalries during that tempestuous decade. Halasz then moves on to her initiation into the art world, her lively interaction with some of its most distinguished denizens and her immersion in graduate school. She concludes with what she has learned about art, art history, and history itself since the early eighties, applying that knowledge to better understand the twenty-first century. Through sharing her life story, Halasz encourages others to remain open to new experiences, to try different ways of seeing, and to use creativity to tackle hurdles.
Dictionary Of Modern American Philosophers
Author: John R. Shook
Publisher: Bloomsbury Publishing
Published: 2005-05-15
Total Pages: 2000
ISBN-13: 1847144705
DOWNLOAD EBOOKThe Dictionary of Modern American Philosophers includes both academic and non-academic philosophers, and a large number of female and minority thinkers whose work has been neglected. It includes those intellectuals involved in the development of psychology, pedagogy, sociology, anthropology, education, theology, political science, and several other fields, before these disciplines came to be considered distinct from philosophy in the late nineteenth century. Each entry contains a short biography of the writer, an exposition and analysis of his or her doctrines and ideas, a bibliography of writings, and suggestions for further reading. While all the major post-Civil War philosophers are present, the most valuable feature of this dictionary is its coverage of a huge range of less well-known writers, including hundreds of presently obscure thinkers. In many cases, the Dictionary of Modern American Philosophers offers the first scholarly treatment of the life and work of certain writers. This book will be an indispensable reference work for scholars working on almost any aspect of modern American thought.
Key Writers on Art: The Twentieth Century
Author: Chris Murray
Publisher: Routledge
Published: 2005-06-27
Total Pages: 325
ISBN-13: 1134597207
DOWNLOAD EBOOKKey Writers on Art: The Twentieth Century offers a unique and authoritative guide to modern responses to art. Featuring 48 essays on the most important twentieth century writers and thinkers and written by an international panel of expert contributors, it introduces readers to key approaches and analytical tools used in the study of contemporary art. It discusses writers such as Adorno, Barthes, Benjamin, Freud, Greenberg, Heuser, Kristeva, Merleau-Ponty, Pollock, Read and Sontag.
Consuming Surrealism in American Culture
Author: Sandra Zalman
Publisher: Routledge
Published: 2017-07-05
Total Pages: 408
ISBN-13: 1351571087
DOWNLOAD EBOOKConsuming Surrealism in American Culture: Dissident Modernism argues that Surrealism worked as a powerful agitator to disrupt dominant ideas of modern art in the United States. Unlike standard accounts that focus on Surrealism in the U.S. during the 1940s as a point of departure for the ascendance of the New York School, this study contends that Surrealism has been integral to the development of American visual culture over the course of the twentieth century. Through analysis of Surrealism in both the museum and the marketplace, Sandra Zalman tackles Surrealism?s multi-faceted circulation as both elite and popular. Zalman shows how the American encounter with Surrealism was shaped by Alfred Barr, William Rubin and Rosalind Krauss as these influential curators mobilized Surrealism to compose, to concretize, or to unseat narratives of modern art in the 1930s, 1960s and 1980s - alongside Surrealism?s intersection with advertising, Magic Realism, Pop, and the rise of contemporary photography. As a popular avant-garde, Surrealism openly resisted art historical classification, forcing the supposedly distinct spheres of modernism and mass culture into conversation and challenging theories of modern art in which it did not fit, in large part because of its continued relevance to contemporary American culture.
The Free World
Author: Louis Menand
Publisher: Farrar, Straus and Giroux
Published: 2021-04-20
Total Pages: 880
ISBN-13: 0374722919
DOWNLOAD EBOOK"An engrossing and impossibly wide-ranging project . . . In The Free World, every seat is a good one." —Carlos Lozada, The Washington Post "The Free World sparkles. Fully original, beautifully written . . . One hopes Menand has a sequel in mind. The bar is set very high." —David Oshinsky, The New York Times Book Review | Editors' Choice One of The New York Times's 100 best books of 2021 | One of The Washington Post's 50 best nonfiction books of 2021 | A Mother Jones best book of 2021 In his follow-up to the Pulitzer Prize–winning The Metaphysical Club, Louis Menand offers a new intellectual and cultural history of the postwar years The Cold War was not just a contest of power. It was also about ideas, in the broadest sense—economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize–winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind. How did elitism and an anti-totalitarian skepticism of passion and ideology give way to a new sensibility defined by freewheeling experimentation and loving the Beatles? How was the ideal of “freedom” applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club and his New Yorker essays, Menand takes us inside Hannah Arendt’s Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir, Merce Cunningham and John Cage’s residencies at North Carolina’s Black Mountain College, and the Memphis studio where Sam Phillips and Elvis Presley created a new music for the American teenager. He examines the post war vogue for French existentialism, structuralism and post-structuralism, the rise of abstract expressionism and pop art, Allen Ginsberg’s friendship with Lionel Trilling, James Baldwin’s transformation into a Civil Right spokesman, Susan Sontag’s challenges to the New York Intellectuals, the defeat of obscenity laws, and the rise of the New Hollywood. Stressing the rich flow of ideas across the Atlantic, he also shows how Europeans played a vital role in promoting and influencing American art and entertainment. By the end of the Vietnam era, the American government had lost the moral prestige it enjoyed at the end of the Second World War, but America’s once-despised culture had become respected and adored. With unprecedented verve and range, this book explains how that happened.
