The Harmony of the Soul: Sigfrid Karg-Elert's Letters "To His Australian Friends"

The Harmony of the Soul: Sigfrid Karg-Elert's Letters

Author: Harold Fabrikant

Publisher: Lulu.com

Published: 2010

Total Pages: 160

ISBN-13: 0980416221

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Sigfrid Karg-Elert was an important composer in the first decades of the 20th century. He was however largely ignored as a composer in his native Germany until the 1960s, but it was the English-speaking world which 'discovered' him in the early 1900s and realised that he was one of the most important organ-composers of his era. Arthur Nickson was a leading Australian-born musician, initially trained in Melbourne, and later in London. This book contains the letters from a bilateral correspondence, which started cautiously, formally, in 1913; it was interrupted by the Great War but recommenced in 1923. Nickson shared these letters with few others. Many had no idea of their content until the collection was published for the first time, solely in an English translation, in 1996. This is now the second edition of that same work, in which some translations are revised, more extensive annotations provided, and the entire original German text reproduced.


Your Ever Grateful, Devoted Friend: Sigfrid Karg-Elert's letters to Godfrey Sceats

Your Ever Grateful, Devoted Friend: Sigfrid Karg-Elert's letters to Godfrey Sceats

Author: Harold Fabrikant

Publisher: Lulu.com

Published: 2000

Total Pages: 146

ISBN-13: 0646403664

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Godfrey Sceats, 1888-1966, was an amateur musician (organist, composer) and by profession a linguist proficient in German, French and Spanish. He first heard Karg-Elert's music around 1910 when several accomplished Englishmen were starting to take note of it with enthusiasm. Many of the letters are published side by side, in German and English, and a comprehensive appendix completes the volume.


Karl Straube (1873-1950)

Karl Straube (1873-1950)

Author: Christopher Anderson

Publisher: Boydell & Brewer

Published: 2022

Total Pages: 571

ISBN-13: 1648250386

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The first thorough examination of the most renowned and influential organist in early twentieth-century Germany and of his complex relationship to his country's tumultuous and shifting sociopolitical landscape.In the course of a multifaceted career, Karl Straube (1873-1950) rose to positions of immense cultural authority in a German musical world caught in unprecedented artistic and sociopolitical upheaval. Son of a German harmonium-builder and an intellectually inclined English mother, Straube established himself as Germany's iconic organ virtuoso by the turn of the century. His upbringing in Bismarck's Berlin encouraged him to develop intensive interests in world history and politics. He quickly became a sought-after teacher, editor, and confidante to composers and intellectuals, whose work he often significantly influenced. As the eleventh successor to J. S. Bach in the cantorate of St. Thomas School, Leipzig, he focused the choir's mission as curator of Bach's works and, in the unstable political climate of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed.Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed.Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed.Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed.Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.he dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.


The Bible in Music

The Bible in Music

Author: Siobhán Dowling Long

Publisher: Rowman & Littlefield

Published: 2015-09-03

Total Pages: 373

ISBN-13: 0810884526

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There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.


The Flute Book

The Flute Book

Author: Nancy Toff

Publisher: Oxford University Press, USA

Published: 2012-09-13

Total Pages: 559

ISBN-13: 0195373081

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The instrument -- Performance -- The music -- Repertoire catalog -- Fingering chart for the Boehm flute -- Flute manufacturers -- Repair shops -- Sources for instruments and accessories -- Sources for music and books -- Journals, societies, and service organizations -- Flute clubs and societies.


30 Studies for Flute Solo

30 Studies for Flute Solo

Author: Sigfrid Karg-Elert

Publisher:

Published: 2013-12-27

Total Pages: 30

ISBN-13: 9781494828059

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Sigfrid Karg-Elert is no strange name to flautists. The Op. 107 was The 30 Caprices for Flute were written specifically for a friend of Karg-Elert's, a flautist bound for service in the war. These short exercises were designed to challenge linear one-staff thinking and in short, keep the friend from becoming bored. They are now a standard set of technical, dynamic, and phrasing exercises for young flute students all over the world. Re-issued from the original authoratitive plates of Steingräber Verlag, 1910, originally printed in Leipzig. Reprinted here by Edition Fleury 2013. As with all Edition Fleury publications, blank staff paper and section for teacher notes are present in the back of the book.


The Diapason

The Diapason

Author: Siegfried Emanuel Gruenstein

Publisher:

Published: 1918

Total Pages: 216

ISBN-13:

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Includes music.