The Old West was full of itchy trigger fingers, but also had its share of hemp necktie enthusiasts. Lucky Luke is not a fan of such summary justice, and when he interrupts an improvised hanging with no less than three ropes for a single man, he runs afoul of an unpleasant individual with a knack for manipulating bored and drunk crowds ... Seven short stories by Goscinny and his friends and illustrated by Morris himself – pure Lucky Luke concentrate!
A cowboy who shoots faster than his own shadow, his sarcastic horse, a quartet of incredibly stupid bandits - this is the Old West at its funniest. The 81st adventure of Lucky Luke, the Lonesome Cowboy!
In the shadowy back alleys and opulent homes of Paris, hard-nosed police inspector Paul Mazarelle of The Paris Directive sets out on the trail of a serial killer. A murdered man is discovered dangling inside the tunnels of a Paris canal--the only clue, the tarot card in his pockets: the Hanged Man. When an innocent suspect is railroaded into prison for the homicide, Mazarelle sets off on the hunt for the real killer. For the charming, hot-tempered, impulsive Frenchman--now back from the provinces and leading his own homicide unit out of Paris’s famed Quai des Orfevres--it’s an investigation that takes him far from the comforts of Beaujolais and bouillabaisse, and plunges him into an underworld of ruthless white supremacists looking for scapegoats in Paris’s growing immigrant community, corrupt cops eager to cover up a shady side business, and a conspiracy of secrets that threaten his own life. Meanwhile, Claire Girard, an irresistible and ambitious journalist at a popular tabloid, is wrapped up in the same story. On the trail of the Tarot Card killer, Mazarelle finds himself blindsided by their growing attraction. And when his team’s case collides with Girard's latest scoop, and the body count keeps rising, Mazarelle himself becomes a prime suspect who must clear his own name. Gerald Jay’s latest Mazarelle adventure is a riveting, fast-paced thriller about a classic French detective making his way through the dangerous streets of a very modern world.
Shimmer Chinodya, winner of the 1989 Commonwealth Writers Prize (Africa region) is one of Zimbabwe's foremost fiction writers. This collection of short stories reveals his development as a writer of passionate questioning integrity. The first stories, 'Hoffman Street' and 'The Man who Hanged Himself' capture the bewildered innocence of a child's view of the adult world, where behaviour is often puzzling and contradictory; stories such as 'Going to See Mr B.V.' provide the transition between the world of the adult and that of the child where the latter is required to act for himself in a situation where illusions founder on a narrow reality. 'Among the Dead' and 'Brothers and Sisters' look wryly at the self-conscious, self-centred, desperately serious world of young adulthood while 'Playing your Cards', 'The Waterfall', 'Strays' and 'Bramson' introduce characters for whom ambition, disillusion, and disappointment jostle for attention in a world where differences of class, culture, race and morality come to the fore. Finally, in 'Can we Talk' we conclude with an abrasive, lucid, sinewy voice which explores the nature of estrangement. The charge is desolation. Can we Talk and Other Stories speaks of the unspoken and unsaid. The child who watches but does not understand, the young man who observes but cannot participate, the man who stands outside not sure where his desires and ambitions lead, the older man, estranged by his own choices. 'Can we Talk' is not a question but a statement that insists on being heard, and demands a reassessment of our dreams.
So Rhoda Brook, the abandoned mistress of Farmer Lodge, is jealous to discover details of his new bride in 'The Withered Arm', the title story in this selection of Hardy's finest short stories. Hardy's first story, 'Destiny and a Blue Cloak' was written fresh from the success of Far From the Madding Crowd. Beautiful in their own right, these stories are also testing-grounds for the novels in their controversial sexual politics, their refusal of romance structures, and their elegiac pursuit of past, lost loves. Several of the stories in The Withered Arm were collected to form the famous volume, Wessex Tales (1888), the first time Hardy denoted 'Wessex' to describe his fictional world. The Withered Arm is the first of a new two-volume selection of Hardy's short stories, edited with an introduction and notes by Kristin Brady.
The last member of a murdered House tries to protect his ward from forced marriage to a monster while uncovering clues to his own tortured past. The Tarot Sequence imagines a modern-day Atlantis off the coast of Massachusetts, governed by powerful Courts based on the traditional Tarot deck. Rune Saint John, last child of the fallen Sun Throne, is backed into a fight of high court magic and political appetites in a desperate bid to protect his ward, Max, from a forced marital alliance with the Hanged Man. Rune's resistance will take him to the island's dankest corners, including a red light district made of moored ghost ships; a surreal skyscraper farm; and the floor of the ruling Convocation, where a gathering of Arcana will change Rune's life forever.
Seven hundred years ago, executioners led a Welsh rebel named William Cragh to a wintry hill to be hanged. They placed a noose around his neck, dropped him from the gallows, and later pronounced him dead. But was he dead? While no less than nine eyewitnesses attested to his demise, Cragh later proved to be very much alive, his resurrection attributed to the saintly entreaties of the defunct Bishop Thomas de Cantilupe. The Hanged Man tells the story of this putative miracle--why it happened, what it meant, and how we know about it. The nine eyewitness accounts live on in the transcripts of de Cantilupe's canonization hearings, and these previously unexamined documents contribute not only to an enthralling mystery, but to an unprecedented glimpse into the day-to-day workings of medieval society. While unraveling the haunting tale of the hanged man, Robert Bartlett leads us deeply into the world of lords, rebels, churchmen, papal inquisitors, and other individuals living at the time of conflict and conquest in Wales. In the process, he reconstructs voices that others have failed to find. We hear from the lady of the castle where the hanged man was imprisoned, the laborer who watched the execution, the French bishop charged with investigating the case, and scores of other members of the medieval citizenry. Brimming with the intrigue of a detective novel, The Hanged Man will appeal to both scholars of medieval history and general readers alike.
