Here they are all in one book The greatest collection of western film stars ever assembled--beginning with Broncho Billy Anderson and ending with the arrival of the television cowboy heroes. The author's work covers a span of over fifty years and will acquaint the reader with alll the matinee idols of the western genre...Tom Mix, Buck Jones, Hoot Gibson, from the Silent Flickers, the cliff-hanging Serials, the early Talkies and the Classic Westerns.
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
This biographical encyclopedia covers every actor and actress who had a regular role in a Western series on American television from 1960 through 1975, with analyses of key players. The entries provide birth and death dates, family information, and accounts of each player's career, with a cross-referenced videography. An appendix gives details about all Western series, network or syndicated, 1960-1975. The book is fully indexed.
Long before sound became an essential part of motion pictures, Westerns were an established genre. The men and women who brought to life cowboys, cowgirls, villains, sidekicks, distressed damsels and outraged townspeople often continued with their film careers, finding success and fame well into the sound era--always knowing that it was in silent Westerns that their careers began. More than a thousand of these once-silent Western players are featured in this fully indexed encyclopedic work. Each entry includes a detailed biography, covering both personal and professional milestones and a complete Western filmography. A foreword is supplied by Diana Serra Cary (formerly the child star "Baby Peggy"), who performed with many of the actors herein.
One of America’s unique contributions to world culture, the cowboy has captured the imagination of people everywhere. In The Cowboy: Six-Shooters, Songs, and Sex, eight renowned western writers report on what the cowboys really were like and what they are like today. Contributors detail how the cowboys lived, loved, and died, how they fared when ranchers switched from running cattle to entertaining dudes, and how the media have depicted the cowboy.
James Bawden: Seeing the way people behave when they're around you, is it still fun being Cary Grant? Cary Grant: I don't like to disappoint people. Because he's a completely made-up character and I'm playing a part. It's a part I've been playing a long time, but no way am I really Cary Grant. A friend told me once, "I always wanted to be Cary Grant." And I said, "So did I."—from the book In Conversations with Classic Film Stars, retired journalists James Bawden and Ron Miller present an astonishing collection of rare interviews with the greatest celebrities of Hollywood's golden age. Conducted over the course of more than fifty years, they recount intimate conversations with some of the most famous leading men and women of the era, including Douglas Fairbanks Jr., Joseph Cotten, Cary Grant, Gloria Swanson, Joan Fontaine, Loretta Young, Kirk Douglas, and many more. Each interview takes readers behind the scenes with some of cinema's most iconic stars. The actors convey unforgettable stories, from Maureen O'Hara discussing Charles Laughton's request that she change her last name, to Bob Hope candidly commenting on the presidential honors bestowed upon him. Humorous, enlightening, and poignant, Conversations with Classic Film Stars is essential reading for anyone who loves classic movies.
In June 1965, the National Cowboy Hall of Fame and Western Heritage Center, as it was then named, owned a mere handful of artifacts. In fact, the Oklahoma City institution was forced to borrow materials in order to mount exhibitions to support its inaugural events. From that modest beginning, the center, now known as the National Cowboy and Western Heritage Museum, has grown into perhaps the world’s most respected repository for the study and understanding of the diverse cultures of the American West. But, as Bobby D. Weaver demonstrates in this no-holds-barred history, the path from those humble origins to the esteemed position the museum occupies today led through some rough-and-tumble times, including a period of receivership. The autocratic style of the founding director, coupled with certain early less-than-ethical practices, forced the museum into what Weaver delicately terms “a legal tangle” that required a complete organizational and financial overhaul. With renewed professional leadership and the steadfast support of dedicated patrons and sponsors, the National Cowboy and Western Heritage Museum has developed and changed along with evolving understandings of the culture it was founded to celebrate. What was once a shrine to a particular manifestation of American frontier life has transformed into a world-class art and historical museum that represents the broad sweep of the American West—both lived and imagined—with its full range of social, ethnic, and economic diversity. As Weaver relates, today’s institution is well poised for the future as it furthers its mission of preserving and interpreting the heritage of a vital American region and its lifeways.
At rodeos in the 1940s, Gene Autry sang and jumped his horse, Champion, through a flaming hoop. In 1960s rodeo arenas, Lorne Greene and Dan Blocker acted out a skit from their hit television show Bonanza. In the same era familiar rodeo personalities like Hoot Gibson and Slim Pickens could be seen in movies or television shows. This book profiles performers who crossed over between film studio and rodeo arena when Hollywood and the rodeo circuit were closely linked. The first part traces the careers of rodeo participants who also contributed to film or television. The next two sections describe rodeo appearances of Western screen stars who entertained at rodeos. Some appeared solo and others with a television co-star or two. A fourth section summarizes rodeo-related films. Appendices introduce golden age rodeo personalities and outline rodeos known for presenting Western stars.
Pearl White, William Duncan, William Desmond, Ben Wilson, Walter Miller, Francis Ford, Charles Hutchinson, Jack Dougherty, and Eddie Polo are just a few of the stars to start up a whirlwind of enthusiasm among serial devotees. They offered a thrill-a-minute world of ridiculous plots, weird disguises, hair-raising escapes, hidden treasures, diabolic scientific devices, wild animals, depraved men, runaway trains, and an endless procession of knock-down, drag-out fights. Who could resist? This reference work highlights 446 serial performers who thrilled generations. Each entry includes the performer's birth and death dates, serial credits, major films and details of life before and after the movies.
