While the Grey family is visiting the battlefields of France, their mother becomes seriously ill. Their father is far away, busy with his work as an explorer. So thirteen year-old Cecil is left virtually alone with her brothers and sisters in a French chateau-hotel, owned by Mademoiselle Zizi. While Cecil watches from the sidelines, her beautiful older sister Joss falls in love with Eliot, the charming English gentleman who appoints himself the family's guardian. And while the greengages grow ripe and sweet in the sun, the sense of danger and mystery increases.
A sixteen-year-old girl captures the dangerous attention of an older man in this New York Times–bestselling novel by the author of Black Narcissus. Soon after the end of the terrible Great War, Mrs. Grey brings her five young children to the French countryside for the summer in hopes of instilling in them a sense of history and humility. But when she is struck down by a sudden illness and hospitalized, the siblings are left to fend for themselves at the lovely, bullet-scarred hotel Les Oeillets, under the suspicious, watchful eyes of its owner, Mademoiselle Zizi. The young ones find a willing guide, companion, and protector in charming Englishman Eliot, a longtime resident at Les Oeillets and Mlle. Zizi’s apparent paramour. But as these warm days of freedom, discovery, and adolescent adventure unfold, Eliot’s interest becomes more and more focused on the eldest of the Grey children, sixteen-year-old daughter Joss. The older man’s obsession with the innocent, alluring, heartbreakingly beautiful woman-child soon threatens to overstep all bounds of propriety. And as Eliot’s fascination increases, so does the jealousy of his disrespected lover, adding fuel to a dangerously smoldering fire that could erupt into unexpected violence at any moment. Told from the point of view of Cecil, Joss’s sharp-eyed younger sister, The Greengage Summer is a beautiful, poignant, darkly tinged coming-of-age story rich in the sights, smells, and sounds of France’s breathtaking Champagne country. It remains one of the crowning literary achievements of Rumer Godden, acclaimed author of beloved classics Black Narcissus, The River, and In This House of Brede. This ebook features an illustrated biography of the author including rare images from the Rumer Godden Literary Estate.
This A-Z guide to lesbians and lesbianism in the movies contains reviews, gossip, facts and commentary on over 200 films, including specifically lesbian films such as "Go Fish" and "Desert Hearts" as well as films with a lesbian character or theme, like "The Children's Hour" and "The Hunger".
British Summer Time Begins is about summer holidays of the mid-twentieth century and how they were spent, as recounted to Ysenda Maxtone-Graham in vividly remembered detail by people who were there. Through this prism, it paints a revealing portrait of twentieth-century Britain in summertime: how we were, how families functioned, what houses and gardens and streets were like, what journeys were like, and what people did all day in their free time. It explores their expectations, hopes, fears and habits, the rules or lack of rules under which they lived, their happiness and sadness, their sense of being treasured or neglected - all within living memory, from pre-war summers to the late 1970s. Ysenda takes us back to the long stretch of time from the last days of June till the early days of September - those months when the term-time self was cast off and you could become the person you really were, and you had (if you were lucky) enough hours in the endless succession of days to become good at the things that would later define your adulthood. The 'showpiece' part of the summer holidays was 'the summer holiday', when families took off to the seaside, or to grandparents' houses teeming with cousins, or on early package holidays to France or Spain, siblings wedged into the back of small cars, roof-racks clattering, mothers preparing picnics. British Summer Time Begins is as much about the long weeks either side of that holiday as the trip itself: the weeks when nothing much officially happened, boredom often lurked nearby, and you vanished for hours on end, nobody much knowing or even caring where you were. Could it be that those unscheduled days were actually the most important and formative of your life? From the author of the beloved Terms & Conditions, British Summer Time Begins is a delightful, nostalgic and joyous celebration of summers.
Idols of the Odeons examines British film stardom in the post-war era, a time when Hollywood movies were increasingly supplanting the Pinewood/Elstree studio system. The book encompasses the careers of sixteen actors, including Stanley Baker, Diana Dors, Norman Wisdom, Hattie Jacques, Peter Finch and Peter Sellers. Such extremely diverse careers provide the opportunity to explore overlooked films, in addition to examining how the term ‘star’ could apply to a stalwart leading man, a Variety comic, a self-created ‘Vamp’ and a character actor. Above all, this is a book that celebrates, with idiosyncratic humour and warmth, how these actors accomplished much of their best work during the transitional period between the Rank/ABPC roster of stars and the US domination of the British film industry.
In Rumer Godden's Coromandel Sea Change Blaise and Mary arrive at Patna Hall, a hotel on India’s shimmering Coromandel coast, to spend part of their honeymoon. Patna Hall is as beautiful and timeless as India itself, ruled over firmly and wise by proprietor Auntie Sanni. For Mary it feels strangely like home. In a week that will change the young couple’s destiny, election fever grips the Southern Indian state and Mary falls under the spell of the people, the country – and Krishnan, godlike candidate for the Root and Flower party . . .
From 1929 to 1997, Rumer Godden published more than 60 books, including novels, biographies, children's books, and poetry; this is the first collection devoted to this important transnational writer. Focusing on Godden's writing from the 1930s onward, the contributors uncover the breadth and variety of the literary landscape on display in works such as Black Narcissus, The Lady and the Unicorn, A Fugue in Time, and The River. Often drawing on her own experiences living in India and Britain, Godden establishes a diverse narrative topography that allows her to engage with issues related to her own uncertain position as an author representing such nomadic Others as gypsies, or taking up the displacements brought about by international conflict. Recognizing that studies of the transnational must consider the condition of enforced and elected exile within the changing political and cultural borders of postcolonial nations, the contributors position Godden with respect to different and overlapping fields of inquiry: modern literary history; colonial, postcolonial, and transnational studies; inter-media studies; and children's literature. Taken together, the essays in this volume demonstrate the richness and variety of Godden's writing and render the myriad ways in which Godden is an important critical presence in mid-twentieth-century fiction.
