SHORTLISTED FOR THE PUSHKIN HOUSE PRIZE 'The most formidable spy in history' IAN FLEMING 'His work was impeccable' KIM PHILBY 'The spy to end spies' JOHN LE CARRÉ Born of a German father and a Russian mother, Richard Sorge moved in a world of shifting alliances and infinite possibility. In the years leading up to and during the Second World War, he became a fanatical communist – and the Soviet Union's most formidable spy. Combining charm with ruthless manipulation, he infiltrated and influenced the highest echelons of German, Chinese and Japanese society. His intelligence proved pivotal to the Soviet counter-offensive in the Battle of Moscow, which in turn determined the outcome of the war itself. Drawing on a wealth of declassified Soviet archives, this is a major biography of one of the greatest spies who ever lived.
The spy novel has, over the past hundred years, become one of the most popular literary genres. The best exponents have become household names, as have their characters, heroes and villains alike. From Richard Hannay to James Bond and George Smiley, the spies and spy-hunters of fiction have developed from the printed page to grace the movie and television screens - with huge success. Uncovering the greatest or best spy writers of the Twentieth Century has not been easy. There are so many to choose from. Ultimately, however, the choice has come down to three highly significant and successful exponents of the art, writers who cannot be ignored but, more significantly, who were leaders, movers and shakers in the art of writing spy fiction. John Buchan was at the forefront, arguably the first in a long line of spy writers - and still one of the finest. Classic tales like The Thirty-Nine Steps and Greenmantle set the benchmark for everyone else to follow. Ian Fleming's creation of James Bond in books like Goldfinger and From Russia with Love took the spy novel to new heights of glamor and exotic settings. John le Carre's world of spies, double-dealing, betrayal and seedy backstreet assignations is the very antithesis of Fleming's Bond but its realism and stark reality took the art of spy fiction to a new level. Buchan, Fleming, Le Carre, arguably the greatest spy writers of the Twentieth Century. Do you agree? Read the book and make your own judgement. Whatever you decide, you will not be disappointed by the writing and the judgements.
DISCOVER THE SPYING OPERATIONS THAT CHANGED THE COURSE OF HISTORY Espionage expert Ernest Volkman goes behind the scenes of 20th-century history to uncover twenty-three incredible capers, con games, and subterfuges. Here are just a few: * Windows shattered in Manhattan, shrapnel struck the Statue of Liberty, and the Brooklyn Bridge swayed when, in July of 1916, German saboteurs blew up the huge Black Tom munitions dump near Bayonne, New Jersey. The spectacular explosion galvanized public opinion against Germany and helped bring the United States into World War I. * Japan's seizure of the Mandate Islands in the central Pacific triggered U.S. covert activities. Could the secret of Amelia Earhart's tragic final flight be connected to America's pre-war jitters? * In the early 1920s, to ensure the survival of the fledgling Soviet state, Lenin used his personal intelligence service, CHEKA, to control anti-Bolshevik resistance. Enemies of the revolution were lured to their destruction through the ironically named Trust Operation. * How were the Allies able to counter Hitler's deadliest weapons? For six years a mole inside Nazi Germany's scientific establishment betrayed the secrets of his country's classified military research to Britain's MI6.
Heroes to some, traitors to others, spies and intelligence officers continue to fascinate and enthral us with their abilities to operate secretly in the shadows. With these mini-biographies of twenty agents of various nationalities (including members of the DGSE, KGB, CIA, MI6 and Mossad), Patrick Pesnot and 'Mr X' bring the reader as close as possible into the world of espionage, though a panorama of intelligence history.Among the best known of these agents, the reader will find Aldrich Ames, an American accused of spying for the KGB; Eli Cohen, the Israeli spy best known for his espionage work in Syria and Klaus Fuchs, the German-born British agent who helped the USSR to manufacture its atomic bomb in 1949.
Vladimir Vetrov, joined the KGB to work as a spy. Following a couple of murky incidents, he is removed from the field and placed at a desk as an analyst. Soon, burdened by a troubled marriage and frustrated at a failing career, Vetrov turns to alcohol. Desparate and in need of redemption, in 1980 he offers his services to the DST, the French counterintelligence service. Thus Agent Farewell is born. Soon he is sneaking files and photographing sensitive dcouments, keeping the West informed of the USSR's plans--right in the heart of KGB headquarters, hastening the end of the Cold War.
In Detecting the Nation, Reitz argues that detective fiction was essential both to public acceptance of the newly organized police force in early Victorian Britain and to acclimating the population to the larger venture of the British Empire. In doing so, Reitz challenges literary-historical assumptions that detective fiction is a minor domestic genre that reinforces a distinction between metropolitan center and imperial periphery. Rather, Reitz argues, nineteenth-century detective fiction helped transform the concept of an island kingdom to that of a sprawling empire; detective fiction placed imperialism at the center of English identity by recasting what had been the suspiciously un-English figure of the turn-of-the-century detective as the very embodiment of both English principles and imperial authority. She supports this claim through reading such masters of the genre as Godwin, Dickens, Collins, and Doyle in relation to narratives of crime and empire such as James Mill's History of British India, narratives about Thuggee, and selected writings of Kipling and Buchan. Detective fiction and writings more specifically related to the imperial project, such as political tracts and adventure stories, were inextricably interrelated during this time.
In Spy Runner, a noir mystery middle grade novel from Newbery Honor author Eugene Yelchin, a boy stumbles upon a secret that jeopardizes American national security. It's 1953 and the Cold War is on. Communism threatens all that the United States stands for, and America needs every patriot to do their part. So when a Russian boarder moves into the home of twelve-year-old Jake McCauley, he's on high alert. What does the mysterious Mr. Shubin do with all that photography equipment? And why did he choose to live so close to the Air Force base? Jake’s mother says that Mr. Shubin knew Jake’s dad, who went missing in action during World War II. But Jake is skeptical; the facts just don’t add up. And he’s determined to discover the truth—no matter what he risks. Godwin Books
An Elizabethan espionage thriller in which playwright Christopher Marlowe spies on Mary, Queen of Scots while navigating the perils of politics, theater, romance—and murder. England, 1585. In Kit Marlowe's last year at Cambridge, he is approached by Queen Elizabeth's spymaster offering an unorthodox career opportunity: going undercover to intercept a Catholic plot to put Mary, Queen of Scots on Elizabeth's throne. Spying on Queen Mary turns out to be more than Kit bargained for, but his salary allows him to mount his first play, and over the following years he becomes the toast of London's raucous theater scene. But when Kit finds himself reluctantly drawn back into the world of espionage and treason, he realizes everything he's worked so hard to attain—including the trust of the man he loves—could vanish in an instant. Pairing modern language with period detail, Allison Epstein brings Elizabeth's lavish court, Marlowe's colorful theater troupe, and the squalor of sixteenth-century London to vivid, teeming life. At the center of the action is Kit himself—an irrepressible, irreverent force of nature.
“American Spy updates the espionage thriller with blazing originality.”—Entertainment Weekly “There has never been anything like it.”—Marlon James, GQ “So much fun . . . Like the best of John le Carré, it’s extremely tough to put down.”—NPR NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY CHICAGO TRIBUNE AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • NPR • Entertainment Weekly • Esquire • BuzzFeed • Vulture • Real Simple • Good Housekeeping • The New York Public Library What if your sense of duty required you to betray the man you love? It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Sankara is doing for his country. Yes, even though she is still grieving the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she’s being offered the job because of her appearance and not her talent. In the year that follows, Marie will observe Sankara, seduce him, and ultimately have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American. Inspired by true events—Thomas Sankara is known as “Africa’s Che Guevara”—American Spy knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you’ve never seen before, and it introduces a powerful new literary voice. NOMINATED FOR THE NAACP IMAGE AWARD • Shortlisted for the Center for Fiction First Novel Prize “Spy fiction plus allegory, and a splash of pan-Africanism. What could go wrong? As it happens, very little. Clever, bracing, darkly funny, and really, really good.”—Ta-Nehisi Coates “Inspired by real events, this espionage thriller ticks all the right boxes, delivering a sexually charged interrogation of both politics and race.”—Esquire “Echoing the stoic cynicism of Hurston and Ellison, and the verve of Conan Doyle, American Spy lays our complicities—political, racial, and sexual—bare. Packed with unforgettable characters, it’s a stunning book, timely as it is timeless.”—Paul Beatty, Man Booker Prizewinning author of The Sellout
