This is the first book to expose a crucial aspect of the cover-up of the JFK assassination conspiracy: the doctoring of the Zapruder film, allegedly a 27-second home movie shot by Abraham Zapruder in Dealey Plaza. The evidence for alteration of the Zapruder movie takes many forms, including inconsistencies with eyewitness testimony, discrepancies with other films and photographs, impossible movements within the time-frame of the movie, contradictions between the movie and the physical layout of Dealey Plaza, and the multiple versions of the movie itself. This book brings together all the leading authorities within the assassination research community, including David Healy, authority on technical processes of film production; Jack White, who for forty years has made a special study of the JFK assassination movies and photographs; John Costella, Ph.D., a physicist and engineer with a background in optics, the properties of light, and moving objects; and David W. Mantick, Ph.D., the foremost expert on the medical evidence in the JFK assassination.
This is the first book to expose a crucial aspect of the cover-up of the JFK assassination conspiracy: the doctoring of the Zapruder film, allegedly a 27-second home movie shot by Abraham Zapruder in Dealey Plaza. The evidence for alteration of the Zapruder movie takes many forms, including inconsistencies with eyewitness testimony, discrepancies with other films and photographs, impossible movements within the time-frame of the movie, contradictions between the movie and the physical layout of Dealey Plaza, and the multiple versions of the movie itself. This book brings together all the leading authorities within the assassination research community, including David Healy, authority on technical processes of film production; Jack White, who for forty years has made a special study of the JFK assassination movies and photographs; John Costella, Ph.D., a physicist and engineer with a background in optics, the properties of light, and moving objects; and David W. Mantick, Ph.D., the foremost expert on the medical evidence in the JFK assassination.
It is the most famous home movie of all time, the most closely analyzed 26 seconds of film ever shot, the most disturbing visual record of what many have called “the crime of the century.” In 486 frames—a mere six feet of celluloid—Abraham Zapruder’s iconic film captures from beginning to end the murder of President John F. Kennedy in broad daylight. An essential piece of evidence, the film has become nearly synonymous with the assassination itself and has generated decades of debate among conspiracy theorists and defenders of the Warren Commission’s official report. Until now, however, no scholar has produced a comprehensive book-length study of the film and its relation to the tragic events of November 22, 1963. David Wrone, one of our nation’s foremost authorities on the assassination, re-examines Zapruder’s film with a fresh eye and a deep knowledge of the forensic evidence. He traces the film’s history from its creation on the “grassy knoll” by Dallas dressmaker Zapruder through its initial sale to Life magazine and early reproductions and its analysis by the Warren Commission and countless assassination researchers, licensing by the Zapruder family, legal battles over bootleg copies, and sale to the federal government for sixteen million dollars. Wrone’s major contribution, however, is to demonstrate how a close examination of the film itself necessarily refutes the Warren Commission’s lone-gunman and single-bullet theories. The film, as he reminds us, provides a scientifically precise timeline of events, as well as crucial clues regarding the timing, number, origins, and impact of the shots fired that day. Analyzing the film frame-by-frame in relation to other evidence—including two key photos by Phil Willis and Ike Altgens—he builds a convincing case against the official findings. Without fanfare, he concludes that more than three gunshots were fired from more than one direction and that most likely none were fired by alleged assassin Lee Harvey Oswald. If true, then JFK’s death was the result of a conspiracy, for the Commission’s nonconspiracy conclusion requires a maximum of three shots and one gunman. Wrone, however, does not speculate as to who actually shot JFK or why—or even if Oswald was a part of the conspiracy. In fact, he is no fan of conspiracy-think and is just as critical of the legion of conspiracy theorists as he is of the Warren Commission (which, he reveals, crushed dissent within its own ranks). Doggedly pursuing the evidence wherever it leads, Wrone has produced a meticulous, clear-eyed, and provocative new reading of this remarkable cinematic Rosetta Stone.
Provides the complete script for JFK, which details the investigation into President Kennedy's assassination, and includes reponses and comments about the film, and official reports and documentation
Arguing that the evidence relied upon by the Warren Commission and the House Assassinations Committee was faked, Lifton describes how the cover-up plot worked and explains the numerous conflicts in the record.
This book blows the most famous film in history - the Zapruder film - sky high. It will never be the same. Harrison Livingston's twenty-year investigation of the film is massive, and it exposes the extensive fraud and trickery connected to the film, as well as what is wrong with it and the 1997-8 inquiry into it.
President John F. Kennedy said, "The great enemy of truth is very often not the lie; deliberate, contrived and dishonest. but the myth, persistent, persuasive, and unrealistic. Filtering long held beliefs in the Kennedy assassination through contemporary, reliable, established scientific facts will help to dispel myths; the very thing Kennedy described as the great enemy of truth. Authored by forensic investigator Sherry Fiester, Enemy of the Truth addresses eight prominent myths in the assassination, including: the Dallas Police Department's investigation, the varied Dealey Plaza locations witnesses believed shots originated, the single bullet theory, two simultaneous head shots, if the limousine stopped, and if the blood in the Zapruder film is faked.
We now know vastly more about the killing of John F. Kennedy than was known 20 or 30 years ago, and new evidence is accumulating almost every day. This new evidence is being uncovered by the bold application of scientific and technological expertise to the assassination records, including the film, photographic, and autopsy records. Murder in Dealey Plaza presents the latest and best of the new assassination research. As a result of these freshly uncovered findings, it is possible to say with moral certainty and considerable scientific authority that the murder of President Kennedy was committed by a meticulously executed conspiracy which was then observed by an extensive cover-up.
