Carefully selecting the best articles from our collection of classic magazines we have compiled a series of informative publications on the subject of sport. The titles in this range include 'The Sport of Rifle Shooting,' 'A Traditional Guide to Swimming and Diving,' 'The Great Sport of Rowing,' and many more. Each publication has been professionally curated and includes all details on the original source material. This particular instalment, 'The Great Sport of Boxing', contains boxing stories, fighting techniques, and boxing history. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
Roberto Duran, Marvelous Marvin Hagler, Sugar Ray Leonard, and Thomas "Hit Man" Hearns all formed the pantheon of boxing greats during the late 1970s and early 1980s—before the pay-per-view model, when prize fights were telecast on network television and still captured the nation's attention. Championship bouts during this era were replete with revenge and fury, often pitting one of these storied fighters against another. From training camps to locker rooms, author George Kimball was there to cover every body shot, uppercut, and TKO. Inside stories full of drama, sacrifice, fear, and pain make up this treasury of boxing tales brought to life by one of the sport's greatest writers.
Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.
Boxing fans love the upset, seeing the underdog surprise the heavy favorite and take the fight to him, winning over the fans and - perhaps even more important - the judges. Sylvester Stallone mined that emotion through his long series of Rocky films. Rocky is fiction, however. The men in Rocky Lives! are real. David E. Finger, a writer for top boxing website FightNews.com, presents chronologically seventy-five heavyweight boxing upsets of the 1990s. Some involve boxers still fighting today; others contain a cautionary tale of once-great boxers chasing one last payday. There are also the early-round disasters of wannabes and athletes who switched to boxing in midstream. From the Tyson-Douglas, Foreman-Moorer, and Lewis-McCall top-dollar fights to low-level curiosities like former New York Jet Mark Gastineau getting embarrassed or Eric Butterbean Esch taking to the ring, David Finger presents the best heavyweight upsets the 1990s have to offer. You'll read about crooked promoters drugging opponents, a convicted felon hoping victory in the ring will win him leniency, and a forty-five-year-old preacher looking to exorcise a two-decade-old demon. Rocky Lives! brings all the knockouts transcends sports as a whole, it is what made Super Bowl III so memorable, it is what made the Miracle on Ice a miracle, it is what makes every graduate of a tiny school in Hawaii smile whenever they see a college basketball game on Christmas Eve. But in boxing, upsets often tell a story that could never be duplicated anywhere else, a story of one man's courage, one mans belief in his own ability. There is probably no place lonelier in the world than in the ring when you are an underdog, and the upset often becomes a reflection of the boxer himself, and a reflection of his struggle...against his opponent, against his critics, against the adversity of his life, against himself. As professional sports changed in the 1990s, so did the upset. Professional sports transformed form being a national diversion and pastime into a national corporation of sorts, a merchandising empire, where skill often took a back seat to marketability. But skill was still a necessary element of the equation, even if it became secondary in many ways. 10 games into his rookie season, and Brian Bosworth's persona didn't keep him in the NFL any longer than his poor performance could justify. But in boxing in the 1990s, skill soon would become a mere optional attachment, something that by no means needed to derail a marketable fighter. Boxing provided a ripe environment for misrepresentation. We knew Harold Miner was no Michael Jordan from week one. We never got the opportunity to find out Gerry Cooney was no Rocky Marciano until he had already fooled nearly everyone into earning one of the biggest paydays in boxing history. Gerry Cooney's 1982 fight against then heavyweight champion Larry Holmes would prove to be significant, we knew it as soon as the fight was signed and shamelessly promoted as a black vs. white fight. Its impact was felt all over boxing, but it would continue to influence boxing for years to come. Suddenly businessmen all over the world realized something. There was money to be made in a white heavyweight, and the fighter didn't have to take a particularly hazardous road to reach that payday. skilled than the one who preceded him, and each trying to earn the undeserved payday. Few insiders paid much attention to the phenomenon, after all Gerry Cooney was at least a legitimate contender when he got his title fight, and a good fighter to boot. What he was not was a great fighter who deserved such a large payday against such an established champion as Larry Holmes. But when Peter McNeely earned nearly a million dollars (more than most champions made in their entire career) everyone realized that boxing was a different sport than it was just 15-years prior. Suddenly managers and promoters were working hard to keep untalented fighters undefeated, a recipe than would often produce countless upsets over the decade, most in boxing's money division: the heavyweight division. But an even bigger even took place in 1991, that also would change the face of boxing forever. It would prove to be one of the most uplifting and memorable moments in sports history, but would lead to a tragic trend in boxing that would discredit the sport. his last title fight, gave the undisputed heavyweight champion one of the toughest fight of his career up to that point, loosing a close decision. George Foreman had walked into that fight the recipient of one of the largest paydays in boxing history, and walked out of it with the guarantee of even bigger paydays. All over the world former champions and contenders were suddenly given the motivation to do what George did. But Foreman was the exception, and each comeback ended without a belt, and all except that of Larry Holmes ended without a million dollar payday. Still, the fighters kept fighting, hoping to find lightning in the bottle, just as George had. No matter how many times one lost, there was still that hope, that unrealistic hope that kept fighters fighting on. When Rocky Marciano knocked out Joe Louis, there was no question that Joe had to retire. But in the 1990s, a former champion could loose, and loose again, until it became nearly a meaningless statistic to have a former champions scalp on your resume. this arena's Super Bowl.
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
This knockout biography follows boxing legend Floyd Patterson, civil rights activist, national icon, and the youngest man to win the World Heavyweight Champion title, and the first to ever win the title twice.
Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
