"If engineering were a religion, it would be the 5th most populous religion in India." In India, you become an engineer first and then figure out what you want to do with your life. On 4 October 2014, more than 300 individuals across the globe contributed close to 14,000 AUD and created crowdfunding history. This book became the highest crowdfunded book in India and the 6th highest in Asia. In a nation that is exasperatingly diverse, engineering seems to be one of the biggest obsessions. India produces more engineers annually than twice the population of Iceland. I set on a backpacking trip across the country to unravel this massive phenomenon at the end of which I lost a camera full of images, but I found a story to tell the world. It is through this journey that I present to you the world's most interesting educational story.
Aimee and Alan have unusual pasts and secrets they prefer to keep hidden. Aimee's deceased mother struggled with mental illness and hallucinations, and Aimee thinks it could be hereditary. After all, she sees a shadowy river man where there isn't one. And then there was that time she and her best friend Courtney tried to conjure a spirit with a Ouija board . . . Alan is Courtney's cousin. His family moved to Maine when Courtney's father went missing. It's not just Alan's dark good looks that make him attractive. He is also totally in touch with a kind of spiritual mysticism from his Native American heritage. And it's not long before Aimee has broken up with her boyfriend . . . But it's not Aimee or Alan who is truly haunted - it's Courtney. In a desperate plea to find her father, Courtney invites a demonic presence into her life. Together, Aimee and Alan must exorcise the ghost, before it devours Courtney - and everything around her.
Why do you garden? For fun? Work? Food? The reasons to garden are as unique as the gardener. The Roots of My Obsession features thirty essays from the most vital voices in gardening, exploring the myriad motives and impulses that cause a person to become a gardener. For some, it’s the quest to achieve a personal vision of ultimate beauty; for others, it’s a mission to heal the earth, or to grow a perfect peach. The essays are as distinct as their authors, and yet each one is direct, engaging, and from the heart. For Doug Tallamy, a love of plants is rooted first in a love of animals: “animals with two legs (birds), four legs (box turtles, salamanders, and foxes), six legs (butterflies and beetles), eight legs (spiders), dozens of legs (centipedes), hundreds of legs (millipedes), and even animals with no legs (snakes and pollywogs).” For Rosalind Creasy, it’s “not the plant itself; it’s how you use it in the garden.” And for Sydney Eddison, the reason has changed throughout the years. Now, she “gardens for the moment.” As you read, you may find yourself nodding your head in agreement, or gasping in disbelief. What you’re sure to encounter is some of the best writing about the gardener’s soul ever to appear. For anyone who cherishes the miracle of bringing forth life from the soil, The Roots of My Obsession is essential inspiration.
Recounts the author's youth as the daughter of a professional musician, her determined efforts to acquire a rare German grand piano, and her struggles to restore the instrument when it arrived badly tone impaired. Reprint.
A NEW YORK TIMES BESTSELLER From USA TODAY bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed). Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians is “a masterpiece. Intimate, devastating, brutal, terrifying, warm, and heartbreaking in the best way” (Paul Tremblay, author of A Head Full of Ghosts). This novel follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in violent, vengeful ways.
A shotgun misfires inside the American Fur Company store in Northern Michigan, and Alexis St. Martin's death appears imminent. It's 1822, and, as the leaders of Mackinac Island examine St. Martin's shot-riddled torso, they decide not to incur a single expense on behalf of the indentured fur trapper. They even go so far as to dismiss the attention of U.S. Army Assistant Surgeon William Beaumont, the frontier fort's only doctor. Beaumont ignores the orders and saves the young man's life. What neither the doctor nor his patient understands—yet—is that even as Beaumont's care of St. Martin continues for decades, the motives and merits of his attention are far from clear. In fact, for what he does to his patient, Beaumont will eventually stand trial and be judged. Rooted deeply in historic fact, Open Wound artfully fictionalizes the complex, lifelong relationship between Beaumont and his illiterate French Canadian patient. The young trapper's injury never completely heals, leaving a hole into his stomach that the curious doctor uses as a window to understand the mysteries of digestion. Eager to rise up from his humble origins and self-conscious that his medical training occurred as an apprentice to a rural physician rather than at an elite university, Beaumont seizes the opportunity to experiment upon his patient's stomach in order to write a book that he hopes will establish his legitimacy and secure his prosperity. As Jason Karlawish portrays him, Beaumont, always growing hungrier for more wealth and more prestige, personifies the best and worst aspects of American ambition and power.
Uncle Petros is a family joke. An ageing recluse, he lives alone in a suburb of Athens, playing chess and tending to his garden. If you didn't know better, you'd surely think he was one of life's failures. But his young nephew suspects otherwise. For Uncle Petros, he discovers, was once a celebrated mathematician, brilliant and foolhardy enough to stake everything on solving a problem that had defied all attempts at proof for nearly three centuries - Goldbach's Conjecture. His quest brings him into contact with some of the century's greatest mathematicians, including the Indian prodigy Ramanujan and the young Alan Turing. But his struggle is lonely and single-minded, and by the end it has apparently destroyed his life. Until that is a final encounter with his nephew opens up to Petros, once more, the deep mysterious beauty of mathematics. Uncle Petros and Goldbach's Conjecture is an inspiring novel of intellectual adventure, proud genius, the exhilaration of pure mathematics - and the rivalry and antagonism which torment those who pursue impossible goals.
Mark Bernstein shows that much of the culture that surrounds American football, both good and bad, has its roots in the Ivy League. With their long winning streaks, distinctive traditions, and impressive victories, Ivy teams started a national obsession with football in the first decades of the twentieth century that remains alive today. In so doing they have helped develop our ideals about the role of athletics in college life.
The Beauty She was a gorgeous swimsuit model. He was a charming Greek sailor. They met on a cruise in November of 1997 and soon thereafter began a clandestine love affair. Little more than a year later, thirty-one-year-old Julie Scully left her millionaire ex-husband and three-year-old daughter behind, and moved to Greece to be with twenty-four-year-old George Skiadopoulos. The Beast But there was trouble in paradise. Julie, tired of Skiadopoulos' jealous and controlling nature, and badly missing her young daughter, decided to return to the States. Skiadopoulos wouldn't have it. When she told him of her plans to leave-and take her $600,000 divorce settlement back with her- Skiadopoulos took Julie to a remote area and strangled her to death. Then, to cover up his deed, her burned her lifeless body and tried to stuff the charred corpse into a suitcase. When it wouldn't fit, Skiadopoulos delivered the final blow-he chopped off her head and tossed it into the Aegean Sea. The Brutal Murder ow, find out the stunning inside story on a murder case that made national headlines, as acclaimed true crime writer John Glatt lays bare a shocking story of greed, betrayal, and...
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK A modern classic of personal journalism, The Orchid Thief is Susan Orlean’s wickedly funny, elegant, and captivating tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion. In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for The Orchid Thief “Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review “Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times “Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World “Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe “A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal
