Since adolescence, Bravura and salt of the earth Susie have been partners in magic and best friends, as well as occasional bedmates. But when the two performers hire the mysterious and alluring Lena as a third banana to jazz up the act, Bravura falls madly in love. Lena believes in magic—and not just the rabbit-out-of-a hat kind. She encourages Bravura to believe in her own supernatural powers, and when Susie balks, conflict ensues. Things really go south during the classic “Disappearing Box” act, when Susie disappears for real. With her pal presumed dead, and Bravura the prime suspect, the magician must act quickly to find Susie—hopefully alive! To prove her innocence, Bravura must uncover the holes in her own story—even if it means incriminating herself, and her precious Lena, in the process.
The first major history of the bravura movement in European painting The painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter’s distinct materials, virtuosic execution, and theatrical showmanship. This resulted in the further development of innovative techniques and a popular understanding of the artist as a weapon-wielding acrobat, impetuous wunderkind, and daring rebel. In Bravura, Nicola Suthor offers the first in-depth consideration of bravura as an artistic and cultural phenomenon. Through history, etymology, and in-depth analysis of works by such important painters as Franҫois Boucher, Caravaggio, Francisco Goya, Frans Hals, Peter Paul Rubens, Tintoretto, and Diego Velázquez, Suthor explores the key elements defining bravura’s richness and power. Suthor delves into how bravura’s unique and groundbreaking methods—visible brushstrokes, sharp chiaroscuro, severe foreshortening of the body, and other forms of visual emphasis—cause viewers to feel intensely the artist’s touch. Examining bravura’s etymological history, she traces the term’s associations with courage, boldness, spontaneity, imperiousness, and arrogance, as well as its links to fencing, swordsmanship, henchmen, mercenaries, and street thugs. Suthor discusses the personality cult of the transgressive, self-taught, antisocial genius, and the ways in which bravura artists, through their stunning displays of skill, sought applause and admiration. Filled with captivating images by painters testing the traditional boundaries of aesthetic excellence, Bravura raises important questions about artistic performance and what it means to create art.
COSTA BOOK OF THE YEAR AWARD WINNER LONGLISTED FOR THE 2017 MAN BOOKER PRIZE "A true leftfield wonder: Days Without End is a violent, superbly lyrical western offering a sweeping vision of America in the making."—Kazuo Ishiguro, Booker Prize winning author of The Remains of the Day and The Buried Giant From the two-time Man Booker Prize finalist Sebastian Barry, “a master storyteller” (Wall Street Journal), comes a powerful new novel of duty and family set against the American Indian and Civil Wars Thomas McNulty, aged barely seventeen and having fled the Great Famine in Ireland, signs up for the U.S. Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.
Perched on the edge of San Francisco, Lakeside College is experiencing an identity crisis. John Gudewill is recruited as president to save the college from possible closure—but he is flummoxed at every turn. The faculty, led by secretive English professor Eliot Blanc, is determined to unionize. The alumni want Lakeside to return to its former status as a women-only college. Meanwhile, Sister Magdalena, the college’s infamous artist, is waging war against corporate America through her art, and the students are engaging in their own warfare through sit-ins and protests. With the college besieged on all sides, what is its new president to do? A hilarious spoof of academic intrigue, Slipsliding by the Bay mirrors the societal turmoil and follies of the seventies.
"The profound expansion of television into American homes in the 1950s brought a flood of adapted plays to the small screen and resulted in the rebirth of the careers of many significant playwrights. The Great American Playwrights on the Screen provides fans with a video and DVD guide to the adapted works of the playwrights and shows which versions are available for home viewing and in what media (VHS and DVD). It resurrects the memory of television productions of plays at a critical time, when many of them - including Emmy winners and nominees - are deteriorating in vaults."--BOOK JACKET.
Astrologer Jill Dearman writes a hilariously irreverent yet compelling astrological guide that provides lesbians with the personable traits of possible mates.
