The Grammar of Politics and Performance
The Grammar of Politics and Performance

Author: Shirin M Rai

Publisher: Routledge

Published: 2014-12-05

Total Pages: 312

ISBN-13: 1134751338

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This volume brings together important work at the intersection of politics and performance studies. While the languages of theatre and performance have long been deployed by other disciplines, these are seldom deployed seriously and pursued systematically to discover the actual nature of the relationship between performance as a set of behavioural practices and the forms and the transactions of these other disciplines. This book investigates the structural similarities and features of politics and performance, which are referred to here as ‘grammar’, a concept which also emphasizes the common communicational base or language of these fields. In each of the chapters included in this collection, key processes of both politics and performance are identified and analyzed, demonstrating the critical and indivisible links between the fields. The book also underlines that neither politics nor performance can take place without actors who perform and spectators who receive, evaluate and react to these actions. At the heart of the project is the ambition to bring about a paradigm change, such that politics cannot be analyzed seriously without a sophisticated understanding of its performance. All the chapters here display a concrete set of events, practices, and contexts within which politics and performance are inseparable elements. This work will be of great interest to students and scholars in both International Relations and Performance Studies.

The Grammar of Politics and Performance
The Grammar of Politics and Performance

Author: Shirin M Rai

Publisher: Routledge

Published: 2014-12-05

Total Pages: 270

ISBN-13: 1134751265

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This volume brings together important work at the intersection of politics and performance studies. While the languages of theatre and performance have long been deployed by other disciplines, these are seldom deployed seriously and pursued systematically to discover the actual nature of the relationship between performance as a set of behavioural practices and the forms and the transactions of these other disciplines. This book investigates the structural similarities and features of politics and performance, which are referred to here as ‘grammar’, a concept which also emphasizes the common communicational base or language of these fields. In each of the chapters included in this collection, key processes of both politics and performance are identified and analyzed, demonstrating the critical and indivisible links between the fields. The book also underlines that neither politics nor performance can take place without actors who perform and spectators who receive, evaluate and react to these actions. At the heart of the project is the ambition to bring about a paradigm change, such that politics cannot be analyzed seriously without a sophisticated understanding of its performance. All the chapters here display a concrete set of events, practices, and contexts within which politics and performance are inseparable elements. This work will be of great interest to students and scholars in both International Relations and Performance Studies.

A Grammar of Politics (Works of Harold J. Laski)
A Grammar of Politics (Works of Harold J. Laski)

Author: Harold J. Laski

Publisher: Routledge

Published: 2014-10-30

Total Pages: 707

ISBN-13: 1317586778

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Laski’s magnum opus, this volume outlines the history and functions of state institutions which (in the author’s view) are desirable for the effective functioning of a democracy. Topics discussed include: The necessity of government; state and society; rights and power; liberty and equality; property as a theory of industrial organisation; the nature of nationalism; law as a source of authority; the functions of international organisations.

The Oxford Handbook of Politics and Performance
The Oxford Handbook of Politics and Performance

Author: Shirin M. Rai

Publisher: Oxford Handbooks

Published: 2021

Total Pages: 749

ISBN-13: 0190863455

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While political scientists and political theorists have long been interested in social and political performance, and theatre and performance researchers have often focused on the political dimensions of the live arts, the interdisciplinary nature of this labor has typically been assumed rather than rigorously explored. This volume brings together leading scholars in the fields of Politics and Performance--drawing on experts across the fields of literature, law,anthropology, sociology, psychology, and media and communiction, as well as politics and theatre and performance--to map out and deepen the evolving interdisciplinary engagement. Organized into seven thematic sections, the volume investigates the relationship between politics and performance to show thatcertain features of political transactions shared by performances are fundamental to both disciplines--and that to a large extent they also share a common communicational base and language.

The Oxford Handbook of Politics and Performance
The Oxford Handbook of Politics and Performance

Author: Shirin M. Rai

Publisher: Oxford University Press

Published: 2021-02-19

Total Pages: 592

ISBN-13: 0190863471

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Political scientists and political theorists have long been interested in social and political performance. Theatre and performance researchers have often focused on the political dimensions of the live arts. Yet the interdisciplinary nature of this labor has typically been assumed rather than rigorously explored. Further, it is crucial to bring the concepts of theatre and performance deployed by other disciplines such as psychology, law, political anthropology, sociology among others into a wider, as well as deeper, interdisciplinary engagement. Embodying and fostering that engagement is at the heart of this new handbook. The Handbook brings together leading scholars in the fields of Politics and Performance to map out the evolving interdisciplinary engagement. The authors--drawn from a wide range of disciplines--investigate the relationship between politics and performance to show that certain features of political transactions shared by performances are fundamental to both disciplines, and that they also share, to a large extent, a common communicational base and language. The volume is organized into seven thematic sections: the interdisciplinary theory of politics and performance; performativity and theatricality (protest, regulation, resistance, change, authority); identities (race, gender, sexuality, class, citizenship, indigeneity); sites (states, borders, markets, law, religion); scripts (accountability, authority and legitimacy, security, ceremony, sustainability); body, voice, and gesture (representation, leadership, participation, rhetoric, disruption); and affect (media, care, love empathy, comedy, populism, memory).

Power, Politics and Performance
Power, Politics and Performance

Author: Winston Dookeran

Publisher:

Published: 2012

Total Pages: 238

ISBN-13: 9789766375294

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Across the world, the cooperation of political parties to form governments has become more commonplace. In Europe, North and South America, Asia and Africa and in Australasia, parties have joined forces and taken a partnership approach to government. In Power Politics and Performance, authors Dookeran and Jantzen, using Trinidad and Tobago as the example, demonstrate how collaboration and consensus can be used to meet the challenges facing small developing states.

Acts of Gaiety
Acts of Gaiety

Author: Sara Warner

Publisher: University of Michigan Press

Published: 2012-10-26

Total Pages: 292

ISBN-13: 0472118536

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Against queer theory's long-suffering romance with mourning and melancholia and a national agenda that urges homosexuals to renounce pleasure if they want to be taken seriously, Acts of Gaiety seeks to reanimate notions of "gaiety" as a political value for LGBT activism by recovering earlier mirthful modes of political performance. The book mines the archives of lesbian-feminist activism of the 1960s–70s, highlighting the outrageous gaiety—including camp, kitsch, drag, guerrilla theater, zap actions, rallies, manifestos, pageants, and parades alongside "legitimate theater”-- at the center of the social and theatrical performances of the era. Juxtaposing figures such as Valerie Solanas and Jill Johnston with more recent performers and activists including Hothead Paisan, Bitch and Animal, and the Five Lesbian Brothers, Sara Warner shows how reclaiming this largely discarded and disavowed past elucidates possibilities for being and belonging. Acts of Gaiety explores the mutually informing histories of gayness as politics and as joie de vivre, along with the centrality of liveliness to queer performance and protest.