Examples of Chinese Ornament
Author: Owen Jones
Publisher:
Published: 1867
Total Pages: 384
ISBN-13:
DOWNLOAD EBOOKAdded title page in colors, with ornamental border.
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Author: Owen Jones
Publisher:
Published: 1867
Total Pages: 384
ISBN-13:
DOWNLOAD EBOOKAdded title page in colors, with ornamental border.
Author: Owen Jones
Publisher: Collins & Brown
Published: 1986
Total Pages: 111
ISBN-13: 9781855853836
DOWNLOAD EBOOKAuthor: Owen Jones
Publisher:
Published: 1868
Total Pages: 618
ISBN-13:
DOWNLOAD EBOOKAuthor: Owen Jones
Publisher:
Published: 1987
Total Pages: 232
ISBN-13:
DOWNLOAD EBOOKGood,No Highlights,No Markup,all pages are intact, Slight Shelfwear,may have the corners slightly dented, may have slight color changes/slightly damaged spine.
Author: Owen Jones
Publisher:
Published: 1868
Total Pages: 618
ISBN-13:
DOWNLOAD EBOOKAuthor: Owen Jones
Publisher: Courier Corporation
Published: 2012-08-02
Total Pages: 213
ISBN-13: 0486155501
DOWNLOAD EBOOKThis sumptuous edition offers all 100 full-color plates from Owen Jones's definitive presentation of Chinese ornamentation and design, one of the most beautiful books on the decorative arts ever published. Now, over a centruy after its first publication, this remarkable work continues to provide an excellent, copyright-free source of authentic Chinese design and motifs. During the vast political tumult in China in the 19th century, many of the most exquisite examples of native art from the Ming, Ch'ing and earlier dynasties were spirited out of the country and sold into Western collections. One of the most spectacular of these assemblages was housed at London's South Kensington Museum (today The Victoria and Albert Museum). In the 1860s, the noted English designer and architect Owen Jones studed this collection in depth, particularly the wealth of superb examples of porcelain and cloisonné. He then meticulously rendered many of the most intriguing and beautiful designs in full color. These were published in his celebrated book, Examples of Chinese Ornament Selected from Objects in the South Kensington Museum and Other Collections (1867). This volume offers painstaking reproductions of all one hundred original color plates from that work, which delighted the art world of the time and exerted a profound influence on the subsequent history of Western design. Now that visual inspiration is once again available to artists, illustrators, designers, and craftspeople in this inexpensive high-quality edition. Moreover, any lover of fine art can enjoy the book as a splendid tribute to the glories of Chinese design—at a price far less than those commanded by extremely rare surviving copies of Jones's original work.
Author: Thomas Weil
Publisher:
Published: 2021-09
Total Pages: 340
ISBN-13: 9783037786536
DOWNLOAD EBOOKOrnaments are omnipresent ? they can be found on buildings, fabrics, jewelry, tiles, ceramics and wallpaper. Scorned at the beginning of the modern age, ornament has long since returned to architecture and influences design drafts as much as tattoo motifs.00In New Grammar of Ornaments, Thomas Weil compares current ornamental objects with the results of archaeological research on ornamental artifacts and concludes that there is an anthropological constant. From the recurring arrangements of stripes, rectangles, triangles and dots and the frequency of the forms of floral ornaments used, he derives a new ?grammar of ornament.?00More than 160 years after Owen Jones' influential publication, New Grammar of Ornaments is a new standard work. It categorizes the variety of ornamental forms used worldwide and for the first time places them in a major art and cultural-historical context.
Author: T. W. Cutler
Publisher:
Published: 1880
Total Pages: 204
ISBN-13:
DOWNLOAD EBOOKAuthor: Owen Jones
Publisher: DK Publishing (Dorling Kindersley)
Published: 2001
Total Pages: 512
ISBN-13:
DOWNLOAD EBOOKThis book's "inspiration came from the pioneering architect and designer Owen Jones. His observations of decorative art on his extensive travels in Europe and the Near East were employed to improve the poor quality of Western designs. His goal was to change the Victorian habit of mixing elements from a wide variety of sources and applying this mix indiscriminately to buildings, graphic design and products. His resulting study is a comprehensive analysis of a remarkable collection of styles of ornamental design - from Ancient Egypt and Greece to Imperial China and Renaissance Italy." - inside cover.
Author: Owen Jones
Publisher: Girard & Stewart
Published: 2015-09-10
Total Pages: 108
ISBN-13: 9781626542433
DOWNLOAD EBOOKThis beautiful, highly influential book, long a classic in its field, remains today one of the most comprehensive and best-organized presentations of historic ornamental design. The original 100 color plates, meticulously reproduced here from the rare original folio edition, present a dazzling spectrum of copyright-free design motifs from both ancient and modern cultures. The Grammar of Ornament features designs from around the world: the West to the Far East and many cultures in between. Graphic and fine artists will find nearly three thousand designs rendered in fine detail from a variety of sources: Greek and Roman borders and mosaics Celtic designs taken from manuscripts Motifs from medieval paintings and stained glass Floral patterns from Chinese porcelain, wood, and fabrics Illuminated script from the Koran Ornamentation from Turkish mosques and tombs Moorish designs from the Alhambra Connoisseurs of art and design will find the book's rich display of decorative motifs an endless source of contemplative pleasures. The work of the celebrated English designer and architect Owen Jones, The Grammar of Ornament, initially published in 1856, was the first book to present a global and historical range of ornament in color, the first to display "primitive" art for its design content, and among the first to suggest nature as a basic design source. Widely used and circulated, this prophetic work ushered in a major change in Western aesthetics and heralded the move towards nonrepresentational art. Its value as a beautifully organized and produced pictorial museum of historic ornamental design remains unsurpassed.