Even those who have lost everything, still have something to lose. An American woman wakes up alone in a tent in the Norwegian mountains. Outside a storm rages and the fog is dense. Her phone is dead. She has no map, no compass, and no food. How she ended up there, and the tragic details of her life, emerge over the course of this novel. We discover that Jane is a novelist with a bad case of writer’s block—she had come to Norway to seek out distant relatives and family history, but when her trip went awry, she tethered herself to a zoologist she met by chance on the plane, joining him on a trek to see the musk oxen of the Dovrefjell mountain range. At once elegant and gripping, The Gradual Disappearance of Jane Ashland moves seamlessly between Jane’s life in America and the extraordinary landscape of the Norwegian mountains. As we gradually unpack the emotional debris of her past—troubled Midwestern parents, a loving courtship in New York, and a cruel, sudden tragedy that rearranged everything—we begin to understand what led her to this lonely landscape.
A compulsive, disturbingly relevant, twisty and powerful psychological, social-media thriller ... NUMBER ONE BESTSELLER 'Brilliantly twisty. I loved it' Lisa Jewell 'Another dark banger from the Orenda Books stable... A brilliant, twisty cat-and-mouse book about fandom and obsession' Erin Kelly 'Effortlessly readable, intensely chilling. That ending floored me' Chris Whitaker ***LONGLISTED for the Guardian's Not the Booker Prize*** ___________________ Tom is a successful author, but he's struggling to finish his novel. His main distraction is an online admirer, Evie, who simply won't leave him alone. Evie is smart, well read and unstable; she lives with her father and her social-media friendships are not only her escape, but everything she has. When she's hit with a restraining order, her world is turned upside down, and Tom is free to live his life again, to concentrate on writing. But things aren't really adding up. For Tom is distracted but also addicted to his online relationships, and when they take a darker, more menacing turn, he feels powerless to change things. Because maybe he needs Evie more than he's letting on. A compulsive, disturbingly relevant, twisty and powerful psychological thriller, The Closer I Get is also a searing commentary on the fragility and insincerity of online relationships, and the danger that can lurk just one like' away... ___________________ 'This book will make you rethink your social media obsession. Dangerous from page one, lit by bursts of black humour, ultimately honest about the frailty of ego and the masks we all wear. Terrifically readable' Sarah Hilary So good. Such brilliant characters. Great premise and a thrilling read' Nina Pottell, Prima 'A sucker-punch of a twist that took my breath away! Absurdly gripping, and enough to unnerve anyone who has ever spent any time online' Angela Clarke 'As perfect a thriller as you'll read all year' Caz Frear 'A gripping ride through the heartlands of need and hurt. Even at his most thrilling, Paul Burston never loses his sense of real pain and suffering' Philip Hensher 'Chillingly recognisable. A delicious tour de force' Alex Marwood 'Compelling, creepy and completely believable' Mel McGrath 'Dark, devious and with a growing sense of dread' Neil Broadfoot 'Brilliantly written, tense and compelling' Amanda Jennings 'Dark twisty fiction at its very best' SJI Holliday 'One of the best books you'll read this year' Ed James 'Unsettling. Taut. Menacing. Burston puts the killer into killer twist' Jonathan Harvey 'Witty and insightful' Susie Boyt 'Brilliant, chilling, totally awesome writing' Miranda Dickinson 'An absolute stunner... with a deliciously twisted ending' Lisa Hall 'The book is a masterpiece in sustained suspense and smart literate contemporary horror. Bravo Mr Burston' Derek Farrell 'Very easy to read, certainly keeps you hooked in with plenty of twists. I suspect it will be a big read this summer' Fiona Sharp 'It's about a gay novelist who becomes the target of an online stalker and is dark, thought-provoking, and totally riveting. As comebacks go, it's on a par with Madonna bursting out of a giant disco ball in a pink leotard!’ Matt Cain ‘Gripped and terrified by Paul Burston’s new novel, bloody hell!!!’ Rowan Coleman
“This year’s best novel… Brutal, colourful, carnal... Impossible to put down.” --Expressen A Swedish publishing phenomenon: a literary noir of extraordinary power follows the discovery of a young woman’s body in the long grass behind the sawmill… Which part of the story is not for telling? Jana Kippo has returned to Smalånger to see her twin brother, Bror, still living in the small family farmhouse in the remote north of Sweden. Within the isolated community, secrets and lies have grown silently, undisturbed for years. Following the discovery of a young woman's body in the long grass behind the sawmill, the siblings, hooked by a childhood steeped in darkness, need to break free. But the truth cannot be found in other people's stories. The question is: can it be found anywhere?
An NPR Best Book of 2016 A New Yorker Book We Loved in 2016 Named to Kirkus Reviews' Best Books of 2016 The Millions Most Anticipated Book of 2016 Flavorwire Most Anticipated Book From the critically acclaimed author of The Virgins, Eleven Hours is an intimate exploration of the physical and mental challenges of childbirth, told with unremitting suspense and astonishing beauty. Lore arrives at the hospital alone—no husband, no partner, no friends. Her birth plan is explicit: she wants no fetal monitor, no IV, no epidural. Franckline, a nurse in the maternity ward—herself on the verge of showing—is patient with the young woman. She knows what it’s like to worry that something might go wrong, and she understands the distress when it does. She knows as well as anyone the severe challenge of childbirth, what it does to the mind and the body. Eleven Hours is the story of two soon-to-be mothers who, in the midst of a difficult labor, are forced to reckon with their pasts and re-create their futures. Lore must disentangle herself from a love triangle; Franckline must move beyond past traumas to accept the life that’s waiting for her. Pamela Erens moves seamlessly between their begrudging partnership and the memories evoked by so intense an experience: for Lore, of the father of her child and her former best friend; for Franckline, of the family in Haiti from which she’s exiled. At turns urgent and lyrical, Erens’s novel is a visceral portrait of childbirth, and a vivid rendering of the way we approach motherhood—with fear and joy, anguish and awe.
The Am Spiegelgrund clinic, in glittering Vienna, masqueraded as a well-intentioned reform school for wayward boys and girls and a home for chronically ill children. The reality, however, was very different: in the wake of Germany's annexation of Austria on the eve of World War II, its doctors, nurses, and teachers created a monstrous parody of the institution's benign-sounding brief. The Nazi regime's euthanasia program would come to determine the fate of many of the clinic's inhabitants. Through the eyes of a child inmate, Adrian Ziegler, and a nurse, Anna Katschenka, Steve Sem-Sandberg, the author of the award-winning The Emperor of Lies, explores the very meaning of survival. An absorbing, emotionally overwhelming novel, rich in incident and character, The Chosen Ones is obliquely illuminated by the author's sharp sense of the absurd. Passionately serious, meticulously researched, and deeply profound, this extraordinary and dramatic novel bears witness to oppression and injustice, and offers invaluable and necessary insight into an intolerable chapter in Austria’s past.
A YA thriller described as The Curious Incident of the Dog in the Night-Time meets John le Carré, about a teen math prodigy with an extreme anxiety disorder who finds himself caught in a web of lies and conspiracies after an assassination attempt on his mother. Seventeen-year-old Peter Blankman is a math genius. He also suffers from devastating panic attacks. Pete gets through each day with the help of his mother—a famous scientist—and his beloved twin sister, Bel. But when his mom is nearly assassinated in front of his eyes and Bel disappears, Pete finds himself on the run. Dragged into a world where state and family secrets intertwine, Pete must use his extraordinary analytical skills to find his missing sister and track down the people who attacked his mother. But his greatest battle will be with the enemy inside: the constant terror that threatens to overwhelm him. Weaving between Pete’s past and present, This Story Is a Lie is a testimony from a protagonist who is brilliant, broken and trying to be brave.
'A daring blend of romance, crime and history, and an intelligent exposé of the inherent injustice and consequences of all forms of oppression' Tsitsi Dangarembga, Nervous Conditions Opening with the shooting of Lady Virginia 'Ginie' Courtauld in her tranquil garden in 1950s Rhodesia, The Dragon Lady tells Ginie's extraordinary story, so called for the exotic tattoo snaking up her leg. From the glamorous Italian Riviera before the Great War to the Art Deco glory of Eltham Palace in the thirties, and from the secluded Scottish Highlands to segregated Rhodesia in the fifties, the narrative spans enormous cultural and social change. Lady Virginia Courtauld was a boundary-breaking, colourful and unconventional person who rejected the submissive role women were expected to play. Ostracised by society for being a foreign divorcée at the time of Edward VIII and Mrs Simpson, Ginie and her second husband ,Stephen Courtauld, leave the confines of post-war Britain to forge a new life in Rhodesia, only to find that being progressive liberals during segregation proves mortally dangerous. Many people had reason to dislike Ginie, but who had reason enough to pull the trigger? Deeply evocative of time and place, The Dragon Lady subtly blends fact and fiction to paint the portrait of an extraordinary woman in an era of great social and cultural change.
By the world-renowned seismologist, a riveting history of natural disasters, their impact on our culture, and new ways of thinking about the ones to come Earthquakes, floods, tsunamis, hurricanes, volcanoes--they stem from the same forces that give our planet life. Earthquakes give us natural springs; volcanoes produce fertile soil. It is only when these forces exceed our ability to withstand them that they become disasters. Together they have shaped our cities and their architecture; elevated leaders and toppled governments; influenced the way we think, feel, fight, unite, and pray. The history of natural disasters is a history of ourselves. In The Big Ones, leading seismologist Dr. Lucy Jones offers a bracing look at some of the world's greatest natural disasters, whose reverberations we continue to feel today. At Pompeii, Jones explores how a volcanic eruption in the first century AD challenged prevailing views of religion. She examines the California floods of 1862 and the limits of human memory. And she probes more recent events--such as the Indian Ocean tsunami of 2004 and the American hurricanes of 2017--to illustrate the potential for globalization to humanize and heal. With population in hazardous regions growing and temperatures around the world rising, the impacts of natural disasters are greater than ever before. The Big Ones is more than just a work of history or science; it is a call to action. Natural hazards are inevitable; human catastrophes are not. With this energizing and exhaustively researched book, Dr. Jones offers a look at our past, readying us to face down the Big Ones in our future.
An "excellent," darkly-told crime novel in the tradition of Tana French and Ian Rankin (Wall Street Journal). Sergeant Alexandra Cupidi is a recent transfer from the London metro police to the rugged Kentish countryside. She's done little to ingratiate herself with her new colleagues, who find her too brash, urban, and -- to make matters worse -- she investigated her first partner, a veteran detective, and had him arrested on murder charges. Now assigned the brash young Constable Jill Ferriter to look after, she's facing another bizarre case: a woman found floating in local marsh land, dead of no apparent cause. The case gets even stranger when the detectives contact the victim's next of kin, her son, a high-powered graphic designer living in London. Adopted at the age of two, he'd never known his mother, he tells the detectives, until a homeless womanknocked on his door, claiming to be his mother, just the night before: at the same time her body was being dredged from the water. Juggling the case, her aging mother, her teenage daughter, and the loneliness of country life, Detective Cupidi must discover who the woman really was, who killed her, and how she managed to reconnect with her long lost son, apparently from beyond the grave.
“I was immediately mesmerized . . . as brilliant as it is haunting.” —Toni Morrison In 1940s apartheid South Africa, Milla de Wet discovers a child abandoned in the fields of her family farm. Ignoring the warnings of friends and family, Milla brings the girl, Agaat, into her home. But the kindness is fleeting, as Milla makes Agaat her maidservant and, later, a nanny for her son. At turns cruel and tender, this relationship between a wealthy white woman and her Black maidservant is constantly fraught and shaped by a rigid social order. Decades later, Milla is confined to her bed with ALS, and is quickly losing her ability to communicate. Her family has fallen apart, her country is on the brink of change, and all she has left are her memories—and a reckoning with the only person who remains by her side: Agaat. In complex and devastating ways, the power shifts between the two women, mirroring the historic upheavals happening around them and revealing a shared lifetime of hopes, sacrifices, and control. Hailed as an international masterpiece, Marlene van Niekerk’s Agaat is a haunting and deeply layered saga of resilience, loyalty, betrayal, and how the passage of time cannot heal all wounds.
