GOTHIC AND TWENTY-FIRST-CENTURY AMERICAN POPULAR CULTURE.
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Published: 2024
Total Pages: 0
ISBN-13: 9789004698055
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Published: 2024
Total Pages: 0
ISBN-13: 9789004698055
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Publisher: BRILL
Published: 2024-05-02
Total Pages: 241
ISBN-13: 9004698329
DOWNLOAD EBOOKThe Gothic and Twenty-First-Century American Popular Culture examines the gothic mode deployed in a variety of texts that touch upon inherently US American themes, demonstrating its versatility and ubiquity across genres and popular media. The volume is divided into four main thematic sections, spanning representations related to ethnic minorities, bodily monstrosity, environmental anxieties, and haunted technology. The chapters explore both overtly gothic texts and pop culture artifacts that, despite not being widely considered strictly so, rely on gothic strategies and narrative devices.
Author: B. Murphy
Publisher: Springer
Published: 2009-08-21
Total Pages: 243
ISBN-13: 0230244750
DOWNLOAD EBOOKThe first sustained examination of the depiction of American suburbia in gothic and horror films, television and literature from 1948 to the present day. Beginning with Shirley Jackson's The Road Through the Wall , Murphy discusses representative texts from each decade, including I Am Legend , Bewitched , Halloween and Desperate Housewives .
Author: B. Murphy
Publisher: Springer
Published: 2013-10-31
Total Pages: 360
ISBN-13: 1137353724
DOWNLOAD EBOOKThe Rural Gothic in American Popular Culture argues that complex and often negative initial responses of early European settlers continue to influence American horror and gothic narratives to this day. The book undertakes a detailed analysis of key literary and filmic texts situated within consideration of specific contexts.
Author: Brigid Cherry
Publisher: Cambridge Scholars Publishing
Published: 2020-05-15
Total Pages: 180
ISBN-13: 1527551946
DOWNLOAD EBOOKThe essays in this volume reinterpret and contest the Gothic cultural inheritance, each from a specifically twenty-first century perspective. Most are based on papers delivered at a conference held, appropriately, in Horace Walpoleʼs Gothic mansion at Strawberry Hill in West London, which is usually seen as the geographical origin of the first, but not the last, of the many Gothic revivals of the past 300 years. In a contemporary context, the Gothic sensibility could be seen as a mode particularly applicable to the frightening instability of the world in which we find ourselves at the beginning of the twenty-first century. The truth is probably less epochal: that Gothic never went away (when were we ever without fear?), or at least has persisted since its resurgence in the late nineteenth century. Gothic is at least as modern as it is ancient, and each essay in this collection contributes to current scholarship on the Gothic by exploring a particular aspect of Gothic’s contemporaneity. The volume contains papers on horror novels and cinema, poetry, popular music and fan cultures.
Author: Maisha Wester
Publisher: Edinburgh University Press
Published: 2019-05-22
Total Pages: 336
ISBN-13: 1474440940
DOWNLOAD EBOOK"This resource in contemporary Gothic literature, film, and television takes a thematic approach, providing insights into the many forms the Gothic has taken in the twenty-first century"--
Author: Jonas Takors
Publisher:
Published: 2017
Total Pages: 235
ISBN-13: 9781498544405
DOWNLOAD EBOOK"For the future, the whole world will talk of him"--"What a king! what a lover! what a man!" -- A shape you'll remember: visual representations -- From her story to his story -- "Around the throne, thunder rolls" -- The Tudors as histosoap (2007-2010) -- "He doesn't look like Rhys Meyers, does he?" versions of Henry VIII in the 2009 quint-centenary -- The king as fool: Henry VIII in comedy -- Conclusion: the Tudors continue
Author: Johan Hoglund
Publisher: Routledge
Published: 2016-03-16
Total Pages: 218
ISBN-13: 1317045181
DOWNLOAD EBOOKThe imagination of the early twenty-first century is catastrophic, with Hollywood blockbusters, novels, computer games, popular music, art and even political speeches all depicting a world consumed by vampires, zombies, meteors, aliens from outer space, disease, crazed terrorists and mad scientists. These frequently gothic descriptions of the apocalypse not only commodify fear itself; they articulate and even help produce imperialism. Building on, and often retelling, the British ’imperial gothic’ of the late nineteenth century, the American imperial gothic is obsessed with race, gender, degeneration and invasion, with the destruction of society, the collapse of modernity and the disintegration of capitalism. Drawing on a rich array of texts from a long history of the gothic, this book contends that the doom faced by the world in popular culture is related to the current global instability, renegotiation of worldwide power and the American bid for hegemony that goes back to the beginning of the Republic and which have given shape to the first decade of the millennium. From the frontier gothic of Charles Brockden Brown's Edgar Huntly to the apocalyptic torture porn of Eli Roth's Hostel, the American imperial gothic dramatises the desires and anxieties of empire. Revealing the ways in which images of destruction and social upheaval both query the violence with which the US has asserted itself locally and globally, and feed the longing for stable imperial structures, this book will be of interest to scholars and students of popular culture, cultural and media studies, literary and visual studies and sociology.
Author: Bernice M. Murphy
Publisher: Edinburgh University Press
Published: 2017-12-04
Total Pages: 257
ISBN-13: 1474414869
DOWNLOAD EBOOKThis groundbreaking collection provides students with a timely and accessible overview of current trends within contemporary popular fiction.
Author: Kyle William Bishop
Publisher: McFarland
Published: 2010-01-26
Total Pages: 249
ISBN-13: 0786448067
DOWNLOAD EBOOKZombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition. Instructors considering this book for use in a course may request an examination copy here.