The Doc and Raider series of Westerns followed the adventures of two Pinkerton agents -- Raider, a kind of "Arkansas good old boy" and Doc, a rather well-to-do doctor from the East. There were a total of over 70 novels in the series, produced throughout the mid to late 80's. The books were first published by Playboy Books, then Berkeley Books produced most of the titles in the series.
When eleven-year-old Nelson's beloved older sister goes missing, he is devastated. She's his only friend and means the world to him. Then his parents join the search and leave Nelson in the care of his crazy uncle Pogo, a plumber who is working at St. Paul's Cathedral in London. There in a dusty crypt Nelson stumbles across an ancient machine that accidentally extracts the so-called seven deadly sins from his soul. The machine turns them into ugly, cantankerous, and embarrassing creatures who follow him everywhere. But there is more to these monsters than meets the eye, and in this off-the-wall debut novel about making friends and taking courage, Nelson finds that these strange newcomers are just the companions he needs for a quest across the globe to rescue his big sister.
The beautiful home of Ed and Martha MacCord is the setting for a birthday party given for their niece, Jane. But the brutal murder of a guest embroils her and her friends in a case of blackmail and murder.
Spaghetti Westerns--mostly produced in Italy or by Italians but made throughout Europe--were bleaker, rougher, grittier imitations of Hollywood Westerns, focusing on heroes only slightly less evil than the villains. After a main filmography covering 558 Spaghetti Westerns, another section provides filmographies of personnel--actors and actresses, directors, musical composers, scriptwriters, cinematographers. Appendices provide lists of the popular Django films and the Sartana films, a listing of U.S.-made Spaghetti Western lookalikes, top ten and twenty lists and a list of the genre's worst.
The anthology 'The Good, The Bad and The Ugly - 175+ Western Novels & Short Stories in One Edition' presents an unparalleled compilation, showcasing the vast landscapes of the American West through the prism of over forty authors eyes. This diverse collection spans the spectrum from the gritty realism of pioneer life to the mythic valorization of the cowboy ethos, exploring themes of adventure, lawlessness, and the human struggle against natural elements. The variegated literary styles, including the refined prose of Twain, the rugged simplicity of London, and the narrative ingenuity of Harte, underscore the multifaceted nature of Western storytelling. These stories capture the spirit of an era, offering readers a mosaic of courageous heroes, nefarious outlaws, and spirited pioneers navigating the rugged terrains of life in Western America. The backgrounds of the contributing authors encompass a broad spectrum of American literature, from the well-known figures such as Mark Twain and Jack London to less visible but equally significant writers like William Patterson White and Marah Ellis Ryan. Collectively, they represent a formidable assembly weaving together the historical, cultural, and literary movements of their time. Each contributes a unique voice to the exploration of the Western frontier, reflecting their personal experiences, imaginations, and the zeitgeist of the late 19th to early 20th centuries. This confluence of diverse perspectives provides a rich, nuanced understanding of the Western genre, inviting readers to ponder the complexities of frontier life and the enduring appeal of Western narratives. 'The Good, The Bad and The Ugly - 175+ Western Novels & Short Stories in One Edition' is an essential anthology for readers seeking to immerse themselves in the expansive world of Western literature. It offers a unique opportunity to traverse the wide-ranging landscapes of human emotion and adventure, curated through the lenses of masters in the genre. This collection is a treasure trove for students, scholars, and aficionados of American literature and history, promising a deeper appreciation of the Western ethos and its impact on American cultural identity. It beckons readers to explore the myriad of stories that paint a vivid tableau of the American West, a testament to the enduring legacy of its narratives.
This massive study on action movies and stars from around the world, from the 1960s to the present, is filled with more than a thousand in-depth movie reviews that cover every action star who's crossed over from the world of martial arts, sports, professional wrestling, and stunt work. Exploding with beautiful images, exclusive interviews, and a thorough action star index, this one-of-a-kind movie reference book and comprehensive fan guide features reviews by the author, Zack Carlson (Destroy All Movies!!! The Complete Guide to Punks on Film), Vern (Seagalogy: A Study of the Ass-Kicking Films of Steven Seagal and Yippie Ki-Yay Moviegoer!), Mike McBeardo McPadden (Heavy Metal Movies and Going All the Way: The Ultimate Guide to Teen Sex Comedies of the VHS Era), and several others. It is a quintessential tribute to the men and women who have left their mark in the action and martial arts film genres.
What should have been a family celebration of Chinese New Year descends into chaos when longtime foes crash the party in this hilariously entertaining novel by Jesse Q. Sutanto, bestselling author of Dial A for Aunties. After an ultra-romantic honeymoon across Europe, Meddy Chan and her husband Nathan have landed in Jakarta to spend Chinese New Year with her entire extended family. Chinese New Year, already the biggest celebration of the Lunar calendar, gets even more festive when a former beau of Second Aunt’s shows up at the Chan residence bearing extravagant gifts—he’s determined to rekindle his romance with Second Aunt and the gifts are his way of announcing his courtship. His grand gesture goes awry however, when it’s discovered that not all the gifts were meant for Second Aunt and the Chans—one particular gift was intended for a business rival to cement their alliance and included by accident. Of course the Aunties agree that it’s only right to return the gift—after all, anyone would forgive an honest mistake, right? But what should have been a simple retrieval turns disastrous and suddenly Meddy and the Aunties are helpless pawns in a decades-long war between Jakarta’s most powerful business factions. The fighting turns personal, however, when Nathan and the Aunties are endangered and it’s up to Meddy to come up with a plan to save them all. Determined to rescue her loved ones, Meddy embarks on an impossible mission—but with the Aunties by her side, nothing is truly impossible…
The Good, the Bad, and the Beautiful Discourse about Values in Yoruba Culture Barry Hallen Reveals everyday language as the key to understanding morals and ethics in Yoruba culture. "This contrasts with any suggestion that in Yoruba or, more generally, African society, moral thinking manifests nothing much more than a supine acquiescence in long established communal values.... Hallen renders a great service to African philosophy." -- Kwasi Wiredu In Yoruba culture, morality and moral values are intimately linked to aesthetics. The purest expression of beauty, at least for human beings, is to possess good moral character. But how is moral character judged? How do actions, and especially words, reveal good moral character in a culture that is still significantly based on oral tradition? In this original and intimate look at Yoruba culture, Barry Hallen asks the Yoruba onisegun -- the wisest and most accomplished herbalists or traditional healers, individuals justly reputed to be well versed in Yoruba thought and expression -- what it means to be good and beautiful. Posed as an outsider wanting to gain understanding of how to speak Yoruba correctly, Hallen engages the onisegun and has them explain the subtleties and intricacies of Yoruba language use and the philosophy behind particular word choices. Their instructions reveal a striking and profound depiction of Yoruba aesthetic and ethical thought. The detailed interpretations of everyday language that Hallen supplies challenge prevailing Western views that African thought is nothing more than acquiescence to long-established religious or communal values. The philosophy of ordinary language reveals that moral reflection is indeed individual and that evaluations of action and character take place on the basis of clearly and logically delineated criteria. With the onisegun as his guides, Hallen identifies the priorities of Yoruba philosophy and culture through everyday expression and shows that there are rational pathways to both truth and beauty. Barry Hallen has taught philosophy at the Obafemi Awolowo University (formerly University of Ife) in Nigeria. He is a Fellow at the W. E. B. DuBois Institute for Afro-American Research at Harvard University and Visiting Professor of Philosophy at Morehouse College. He is coauthor (with J. Olubi Sodipo) of Knowledge, Belief, and Witchcraft: Analytic Experiments in African Philosophy. Contents Ordinary Language and African Philosophy Moral Epistemology Me, My Self, and My Destiny The Good and the Bad The Beautiful Rationality, Individuality, Secularity, and the Proverbial Appendix of Yoruba-Language Quotations Glossary of Yoruba Terms
Although five-time Academy-Award nominee Ennio Morricone has scored numerous films in various genres, his westerns will undoubtedly remain his most memorable cinematographic accomplishments. This guide demonstrates Morricone's unique and enduring contributions to the art of film music through a discussion of his compositional and orchestrational processes, many of which are evident in his music for The Good, the Bad and the Ugly in a way that can be easily understood by both musicians and nonmusicians. Leinberger begins his study with a brief discussion of Morricone's musical background through his experience in the Italian music business, his earliest Italian film scores, and his accomplishments in Hollywood. The second chapter is a discussion of the many compositional techniques that distinguish Morricone's music from that of other film composers. Subsequent chapters examine the historical and cultural context of the film and attempt to place the style of Morricone's score for The Good, the Bad and the Ugly in relation to his scores for other well-known Westerns. The book's final chapter is an analysis of compositional techniques presented in chronological order from the film's opening credits to its climactic ending. Although this guide focuses on Morricone and his music from a theoretical perspective, other non-musical issues that are relevant to the audience's ultimate experience of the film are also discussed.
A Moving Story of Redemption and Second Chances Jep Robertson, the youngest son of Duck Commander Phil Robertson, and his wife, Jessica, open up about their personal trials, their early years together, and the challenges that might have destroyed them both had the grace of God not intervened. Jep describes being molested as a child and his reluctance to tell anyone until only a few years ago, his downward spiral into drug and alcohol abuse, and the eventual intervention of his family. Jessica shares about the difficult failure of her first marriage while still a teenager and the hurt that came along with it, much of it from the church. Her insecurities spun out of control as she wondered whether she would ever be good enough or pretty enough. This book is their love story but, more importantly, their love story for God. “We are desperate to let people know that no matter what you’ve done; no matter what you’ve lived through, you can come out of it. You can be washed clean. You are redeemed."
