This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
This is both the first complete annotated edition of the letters exchanged by these major twentieth-century Scottish poets and the first major exploration of their long friendship and literary association. Spanning nearly fifty years, from 27 July 1934 to 23 July 1978, this engaging correspondence offers a revealing and sometimes intimate look at their lively dialogical exchanges on a broad range of topics from major historical events such as the Spanish Civil War and WW II, to the mundane challenges of daily life.The introductory chapters chart the development of MacDiarmid and MacLean's enduring friendship in relation to their quite different literary contexts and careers, discuss MacLean's significant contributions to MacDiarmid's Golden Treasury of Scottish Poetry, and situate MacLean's literary innovations in terms of Gaelic modernism. They thus provide comparative critical insights into the influence of cultural nationalism on each writer's developing poetics, their work as translators, and their mutual influence on each other's careers. These private letters in which culture, politics, and modern history intersect offer a fascinating glimpse at the creative processes and collaborative work of Hugh MacDiarmid and Sorley MacLean.Key Features:* The first complete annotated edition of the correspondence between the two poets * The only major exploration of MacDiarmid and MacLean's friendship and literary association* Full biographical and historical Introduction, bibliography and appendices
The only full-length companion available to this distinctive and challenging Scottish poet By using previously uncollected creative and discursive writings, this international group of contributors presents a vital updating of MacDiarmid scholarship. They bring fresh insights to major poems such as A Drunk Man Looks at the Thistle, To Circumjack Cencrastus and In Memoriam James Joyce, and offer new political, ecological and science-based readings in relation to MacDiarmid's work from the 1930s. They also discuss his experimental short fiction in Annals of the Five Senses, the autobiographical Lucky Poet, and a representative selection of his essays and journalism. They assess MacDiarmid's legacy and reputation in Scotland and beyond, placing his poetry within the context of international modernism.
A biography of Scottish poet Hugh MacDiarmid (1892-1978). Examines not only his literary career in both Scots and English verse, but also his political work as a communist, cofounder of the Scottish National Party, and frequent candidate for Parliament. Annotation copyright Book News, Inc. Portland,
The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.
The Golden Treasury of Scottish Verse is a timeless collection of Scottish poetry. It contains over three hundred poems ranging from the early medieval period to the twenty-first century, and paints a full-colour portrait of Scotland’s poetic heritage and culture. Edited and introduced by award-winning poets Kathleen Jamie, Don Paterson and Peter Mackay, and including poems by Robert Burns, Carol Ann Duffy, Sorley Maclean, Violet Jacob, William Dunbar, Meg Bateman, George Mackay Brown, Màiri Mhòr nan Òran, Robert Louis Stevenson, Jackie Kay, Liz Lochhead, and many more, The Golden Treasury of Scottish Verse is a joyous celebration of Scotland’s literary past, present and future.
