Favoured by the exceptional economic circumstances of the First World War and the immediate post-war years, Chinese entrepreneurs made their mark by modernising and establishing themselves as a business bourgeoisie. Focusing upon Shanghai, this study explores the astonishing growth of Western-style industry, commerce and banking during the Republic's first decade. Marie-Claire Bergere analyses how the bourgeoisie gradually constituted itself as a specific and coherent social class, with its own ideology and type of political action, built upon family solidarities and regional links; and she examines the relations between this class and the State, the Revolution and the West.
This ambitious work traces a social history of semicolonialism in late-nineteenth- and early-twentieth-century China. It takes as its central concern the intertwining of two antagonistic forces: elite constructions of modernity shaped globally, and an alternate line of peasant resistance and development. Nantong county and the northern portion of the commercially advanced Yangzi Delta form its focal points. Lying in the hinterland of and connected in myriad ways with the treaty port of Shanghai, which in the late nineteenth century became the center of imperialist activity in China, the northern delta is an ideal locale for examining how the acquisition, transmission, and contestation of power may have changed during the extended moment of semicolonial encounter. The authors specific project is to unravel the multiple strands of the semicolonial process and thereby the dominant and alternative histories it embodied. In emphasizing semicolonialism as a structural context shaping events, the book opens up a pivotal but silent area in the history of modern China. In confronting the development of capitalism as a historical phenomenon and suggesting that its consequences for land and labor on a global scale need greater theoretical and historical scrutiny, the book forces a new understanding of Chinas modernity. The book is in two parts. The first delineates key long-term dynamics in the political, economic, and social history of the area from the late Ming dynasty to the Opium Wars. The second part begins with an examination of the rise of modernist urban power in the context of accelerating growth in the textile and cotton trades, focusing on such topics as economic restructuring under Shanghais impetus, new forms of economic and political organization, and contention as well as cooperation within the urban elite. Turning to the countryside, the book then examines the regearing of the rural economy to the needs of urban capital, local and global; outlines the emergence of modern landlordism and other rural capitalisms; analyzes class formation in the peasantry associated with changes in labor organization, tenurial arrangements, and the gendered division of labor; and traces the coalescence of a distinctive political discourse through which peasants contested certain development schemes and advanced alternative conceptions of community and nation.
This essay collection presents a global history of the middle class and its rise around the world during the age of empire. It compares middle-class formation in various regions, highlighting differences and similarities, and assesses the extent to which bourgeois growth was tied to the increasing exchange of ideas and goods and was a result of international connections and entanglements. Grouped by theme, the book shows how bourgeois values can shape the liberal world order.
This book is a much expanded and wholly rewritten treatment of the subject of the author's first book, Warrior Government in Early Medieval Japan, published in 1974. In this new version, the "warrior" and "medieval" character of Japan's first shogunate is significantly de-emphasized, thus requiring not only a new title, but also a new book. The author's new view of the final decades of twelfth-century Japan is one of a less revolutionary set of experiences and a smaller achievement overall than previously thought. The pivotal figure, Minamoto Yoritomo, retains his dominant role in establishing the "dual polity" of Court and Bakufu, but his successes are now explained in terms of more limited objectives. A new regime was fit into an environment that was still basically healthy and vibrant, leading not to the substitution of one government for another, but rather to the emergence of a new authority that would have to interact with the old. The book aims to present a dual perspective on the period by juxtaposing what we know against our best possible estimate of what Yoritomo himself knew. It is deeply concerned with the multiple balancing acts introduced by this ever nimble experimenter in governing, who was forever seeking to determine, and then to promote, what would work while curtailing or eliminating what would not. The author seeks to recreate step-by-step the movement from one historical juncture to another, whether this means adapting already available information, building anew, or working with combinations of materials. Throughout, the book addresses new topics and offers many new interpretations on subjects as wide-ranging as the 1189 military campaign in the north and the phenomenon of delegated authority.
This book reopens and restructures the grand debate on the nature of economic development in China prior to the Communist revolution. It rejects the debate’s old contours in which quantitative data were used to argue that the trajectory of Chinese development was either “positive” or “negative.” Instead, the author combines quantitative analysis with a detailed study of local politics, culture, and gender to explain the shaping of the modern Chinese economy. Focusing on silk production in Wuxi county in the Yangzi Delta, the author argues that local elites used social dominance to build a silk industry continuum—“one industry”—fusing modern factory production with older patterns of peasant-family farming. The resulting social configuration was “two Chinas”—one populated by wealthy urban elites transformed into a new, silk-industry bourgeoisie, and the other by peasant families whose women became the workforce for cocoon production. The author describes the roles of merchant guilds and other elite organizations established to protect the silk industry from outside competition and excessive taxation; the methods and styles of elite networking and investment in building modern silk filatures; and the roles of women—elite women in sericulture reform and peasant women in silkworm raising. She also reveals the cooperation between silk-industry elites and Nationalist government officials in the 1920’s and 1930’s, which resulted in an industry that was virtually state-directed and designed to pass downward to the peasants the costs of building more competitive silk filatures. This discovery challenges the prevailing tendency to think in terms of radical ruptures between Nationalist and Communist rule.
In Contending for the "Chinese Modern", Xiaoping Wang studies the writing of fiction in 1940s China. Through a practice of political hermeneutics of fictional texts and social subtexts, it explores how social modernity and literary modernity intertwined with and interacted upon each other in the development of modern Chinese literature. It not only makes critical reappraisement of some renowned modern Chinese writers, but also sheds fresh lights on a series of theoretical problems pertaining to the issue of plural modernities, in which the problematic of subjectivity, class consciousness and identity politics are the key words as well as the concrete procedures that it employs to undertake the ideological analysis. The manuscript signifies a new paradigm in studies of modern Chinese literature.
Wartime Shanghai is a lively account of the political and social situation between 1937 and 1946. It explores the deep political rivalries between Nationalist groups, the intrigue of international espionage and how Shanghai society, from European administrators to Chinese film makers, collaborated with, or resisted, the Japanese occupation. Drawing on archival and published sources in English, French, Chinese and Japanese, the authors show the diversity of groups and communities that made up wartime Shanghai. This book is an engaging collection of essays written on an exciting, but often neglected episode of Chinese history.
The text studies how various Western, Japanese, and Chinese businesses struggled with the persistent dilemma in China of how to retain control over corporate hierachies while adapting to dramatic changes in Chinese society, politics and foreign affairs from 1880-1937.
By the early twentieth century, Chinese residents of the northern treaty-port city of Tianjin were dwelling in the world. Divided by nine foreign concessions, Tianjin was one of the world’s most colonized and cosmopolitan cities. Residents could circle the globe in an afternoon, strolling from a Chinese courtyard house through a Japanese garden past a French Beaux-Arts bank to dine at a German café and fall asleep in a British garden city-style semi-attached brick house. Dwelling in the World considers family, house, and home in Tianjin to explore how tempos and structures of everyday life changed with the fall of the Qing Empire and the rise of a colonized city. Elizabeth LaCouture argues that the intimate ideas and practices of the modern home were more important in shaping the gender and status identities of Tianjin’s urban elites than the new public ideology of the nation. Placing the Chinese home in a global context, she challenges Euro-American historical notions that the private sphere emerged from industrialization. She argues that concepts of individual property rights that emerged during the Republican era became foundational to state-society relations in early Communist housing reforms and in today’s middle-class real estate boom. Drawing on diverse sources from municipal archives, women’s magazines, and architectural field work to social surveys and colonial records, Dwelling in the World recasts Chinese social and cultural history, offering new perspectives on gender and class, colonialism and empire, visual and material culture, and technology and everyday life.
