In this translation of glosses on the Song of Songs, Mary Dove offers a readily accessible and inexpensive resource for students and scholars. Anselm of Laon, possibly assisted by his brother Ralph, is credited with compiling the Glossa Ordinaria on the Song of Songs, drawing from earlier commentaries by Origen, Gregory the Great, Bede, Alcuin, Hrabanus Maurus, Haimo of Auxerre, and Robert of Tombelaine as well as contributing his own readings of the text. As Dove notes in her introduction, the text is quite complicated, with each manuscript page divided into three columns - the biblical text in large letters in the center column, with space left for interlinear glosses, and glosses in smaller letters in both the right- and left-hand columns. (This format is not reproduced in this translation.) The number of surviving manuscripts (over seventy) shows that plenty of readers enjoyed the challenges the text offered, and for modern readers, the Glossa Ordinaria is the first place to go to find medieval interpretation of biblical texts.
The Song of Songs was one of the most frequently interpreted biblical books of the Middle Ages. Most scholarly studies concentrate on monastic interpretations of the text, which tend to be contemplative in nature. In Out of the Cloister, Suzanne LaVere reveals a particularly scholastic strain of Song of Songs exegesis, in which cathedral school masters and mendicants in and around 12th and 13th-century Paris read the text as Christ exhorting the Church and clergy to lead an active life of preaching, instruction, conversion, and reform. This new interpretation of the Song of Songs both reflected and influenced an era of far-reaching Church reform and offered a program for secular clergy to combat heresy and apathy among the laity.
The Gloss on Romans is a collection of sources from many periods and places, which accounts for its inconsistencies. And this is what gives the Gloss much of its charm ... The twelfth century was an age of gathering sources and commentaries, in theology (Lombard's Sentences), canon law (Gratian's Decretum), and biblical studies (the Glossa ordinaria). Education began to flourish into what would become universities, where the master's role was to elucidate traditional, authoritative texts. And chief among these was the Bible, not standing alone but with the accompanying Gloss." - from the introduction
This study brings together widely divergent discourses to fashion a comprehensive picture of sexual language and attitudes at a particular time and place in the medieval world. John Baldwin introduces five representative voices from the turn of the twelfth century in northern France: Pierre the Chanter speaks for the theological doctrine of Augustine; the Prose Salernitan Questions, for the medical theories of Galen; Andre the Chaplain, for the Ovidian literature of the schools; Jean Renart, for the contemporary romances; and Jean Bodel, for the emerging voices of the fabliaux. Baldwin juxtaposes their views on a range of essential subjects, including social position, the sexual body, desire and act, and procreation. The result is a fascinating dialogue of how they agreed or disagreed with, ignored, imitated, or responded to each other at a critical moment in the development of European ideas about sexual desire, fulfillment, morality, and gender. These spokesmen allow us into the discussion of sexuality inside the church and schools of the clergy, in high and popular culture of the leity. This heterogeneous discussion also offers a startling glimpse into the construction of gender specific to this moment, when men and women enjoyed equal status in sexual matters, if nowhere else. Taken together, these voices extend their reach, encompass their subject, and point to a center where social reality lies. By articulating reality at its varied depths, this study takes its place alongside groundbreaking works by James Brundage, John Boswell, and Leah Otis in extending our understanding of sexuality and sexual behavior in the Middle Ages. "Superb work. . . . These five kinds of discourse are not often treated together in scholarly writing, let alone compared and contrasted so well."—Edward Collins Vacek, Theological Studies "[Baldwin] has made the five voices speak to us in a language that is at one and the same time familiar and alien in its resonance and accents. This is a truly exceptional book, interdisciplinary in the real sense of the word, which is surely destined to become a landmark in medieval studies."—Keith Busby, Bryn Mawr Reviews "[Baldwin's] attempt to 'listen' to these distant voices and translate their language of sex into our own raises challenging methodological questions that will be of great interest to historians and literary scholars alike."—John P. Dalton, Comitatus
St. Thomas Aquinas never commented on the Song of Songs. The purpose of this book is to demonstrate, however, that he meditated on it and absorbed it, so that the words of the Song are for him a familiar repertoire and a theological source. His work contains numerous citations of the Song, not counting his borrowings of vocabulary and images from it. In total, there are 312 citations of the Song in Aquinas’s corpus, along with citations of the Song that are found in citations that Aquinas makes of other authors (as for example in the Catena aurea). Understanding the purpose and placement of these citations significantly enriches our understanding of Aquinas as a theologian, biblical exegete, and spiritual master. The book contains an Appendix listing and contextualizing each citation. The study of the citations of the Song especially illuminates Aquinas’s spiritual doctrine. By citing the Song, Aquinas emphasizes the spiritual life’s path of dynamic ascent, through an ever increasing participation in the mystery of the nuptial union of Christ and the Church through love. The Song also highlights the eschatological tension or yearning present in the spiritual life, which is ordered to the fullness of beatific vision. Although Aquinas’s theology is highly “intellectual,” by citing the Song he brings out the affective character of the spiritual life and conveys the centrality of love in the soul’s journey toward Christ. He also draws together contemplation and preaching through his use of the Song.
The Glossa Ordinaria on the Bible was the ubiquitous text of the Middle Ages. Compiled in twelfth-century France, this multi-volume work, containing the entire text of Scripture surrounded by a commentary drawn from patristic and medieval authors, is still extant in thousands of manuscripts, testifying to the centrality of the work for generations of medieval scholars. Although the Glossa has been the subject of modern study, it is surrounded by myth. This book, based on manuscript evidence, is the first to draw together the history of this monumental work, its authorship, content, layout, production and use. Raising new questions, and pointing the way to further research, it opens up the Glossa to all students of medieval religion and intellectual history.
The Glossa Ordinaria, the medieval glossed Bible first printed in 1480/81, has been a rich source of biblical commentary for centuries. Circulated first in manuscript, the text is the Latin Vulgate Bible of St. Jerome with patristic commentary both in the margins and within the text itself. This study, the first of its kind, introduces the reader to the Glossa Ordinaria both historically and through the lens of contemporary hypertext theory, arguing that the Glossa Ordinaria is a hypertext of the mind. By application of ancient, medieval and modern theories, this study encourages the reader to engage the Glossa Ordinaria in new and exciting ways. This book serves both as primer on the Glossa Ordinaria and examination of the text in light of modern theories.
First full-length interdisciplinary study of the effect of these everyday surroundings on literature, culture and the collective consciousness of the late middle ages. The bed, and the chamber which contained it, was something of a cultural and social phenomenon in late-medieval England. Their introduction into some aristocratic and bourgeois households captured the imagination of late-medievalEnglish society. The bed and chamber stood for much more than simply a place to rest one's head: they were symbols of authority, unparalleled spaces of intimacy, sanctuaries both for the powerless and the powerful. This change inphysical domestic space shaped the ways in which people thought about less tangible concepts such as gender politics, communication, God, sex and emotions. Furthermore, the practical uses of beds and chambers shaped and were shaped by artistic and literary production. This volume offers the first interdisciplinary study of the cultural meanings of beds and chambers in late-medieval England. It draws on a vast array of literary, pragmatic and visual sources, including romances, saints' lives, lyrics, plays, wills, probate inventories, letters, church and civil court documents, manuscript illumination and physical objects, to shed new light on the ways in which beds and chambersfunctioned as both physical and conceptual spaces. Hollie L.S. Morgan is a Research Fellow in the School of History and Heritage, University of Lincoln.
From the beginning of the Christian era and throughout the Middle Ages, biblical interpretation was the field where theological, philosophical and political matters were discussed. At the same time Scripture’s interpretation required the exploration of hermeneutical positions about how a literal and a hidden meaning could be established and how they related to each other. Ranging from early-Christian concerns about the text of the Bible itself, via Carolingian biblical commentaries, and the ever more diverse interpretations from the twelfth century and onwards, to the literary implications of (Jewish) commentary, the articles in this volume examine biblical exegesis both as a discourse on theology, philosophy and politics, and as the context for discussions on its underlying interpretative principles. Contributors are J. K. Kitchen, Katja Vehlow, Caroline Chevalier-Royet, Sumi Shimahara, Ian Christopher Levy, Pierre Boucaud, Elisabeth Mégier, Cédric Giraud, Wanda Zemler-Cizewski, Ineke van ’t Spijker, Eva De Visscher, Alexander Fidora, Frans van Liere, and Robert A. Harris.
The first modern study of Nicholas of Lyra. A Franciscan teacher at the University of Paris, Nicholas (d. 1349) was an immensely important biblical commentator whose works influenced generations of scholars including Luther. Famed for his knowledge of Hebrew learning, as well as of the Latin Fathers, Nicholas was also highly conscious of interpretative method and of the Bible as literary artefact. In his massive Postillae, Nicholas commented on the entire Bible according to both literal and spiritual senses. This masterpiece is the basis for fifteen essays which cover major biblical books, examining them in a variety of ways, such as interpretative history, theology, and even political theory. They illuminate the remarkable range of Nicholas' thinking, his impressive scholarship, and his Franciscan evangelism. A major study of a key medieval writer. Contributors include: Philippe Buc, Mary Dove, Theresa Gross-Diaz, Deeana Copeland Klepper, Philip D.W. Krey, Frans van Liere, Kevin Madigan, Corrine Patton, Michael A. Signer, Lesley Smith, and Mark Zier.
