The Glossa Ordinaria on the Bible was the ubiquitous text of the Middle Ages. Compiled in twelfth-century France, this multi-volume work, containing the entire text of Scripture surrounded by a commentary drawn from patristic and medieval authors, is still extant in thousands of manuscripts, testifying to the centrality of the work for generations of medieval scholars. Although the Glossa has been the subject of modern study, it is surrounded by myth. This book, based on manuscript evidence, is the first to draw together the history of this monumental work, its authorship, content, layout, production and use. Raising new questions, and pointing the way to further research, it opens up the Glossa to all students of medieval religion and intellectual history.
The Glossa Ordinaria, the medieval glossed Bible first printed in 1480/81, has been a rich source of biblical commentary for centuries. Circulated first in manuscript, the text is the Latin Vulgate Bible of St. Jerome with patristic commentary both in the margins and within the text itself. This study, the first of its kind, introduces the reader to the Glossa Ordinaria both historically and through the lens of contemporary hypertext theory, arguing that the Glossa Ordinaria is a hypertext of the mind. By application of ancient, medieval and modern theories, this study encourages the reader to engage the Glossa Ordinaria in new and exciting ways. This book serves both as primer on the Glossa Ordinaria and examination of the text in light of modern theories.
The Gloss on Romans is a collection of sources from many periods and places, which accounts for its inconsistencies. And this is what gives the Gloss much of its charm ... The twelfth century was an age of gathering sources and commentaries, in theology (Lombard's Sentences), canon law (Gratian's Decretum), and biblical studies (the Glossa ordinaria). Education began to flourish into what would become universities, where the master's role was to elucidate traditional, authoritative texts. And chief among these was the Bible, not standing alone but with the accompanying Gloss." - from the introduction
Rashi's commentary and the Glossa Ordinaria both developed in the late eleventh and early twelfth century with no known contact between them. Nevertheless, they shared a way of reading text that shaped their interpretations of the near-sacrifice of Isaac. This work compares them both with each other and their respective sources to show their similarity.
The history of the church is filled with stories. Stories of triumph, stories of defeat, stories of joy, and stories of sorrow. These stories are a legacy of God's faithfulness to His people. In this book, Dr. Stephen J. Nichols provides postcards from the church through the centuries. These snapshots capture the richness of Christian history with glimpses of fascinating saints, curious places, precious artifacts, and surprising turns of events. In exploring them, Dr. Nichols takes the reader on a lively and informative journey through the record of God's providence to encourage, challenge, and enjoy. This is our story--our family history. "THE CENTURIES OF CHURCH HISTORY GIVE US A LITANY OF GOD'S DELIVERANCES. GOD HAS DONE IT BEFORE, MANY TIMES AND IN MANY WAYS, AND HE CAN DO IT AGAIN. HE WILL DO IT AGAIN. AND IN THAT, WE FIND COURAGE FOR TODAY AND FOR TOMORROW."
This book makes available to scholars the unpublished proto-scholastic Commentary on the Psalms, composed by one of the outstanding figures of the early twelfth century, Gilbert of Poiters (Gilbert Porreta). The commentary had its origins in the atmosphere of experimentation which characterized the schools of Laon, Chartres and Paris in the first decades of the century. Its unique mise en page, its methodology and its connection to other texts - especially glossed classical texts, the Glossa ordinaria and the writings of Peter Lombard - are explored. Gilbert's Commentary is a text critical for the understanding of the development of the discipline of theology in the twelfth century schools.
This introductory guide, written by a leading expert in medieval theology and church history, offers a thorough overview of medieval biblical interpretation. After an opening chapter sketching the necessary background in patristic exegesis (especially the hermeneutical teaching of Augustine), the book progresses through the Middle Ages from the eighth to the fifteenth centuries, examining all the major movements, developments, and historical figures of the period. Rich in primary text engagement and comprehensive in scope, it is the only current, compact introduction to the whole range of medieval exegesis.
Burning Bodies interrogates the ideas that the authors of historical and theological texts in the medieval West associated with the burning alive of Christian heretics. Michael Barbezat traces these instances from the eleventh century until the advent of the internal crusades of the thirteenth century, depicting the exclusionary fires of hell and judicial execution, the purifying fire of post-mortem purgation, and the unifying fire of God's love that medieval authors used to describe processes of social inclusion and exclusion. Burning Bodies analyses how the accounts of burning heretics alive referenced, affirmed, and elaborated upon wider discourses of community and eschatology. Descriptions of burning supposed heretics alive were profoundly related to ideas of a redemptive Christian community based upon a divine, unifying love, and medieval understandings of what these burnings could have meant to contemporaries cannot be fully appreciated outside of this discourse of communal love. For them, human communities were bodies on fire. Medieval theologians and academics often described the corporate identity of the Christian world as a body joined together by the love of God. This love was like a fire, melting individuals together into one whole. Those who did not spiritually burn with God's love were destined to burn literally in the fires of Hell or Purgatory, and the fires of execution were often described as an earthly extension of these fires. Through this analysis, Barbezat demonstrates how presentations of heresy, and to some extent actual responses to perceived heretics, were shaped by long-standing images of biblical commentary and exegesis. He finds that this imagery is more than a literary curiosity; it is, in fact, a formative historical agent.
