"The Glory That Was Greece: a survey of Hellenic culture and civilisation" by J. C. Stobart. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
'The Grandeur That Was Rome by J.C. Stobart' is a history book that examines Roman culture and civilization from the point of view of humanity and the progress of civilization. The author makes a deliberate attempt to adjust the historical balance by emphasizing the value of Rome's contribution to the lasting welfare of mankind. This book presents a new interpretation of Rome's history, where the author believes that the Empire without the Republic is almost as incomplete as the Republic without the Empire. It is a derivative history intended for readers who are not specialists, and its point of view is derived from the author's own. The pictures in the book have been chosen to convey an impression of grand building, vast, solid, and utilitarian, rather than of finished sculpture by Greek hands. This book will greatly appeal to readers who are interested in ancient history and want to gain a fresh perspective on the Roman Empire.
Taking up Virginia Woolf's fascination with Greek literature and culture, this book explores her engagement with the nineteenth-century phenomenon of British Hellenism and her transformation of that multifaceted socio-cultural and political reality into a particular textual aesthetic, which Theodore Koulouris defines as 'Greekness.' Woolf was a lifelong student of Greek, but from 1907 to1909 she kept notes on her Greek readings in the Greek Notebook, an obscure and largely unexamined manuscript that contains her analyses of a number of canonical Greek texts, including Plato's Symposium, Homer's Odyssey, and Euripides' Ion. Koulouris's examination of this manuscript uncovers crucial insights into the early development of Woolf's narrative styles and helps establish the link between Greekness and loss. Woolf's 'Greekness,' Koulouris argues, enabled her to navigate male and female appropriations of British Hellenism and provided her with a means of articulating loss, whether it be loss of a great Hellenic past, women's vocality, immediate family members, or human civilization during the formative decades of the twentieth century. In drawing attention to the centrality of Woolf's early Greek studies for the elegiac quality of her writing, Koulouris maps a new theoretical terrain that involves reassessing long-established views on Woolf and the Greeks.
This volume presents 11 radio scripts written and produced by Louis MacNeice over the span of his career at the BBC. This selection, all but one of which is published for the first time, illustrates the various ways that MacNeice re-worked ancient Greek and Roman history and literature for radio broadcast.
