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Author: Evonne Levy
Publisher: Studies in the History of Art
Published: 2020
Total Pages: 314
ISBN-13: 9780300250473
DOWNLOAD EBOOKPerspectives on a book that changed ways of thinking and writing about art around the world
Author: Zeynep Çelik Alexander
Publisher: University of Chicago Press
Published: 2017-12-08
Total Pages: 328
ISBN-13: 022648520X
DOWNLOAD EBOOKIntroduction: a peculiar experiment -- Kinaesthetic knowing: the nineteenth-century biography of another kind of knowledge -- Looking: Wölfflin's comparative vision -- Affecting: Endell's mathematics of living feeling -- Drawing: the Debschitz school and formalism's subject -- Designing: discipline and introspection at the Bauhaus -- Epilogue
Author: Heinrich Wölfflin
Publisher:
Published: 1958
Total Pages: 237
ISBN-13: 9780713510515
DOWNLOAD EBOOKAuthor: Heinrich Wolfflin
Publisher: Getty Publications
Published: 2015-05-07
Total Pages: 370
ISBN-13: 1606064525
DOWNLOAD EBOOKPrinciples of Art History by Heinrich Wölfflin (1864–1945), a revolutionary attempt to construct a science of art through the study of the development of style, has been a foundational work of formalist art history since it was first published in 1915. At once systematic and subjective, and remarkable for its compelling descriptions of works of art, Wölfflin’s text has endured as an accessible yet rigorous approach to the study of style. Although Wölfflin applied his analysis to objects of early modern European art, Principles of Art History has been a fixture in the theoretical and methodological debates of the discipline of art history and has found a global audience. With translations in twenty-four languages and many reprints, Wölfflin’s work may be the most widely read and translated book of art history ever. This new English translation, appearing one hundred years after the original publication, returns readers to Wölfflin’s 1915 text and images. It also includes the first English translations of the prefaces and afterword that Wölfflin himself added to later editions. Introductory essays provide a historical and critical framework, referencing debates engendered byPrinciples in the twentieth century for a renewed reading of the text in the twenty-first.
Author: Gillian Perry
Publisher: Yale University Press
Published: 1999-01-01
Total Pages: 278
ISBN-13: 9780300077438
DOWNLOAD EBOOK"This is the first of six books in the series Art and its Histories, which form the main texts of an Open University second-level course of the same name"--Preface.
Author: Evonne Levy
Publisher: Routledge
Published: 2016-04-14
Total Pages: 430
ISBN-13: 1317099486
DOWNLOAD EBOOKBringing together established and emerging specialists in seventeenth-century Italian sculpture, Material Bernini is the first sustained examination of the conspicuous materiality of Bernini’s work in sculpture, architecture, and paint. The various essays demonstrate that material Bernini has always been tied (whether theologically, geologically, politically, or in terms of art theory) to his immaterial twin. Here immaterial Bernini and the historiography that sustains him is finally confronted by material Bernini. Central to the volume are Bernini’s works in clay, a fragmentary record of a large body of preparatory works by a sculptor who denied any direct relation between sketches of any kind and final works. Read together, the essays call into question why those works in which Bernini’s bodily relation to the material of his art is most evident, his clay studies, have been configured as a point of unmediated access to the artist’s mind, to his immaterial ideas. This insight reveals a set of values and assumptions that have profoundly shaped Bernini studies from their inception, and opens up new and compelling avenues of inquiry within a field that has long remained remarkably self-enclosed.
Author: Heinrich Hubsch
Publisher: Getty Publications
Published: 1996-07-11
Total Pages: 216
ISBN-13: 0892361999
DOWNLOAD EBOOKHubsch's argument that the technical progress and changed living habits of the nineteenth century rendered neoclassical principles antiquated is presented here along with responses to his essay by architects, historians, and critics over two decades.
Author: Monica Juneja
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2023-03-20
Total Pages: 352
ISBN-13: 311121706X
DOWNLOAD EBOOKThe book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro–America into globally intelligible analyses.
Author: David M. Lubin
Publisher: Yale University Press
Published: 1994-01-01
Total Pages: 400
ISBN-13: 9780300057324
DOWNLOAD EBOOKArt historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description.
Author: Charles Harrison
Publisher: Yale University Press
Published: 2020-03-10
Total Pages: 346
ISBN-13: 0300247133
DOWNLOAD EBOOKAt once engaging, personal, and analytical, this book provides the intellectual resources for the critical understanding of art Charles Harrison’s landmark book offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance on the basic character and techniques of the different art forms, on the various genres of painting in the Western tradition, and on the techniques of sculpture as they have been practiced over several millennia and across a wide range of cultures. Throughout the book, Harrison discusses the relative priorities of aesthetic appreciation and historical inquiry, and the importance of combining the two approaches. Written in a style that is at once graceful, engaging, and personal, as well as analytical and exact, this illuminating book offers an impassioned and timely defense of the importance and value of the firsthand encounter with works of art, whether in museums or in their original locations.
