LONGLISTED FOR THE 2014 DYLAN THOMAS PRIZE A fiercely beautiful novel about friendship and the ties that bind us. Mia and Lorrie Ann are lifelong friends: hard-hearted Mia and untouchably beautiful, kind Lorrie Ann. While Mia struggles with a mother who drinks, a pregnancy at fifteen, and younger brothers she loves but can't quite be good to, Lorrie Ann is luminous, surrounded by her close-knit family, immune to the mistakes that mar her best friend's life. Until a sudden loss catapults Lorrie Ann into tragedy: things fall apart, and then fall apart further âe" and there is nothing Mia can do to help. And as good, kind, brave Lorrie Ann stops being so good, Mia begins to question just who this woman is and what that question means about them both. A staggeringly arresting, honest novel of love, motherhood, loyalty, and the myth of the perfect friendship that moves us to ask ourselves just how well we know those we love, what we owe our children, and who we are without our friends.
A Finalist for the PEN/Faulkner Award for Fiction An InStyle Best Book of the Year A Refinery29 Best Book of the Year By the end of high school, Bunny Lampert is 6’3 with the abs of a ninja turtle and the face of a boy angel. Her dad has chaotic salesman energy and her mom is dead. But from the outside, Bunny seems to have it all—she’s blonde, rich, and an Olympic volleyball hopeful. Michael—who has a ponytail and a septum piercing, works at Rite-Aid, and has a secret Grindr—lives with his aunt in the cramped cottage next door to Bunny’s McMansion. When Bunny catches Michael smoking in her yard, he discovers that her life is not as perfect as it seems. Their friendship is as improbable as it is irresistible, but when Michael falls in love for the first time, a vicious strain of gossip circulates and a terrible, brutal act becomes the defining feature of both his and Bunny’s futures. A beautiful and darkly comic book about doing things you didn’t mean to do, wanting things you wish you didn’t want, and loving people you can’t afford to love.
An NPR Best Book of 2022 One of The Millions' Most Anticipated Books of 2022 A CrimeReads Most Anticipated Crime Fiction of 2022 Selection "Ingenious.…a superb literary suspense novel that calls to mind an earlier such debut, Donna Tartt’s The Secret History." —Maureen Corrigan, Washington Post A contemporary reimagining of the Daphne and Apollo myth, The Latinist is a page-turning exploration of power, ambition, and the intertwining of love and obsession. Tessa Templeton has thrived at Oxford University under the tutelage and praise of esteemed classics professor Christopher Eccles. And now, his support is the one thing she can rely on: her job search has yielded nothing, and her devotion to her work has just cost her her boyfriend, Ben. Yet shortly before her thesis defense, Tessa learns that Chris has sabotaged her career—and realizes their relationship is not at all what she believed. Driven by what he mistakes as love for Tessa, Chris has ensured that no other institution will offer her a position, keeping her at Oxford with him. His tactics grow more invasive as he determines to prove he has her best interests at heart. Meanwhile, Tessa scrambles to undo the damage—and in the process makes a startling discovery about an obscure second-century Latin poet that could launch her into academic stardom, finally freeing her from Chris’s influence. A contemporary reimagining of the Daphne and Apollo myth, The Latinist is a page-turning exploration of power, ambition, and the intertwining of love and obsession.
Groundhog Day meets Ling Ma’s Severance in this “brilliant” (PopSugar) and “exhilarating” (The Millions) comedic novel about two young women trying to save their friendship as the world collapses around them. Bertie and Kate have been best friends since high school. Bertie is a semi-failed cartoonist, working for a prominent Silicon Valley tech firm. Her job depresses her, but not as much as the fact that Kate has recently decided to move from San Francisco to Los Angeles. When Bertie’s attempts to make Kate stay fail, she suggests the next best thing: a trip to Paris that will hopefully distract the duo from their upcoming separation. The vacation is also a sort of last hurrah, coming during the ceasefire in a series of escalating world conflicts. One night in Paris, they meet a strange man in a bar who offers them a private tour of the Louvre. The women find themselves alone in the museum, where nothing is quite as it seems. Caught up in a day that keeps repeating itself, Bertie and Kate are eventually separated, and Bertie is faced with a mystery that threatens to derail everything. In order to make her way back to Kate, Bertie has to figure out how much control she has over her future—and her past—and how to survive in an apocalypse when the world keeps refusing to end.
NEW YORK TIMES BESTSELLER! Part how-to, part girl-empowerment, and all fun, from the leader of the movement championed by Sheryl Sandberg, Malala Yousafzai, and John Legend. Since 2012, the organization Girls Who Code has taught computing skills to and inspired over 40,000 girls across America. Now its founder, and author Brave Not Perfect, Reshma Saujani, wants to inspire you to be a girl who codes! Bursting with dynamic artwork, down-to-earth explanations of coding principles, and real-life stories of girls and women working at places like Pixar and NASA, this graphically animated book shows what a huge role computer science plays in our lives and how much fun it can be. No matter your interest—sports, the arts, baking, student government, social justice—coding can help you do what you love and make your dreams come true. Whether you’re a girl who’s never coded before, a girl who codes, or a parent raising one, this entertaining book, printed in bold two-color and featuring art on every page, will have you itching to create your own apps, games, and robots to make the world a better place.
“This highly anticipated coming-of-age novel . . . delivers the perfect sunny trifecta: summer camp drama, growing pains, and the enduring power of female friendships.”—Redbook At what point does childhood end and adulthood begin? Mandy Berman’s evocative debut novel captures, through the lens of summer camp both the thrill and pain of growing up. Rachel Rivkin and Fiona Larkin used to treasure their summers together as campers at Camp Marigold. Now, reunited as counselors after their first year of college, their relationship is more complicated. Rebellious Rachel, a street-smart city kid raised by a single mother, has been losing patience with her best friend’s insecurities; Fiona, the middle child of a not-so-perfect suburban family, envies Rachel’s popularity with their campers and fellow counselors. For the first time, the two friends start keeping secrets from each other. Through them, as well as from the perspectives of their fellow counselors, their campers, and their mothers, we witness the tensions of the turbulent summer build to a tragic event, which forces Rachel and Fiona to confront their pasts—and the adults they’re becoming. A seductive blast of nostalgia, a striking portrait of adolescent longing, and a tribute to female friendship, Perennials will speak to everyone who still remembers that bittersweet moment when innocence is lost forever. Praise for Perennials “Berman is at her most insightful when exploring the awkward unfurling of female adolescence. . . . Perennials is a sharp meditation on the changing female body, and the ways in which such changes are often involuntary and unwanted. . . . [She] skillfully captures the details and rituals of camp.”—J. Courtney Sullivan, The New York Times Book Review “Berman’s command of prose is astounding. The more you read, the more difficult it is to believe that this is a debut novel. . . . Charged with hope, longing, an unexpected sensuality, and a bruised tenderness, Perennials is a book you should most definitely put near the top of your reading list.”—Pop Dust “Snappy and irresistible, Perennials takes readers back to summer camp, where her characters’ first friendships and treasons play out in sharp dialogue and playful, generous prose.”—Kristopher Jansma, author of Why We Came to the City
Thirteen glittering, surprising, and darkly funny stories of people testing the boundaries of their lives, from two-time Scotiabank Giller Prize finalist Alix Ohlin. In the mordantly funny “Money, Geography, Youth,” Vanessa arrives home from a gap year volunteering in Ghana to find that her father is engaged to her childhood best friend. Unable to reconcile the girl she went to dances with in the eighth grade and the woman in her father’s bed, Vanessa turns to a different old friendship for her own, unique diversion. In the subversive “The Brooks Brothers Guru,” Amanda drives to upstate New York to rescue her gawky cousin from a cult, only to discover clean-cut, well-dressed men living in a beautiful home, discussing the classics and drinking cocktails, moving her to wonder what freedoms she might be willing to trade for a life of such elegant comfort. And in “The Universal Particular,” Tamar welcomes her husband’s young stepcousin into her home, only to find her cool suburban life knocked askew in ways she cannot quite understand. Populated with imperfect families, burned potential, and inescapable old flames, the stories in We Want What We Want are, each one, diamond-sharp — sparkling with pain, humour, and beauty.
Best friends Mia and Lorrie Ann couldn’t be more different; where Mia is reckless and proudly hard-hearted, Lorrie Ann is kind, serenely beautiful, and seemingly immune to the kind of teenage mistakes that Mia can’t help but make. But within a few years, fortunes change. Suddenly, Mia is free to grow up and adventure, falling in and out of love while Lorrie Ann is weighed down by responsibilities at home. And when good, nice, brave Lorrie Ann stops being so good, Mia must question how well she ever really knew her best friend in the first place.
Set in the final days before a shocking tragedy forces an elite boarding school to shut its doors for good, Ellie Eaton's The Divines is a razor-sharp debut that asks the question: were you really as good as you remember? I am Divine. My mother was Divine and her mother before that, which isn't uncommon. Although that was at a time when being Divine meant something . . . The girls of elite English boarding school, St. John the Divine, were notorious for flipping their hair, harassing teachers, chasing boys and chain-smoking cigarettes. They were fiercely loyal, sharp-tongued, and cutting in the way that only teenage girls can be. But for Josephine, now in her thirties, her time at St. John feels like a lifetime ago. She hasn't spoken to another Divine in fifteen years, not since the day the school shut its doors in disgrace . . . But an impromptu visit reawakens blurry recollections of those doomed final weeks that rocked the community. With each memory that resurfaces, she circles closer to the ugly secret at the heart of the school's scandal. But the more Josephine recalls, the further her life unravels, derailing not just her marriage and career, but her entire sense of self. With the emotional power of My Dark Vanessa and the reflective haze of The Girls, The Divines is a compulsive debut exploring the intoxicating, destructive relationships between teenage girls. 'A cool, chilling and elegant novel' Sarah Perry, author of The Essex Serpent 'Perfectly twisted . . . Impossible to put down' Refinery29 'Captivating' Vulture 'An explosive debut' Stylist
The proprietor of a bowling alley whose artist daughter paints only phalluses. A ninth-grade girl who marries in haste only to be faced with her husband's impotence. A libidinous poet who learns the meaning of harassment. The life and loves of a professional lawn-mower. These are just a few of the distinctive stories that make up Mark Winegardner's remarkable debut short-story collection. Winegardner, whose rich and epic novel Crooked River Burning gave the much-maligned city of Cleveland a fresh and vibrant aspect, now returns to the Midwest that he knows so intimately and casts a piercingly compassionate eye on its denizens. The result is a kaleidoscopic picture of a people who are arrogant and humble, faithful and disloyal, driven and floundering-a people who are finally, America itself.
