As the Japanese military invades 1930s Manchuria, a young girl approaches her own sexual coming of age. Drawn into a complex triangle with two boys, she distracts herself from the onslaught of adulthood by playing the game of go with strangers in a public square--and yet the force of desire, like the occupation, proves inevitable. Unbeknownst to the girl who plays go, her most worthy and frequent opponent is a Japanese soldier in disguise. Captivated by her beauty as much as by her bold, unpredictable approach to the strategy game, the soldier finds his loyalties challenged. Is there room on the path to war for that most revolutionary of acts: falling in love?
Unlock the more straightforward side of The Girl Who Played Go with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Girl Who Played Go by Shan Sa, which tells the story of a spirited young Chinese girl and the Japanese soldier she meets over a game of go. With the bloody Second Sino-Japanese War raging around them, the young lovers soon realise that their relationship has no future, with devastating consequences. The Girl Who Played Go was an immediate commercial and critical success, winning France’s prestigious Prix Goncourt des Lycéens the year of its release. Its author, Shan Sa, was born in China, where she won the national children’s poetry contest at the age of 12, before moving to Paris at the age of 18. Find out everything you need to know about The Girl Who Played Go in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
Such is the voice of Shan Sa's unforgettable heroine in her latest literary masterpiece, Empress. Empress Wu, one of China's most controversial figures, was its first and only female emperor, who emerged in the seventh century during the great Tang Dynasty and ushered in a golden age. Throughout history, her name has been defamed and her story distorted by those taking vengeance on a woman who dared to become emperor. But now, for the first time in thirteen centuries, Empress Wu (or Heavenlight, as we come to know her) flings open the gates of the Forbidden City and tells her own astonishing tale—revealing a fascinating, complex figure who in many ways remains modern to this day. Writing with epic assurance, poetry, and vivid historic detail, Shan Sa plumbs the psychological and philosophical depths of what it means to be a striving mortal in a tumultuous, power-hungry world. Empress is a great literary feat and a revelation for the ages.
Introduction by Terry Tempest Williams Afterword by T. H. Watkins Called a “magnificently crafted story . . . brimming with wisdom” by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.
Two Burmese boys, one a Karenni refugee and the other the son of an imprisoned Burmese doctor, meet in the jungle and in order to survive they must learn to trust each other.
re-creating the lives of two of the most intriguing rulers in history, Shan Sa brings us a novel filled with the sound of hooves, the whistle of arrows, blood, passion, and betrayal. The familiar figure of Alexander the Great comes to new life in this richly imagined tale, which entwines his historical legacy with a fantastic love affair set in a wartime between Western and Eastern civilizations. Abused by his father, King Philip, who loved and hated his beauty; shadowed by his mother, the mystical and overbearing Queen Olympias; educated by Aristotle who wanted him to be a wise philosopher of Macedonia, Alexander develops a complex character. He becomes a brutal warrior, a pitiless strategist, and a poet longing for the world's wonders. Meanwhile, in the remote steppes of Siberia, an abandoned girl grows up among the wild mares, then adopted by the queen of the Amazons—the tribe of female warriors who dominates a wild world of snow and volcano. As a future queen, the young girl is trained to hate men and to fight against all invaders. In the course of his great conquest of Asia, Alexander first meets the stunning Alestria on the battlefield. Surprised to find that his adversary is a woman, he is instantly smitten by the fierce queen. Dazzled by his strength, she decides to kidnap him and make him her "wife." At last, this legendary king—renowned for his beauty and love of men—has found his equal. And at last, this indomitable young woman has found a reason to leave her tribe. Their love, deeply passionate and problematic, evolves against an exotic backdrop of warfare and political turmoil, sweeps from antique Greece to Egypt, across the ancient Iraq and Iran, unto the mysterious kingdoms of India.
From a master of the historical novel, Empress Orchid sweeps readers into the heart of the Forbidden City to tell the fascinating story of a young concubine who becomes China's last empress. Min introduces the beautiful Tzu Hsi, known as Orchid, and weaves an epic of a country girl who seized power through seduction, murder, and endless intrigue. When China is threatened by enemies, she alone seems capable of holding the country together. In this "absorbing companion piece to her novel Becoming Madame Mao" (New York Times), readers and reading groups will once again be transported by Min's lavish evocation of the Forbidden City in its last days of imperial glory and by her brilliant portrait of a flawed yet utterly compelling woman who survived, and ultimately dominated, a male world.
Fifteen-year-old Janna Yusuf, a Flannery O'Connor-obsessed book nerd and the daughter of the only divorced mother at their mosque, tries to make sense of the events that follow when her best friend's cousin--a holy star in the Muslim community--attempts to assault her at the end of sophomore year.
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
Updated with a new introduction, this fifteenth anniversary edition of A Return to Modesty reignites Wendy Shalit’s controversial claim that we have lost our respect for an essential virtue: modesty. When A Return to Modesty was first published in 1999, its argument launched a worldwide discussion about the possibility of innocence and romantic idealism. Wendy Shalit was the first to systematically critique the "hook-up" scene and outline the harms of making sexuality so public. Today, with social media increasingly blurring the line between public and private life, and with child exploitation on the rise, the concept of modesty is more relevant than ever. Updated with a new preface that addresses the unique problems facing society now, A Return to Modesty shows why "the lost virtue" of modesty is not a hang-up that we should set out to cure, but rather a wonderful instinct to be celebrated. A Return to Modesty is a deeply personal account as well as a fascinating intellectual exploration into everything from seventeenth-century manners to the 1948 tune "Baby, It’s Cold Outside." Beholden neither to social conservatives nor to feminists, Shalit reminds us that modesty is not prudery, but a natural instinct—and one that may be able to save us from ourselves.
