At the old Ross Building, something is going bump in the night. Neighborhood kids are scared to go near it, and no one in their right mind would live there. The townspeople whisper about ghosts, but no one knows what really happened in the Ross Buildingno one but the spirits themselves. Ten-year-old detectives Taylor and Amber know all about the place, and they also know its haunted. One night, the ghostly vision of a girl beckons them both inside, and these two sleuths cant help but wonder: Who is the ghost girl? What happened to her? And why does she seem to want their help? Someone is keeping Taylor and Amber from the truth, and they are determined to find out who but they find themselves facing serious danger as they do so. Will the kids end up ghosts, too, just like the spirit girl who first took them to the old Ross Building? Or with a little snooping aroundand the help of two well-informed senior citizenswill Taylor and Amber solve a century-old mystery?
It was a warm summer day in 1951 when Rose Pottinger and Mrs. Zimmermann entered the tunnel. When they had emerged, it was snowing...and the year was 1828. Mrs. Zimmermann had felt that the ghost of Granny Wetherbee, who had taught Mrs. Zimmermann witchery, was in trouble and needed help. So she and Rose Rita had traveled to Pennsylvania where Granny had lived. They never dreamed that they would also journey back to a time long ago where they would encounter a sorcerer more terrifying than either could have imagined. Books by John Bellairs: The Doom of the Haunted Opera The Figure In the Shadows The Ghost in the Mirror The House With a Clock In Its Walls The Letter, the Witch, and the Ring The Mansion in the Mist The Specter From the Magician's Museum The Treasure of Alpheus Winterborn The Vengeance of the Witch-Finder
A collection of the Kull of Atlantis fantasy stories published before Robert E. Howard's tragic suicide in 1936. Known for his Conan and Solomon Kane characters, Kull of Atlantis is set in the same fictional realm as Conan. Fantasy and savagery at the dawn of time!
Tosha cant wait to visit her cousin, Patty. The two ten-year-olds love to spend time together, even though Tosha has a way of getting them into some unusual situations! This time is no different. Shortly after her arrival, Tosha persuades Patty to visit the old abandoned mansion located near Pattys house. Something draws Tosha to the run-down home, and she desperately wants to discover who lived there and what they were like. Patty thinks its a spooky, dangerous firetrap, even so she agrees to help Tosha look for clues. But nothing could have prepared them for what they find: a diary hidden inside an ancient trunk in the attic. This is no ordinary diary. It has mysterious and amazing powers, and when the girls read the book, they travel to strange, faraway places with exotic animals, fascinating people, and exhilarating adventures. They also meet another ten-year-old girl, Emma, who accompanies them on their journeys. Theres only one problem: they dont know how to get back home? Is there a connection between the old mansion, the diary, the trunk, and Emma? Tosha and Patty must solve the puzzle or risk being trapped within the powers of the trunk forever!
“[Behind Howard’s stories] lurks a dark poetry and the timeless truth of dreams.” –Robert Bloch “Howard’s writing seems so highly charged with energy that it nearly gives off sparks.” –Stephen King The classic pulp magazines of the early twentieth century are long gone, but their action-packed tales live on through the work of legendary storyteller Robert E. Howard. From his fecund imagination sprang an army of larger-than-life heroes–including the iconic Conan the Cimmerian, King Kull of Atlantis, Solomon Kane, and Bran Mak Morn–as well as adventures that would define a genre for generations. Now comes the second volume of this author’s breathtaking short fiction, which runs the gamut from sword and sorcery, historical epic, and seafaring pirate adventure to two-fisted crime and intrigue, ghoulish horror, and rip-roaring western. Kull reigns supreme in “By This Axe I Rule!” and “The Mirrors of Tuzan Thune”; Conan conquers in one of his most popular exploits, “The Tower of the Elephant”; Solomon Kane battles demons deep in Africa in “Wings in the Night”; and itinerant boxer Steve Costigan puts up his dukes of steel inside and outside the ring in “The Bulldog Breed.” In between, warrior kings, daring knights, sinister masterminds, grizzled frontiersmen–even Howard’s stunning heroine, Red Sonya–tear up the pages in stories built to thrill by their masterly creator. And in such epic poems as “Echoes from an Anvil,” “Black Harps in the Hills,” and “The Grim Land,” the author blends his classic characters and visceral imagery with a lyricism as haunting as traditional folk balladry. Lavishly illustrated by Jim and Ruth Keegan, here is a Robert E. Howard collection as indispensable as it is unforgettable. “Howard had a gritty, vibrant style–broadsword writing that cut its way to the heart, with heroes who are truly larger than life.” –David Gemmell “For stark, living fear . . . What other writer is even in the running with Robert E. Howard?” –H. P. Lovecraft
Gray fogs obscured the vision, great billows of mist, ever heaving and changing like the ghost of a great river; through these fogs Kull caught swift fleeting visions of horror and strangeness; beasts and men moved there and shapes neither men nor beasts; great exotic blossoms glowed through the grayness; tall tropic trees towered high over reeking swamps, where reptilian monsters wallowed and bellowed; the sky was ghastly with flying dragons and the restless seas rocked and roared and beat endlessly along the muddy beaches. Man was not, yet man was the dream of the gods and strange were the nightmare forms that glided through the noisome jungles. Battle and onslaught were there, and frightful love. Death was there, for Life and Death go hand in hand. Across the slimy beaches of the world sounded the bellowing of the monsters, and incredible shapes loomed through the steaming curtain of the incessant rain...FROM THE BOOK.
You're no idiot, of course. You know Casper was a friendly ghost and that the Phantom Hitchhiker is someone you'd rather not meet on a deserted highway late at night. But when it comes to knowing the authentic roots of ghost stories--and which ones remain unexplained to this day--you don't stand a ghost of a chance. Don't get spirited away yet! The Complete Idiot's Guide to Ghosts and Hauntings is an eerie investigation into the firsthand accounts, legends, literature, and dramatic works surrounding the world of ghosts. In this Complete Idiot's Guide, you get:
'Electric Wizard is heavy, man - we don't sing about love and flowers.' Jus Oborn In 1993, in the market town of Wimborne Minster in Dorset, England, the heaviest band in the world was born. Led by guitarist and singer Jus Oborn, Electric Wizard began as an untameable power trio. They inhaled the iniquity of their lives and vomited it out in colossal waves of doom metal, synthesising the forbidding local landscape, biker culture, video-nasties, black magic rituals and titanic doses of psychedelics. In 1997 they released their revolutionary second album, Come My Fanatics... Then, after triumphant and calamitous tours of the USA and following the release of arguably the heaviest rock album ever recorded, 2000's Dopethrone, Electric Wizard all but imploded, destroyed by the very reality they were fighting against. However, when guitarist Liz Buckingham joined Oborn on guitar for We Live, they drew a magic circle around themselves in a new line-up that went on to explore deeper occult horrors on modern doom classic Witchcult Today onwards. Come My Fanatics is a kaleidoscopic exploration of the subculture the band has absorbed and, in turn, created. From seventies exploitation cinema, through the writers of Weird Tales magazine and a panoply of the marginal and downright sinister, to the band's own live ceremonial happenings - this is Electric Wizard's world. We're just dying in it.
In the first major literary biography of L. Frank Baum, Rebecca Loncraine tells the story of Oz as you've never heard it, with a look behind the curtain at the vivid life and eccentric imagination of its creator. L. Frank Baum wrote The Wonderful Wizard of Oz in 1899 and it was first published in 1900. A runaway hit, it was soon recognized as America's first modern fairy tale. Baum's life story, like the fictional world he created, is uniquely American, rooted in the transforming historical changes of his times. Baum was a complex and eccentric man who could never stay put for long; his restless creative spirit and voracious appetite for new projects led him across the U.S. during his lifetime, and he drew energy and inspiration from each new dramatic landscape he encountered,. Born in 1856, Baum spent his youth in the Finger Lakes region of New York as amputee soldiers returned from the Civil War; childhood mortality was also commonplace, blurring the lines between the living and the dead, and making room in Baum's young imagination for vividly real ghosts. When Baum was growing up, P. T. Barnum ruled the minds of small towns and his traveling circus was the most famous act around. Baum married a headstrong young woman named Maud Gage and they ventured out west to Dakota Territory, where they faced violent tornadoes, Ghost Dancing tribes and desperate droughts, before trading the hardships on the Great Plains for the excitement of Chicago and the fantastical White City of the World's Fair. Baum's writing tapped into an inner world that blurred his own sense of reality and fantasy. The Land of Oz, which Baum believed he had "discovered" rather than invented, grew into something far bigger and more popular than he'd ever imagined. After the roaring success of The Wonderful Wizard of Oz in 1900, he became a kind of slave to his creation, trapped inside Oz as his army of demanding child fans kept sending him back there to create new adventures for Dorothy, Toto and the humbug wizard. He went on to write thirteen sequels to his first Oz book. He also wrote the first Broadway adaptations of his Oz tales, and turned his Oz books into some of the first motion pictures in a small and undiscovered rural settlement called "Hollywood". Baum co-founded the Oz Film Manufacturing Company, even as critics warned that no one would pay to see a children's story. And they were right- his early ventures were box office flops and the world was not ready for Oz on screen until 1939, when MGM released "The Wizard of Oz" in brilliant Technicolor. Baum was not around to see it-he'd died in bed in 1919 just weeks after completing his final Oz book. But the book and film alike have become classics, just as well-loved today as they were when they first appeared. The Real Wizard of Oz is an imaginatively written work that stretches the genre of biography and enriches our understanding of modern fairytales. L. Frank Baum, author of The Wonderful Wizard of Oz and its thirteen sequels, lived during eventful times in American history-- from 1856 to 1919-- that influenced nearly every aspect of his writing, from the Civil War to Hollywood, which was emerging as a modern Emerald City full of broken dreams and humbug wizards, to the gulf between America's prairie heartland, with its wild tornadoes, and its cities teeming with "Tin Man" factory workers. This is a colorful portrait of one man's vivid and eccentric imagination and the world that shaped it. Baum's famous fairytale is filled with the pain of the economic uncertainties of the Gilded Age and with a yearning for real change, ideas which many contemporary Americans will recognize. The Wizard of Oz continues to fascinate and influence us because it explores universal themes of longing for a better world, homesickness and finding inner strength amid the storms.
