Originally published in English in 1956, this book is divided into 3 parts : the first outlines how, after 1933, those outside Germany began to become increasingly afraid of sinister operations on the part of German agents and the partisans of National Socialism. The second part examines the role of the German Fifth column during the war and the third part analyses the role of the groups which were living outside Germany at the time Hitler started his assault.
A study of the internal conflicts between the German military government, the SS, and the Foreign Office during the occupation of France, showing how these battles developed and what they implied for the direction of German policy in occupied France from 1940 to 1944.
Susan Ronald, acclaimed author of Hitler's Art Thief takes readers into the shadowy world of the aristocrats and business leaders on both sides of the Atlantic who secretly aided Hitler and Nazi Germany. Hitler said, “I am convinced that propaganda is an essential means to achieve one’s aims.” Enlisting Europe’s aristocracy, international industrialists, and the political elite in Britain and America, Hitler spun a treacherous tale everyone wanted to believe: he was a man of peace. Central to his deception was an international high society Black Widow, Princess Stephanie Hohenlohe-Waldenburg-Schillingsfürst, whom Hitler called “his dear princess.” She, and others, conspired for Hitler at the highest levels of the British aristocracy and spread their web to America's wealthy powerbrokers. Hitler’s aristocrats became his eyes, listening posts, and mouthpieces in the drawing rooms, cocktail parties, and weekend retreats of Europe and America. Among these “gentlemen spies” and “ladies of mystery” were the Duke and Duchess of Windsor, Lady Nancy Astor, Charles Lindbergh, and two of the Mitford sisters. They were the trusted voices disseminating his political and cultural propaganda about the “New Germany,” brushing aside the Nazis’ atrocities. Distrustful of his own Foreign Ministry, Hitler used his aristocrats to open the right doors in Great Britain and the United States, creating a formidable fifth column within government and financial circles. In a tale of drama and intrigue, Hitler’s Aristocrats uncovers the battle between these influencers and those who heroically opposed them.
This book maps Christopher Isherwood's intellectual and aesthetic reflections from the late 1930s through the late 1970s. Drawing on the queer theory of Eve Sedgwick and the ethical theory of Michel Foucault, Carr illuminates Isherwood's post-war development of a queer ethos through his focus on the aesthetic, social, and historical politics of the 1930s in his novels Prater Violet (1945), The World in the Evening (1954), and Down There on a Visit (1962), and in his memoir, Christopher and His Kind: 1929–1939 (1976).
Author: United States. Congress. Senate. Committee on the Judiciary. Subcommittee to Investigate the Administration of the Internal Security Act and Other Internal Security Laws
