An inventory and history of gatekeepers' houses, in Leinster, Ireland. Lodges are present here in such quality and in such great quantity as to represent a massive as-yet-unrecognized contribution to Ireland's architectural heritage. There are descriptions of 3,136 gate lodges in the twelve counties, and more than 1,500 of them are illustrated
Of the 10,000 or more gate lodges built over a 200-year period since the mid-eighteenth century in Ireland, half have been demolished, and many of those surviving are derelict. The author's research has revealed the gate lodge's extraordinary significance as a building type, particularly in Ireland but also in a world context. Despite displaying detailed architectural sophistication to rival the big house' to which it is a prelude, the gate lodge has received scant coverage in print. Hence this work is also an attempt to right that imbalance. There are descriptions of 2,775 gate lodges in the six counties and they are accompanied by 772 illustrations. Entries are numbered and listed county by county for ease of reference. The gazetteer is preceded by an extensive essay on the history of the gate lodge in Munster, and the book is fully indexed.
Go on a journey with Robert O’Byrne as he brings fascinating Irish ruins to life. Fantastical, often whimsical, and frequently quirky, these atmospheric ruins are beautifully photographed and paired with fascinating text by Robert O’Byrne. Born out of Robert’s hugely popular blog, The Irish Aesthete, there are Medieval castles, Georgian mansions, Victorian lodges, and a myriad of other buildings, many never previously published. Robert focuses on a mixture of exteriors and interiors in varying stages of decay, on architectural details, and entire scenarios. Accompanying texts tell of the Regency siblings who squandered their entire fortune on gambling and carousing, of an Anglo-Norman heiress who pitched her husband out the window on their wedding night, and of the landlord who liked to walk around naked and whose wife made him carry a cowbell to warn housemaids of his approach. Arranged by the country’s four provinces, the diverse ruins featured offer a unique insight into Ireland and an exploration of her many styles of historic architecture.
Paralleling his friend Alexis de Tocqueville's visit to America, Gustave de Beaumont traveled through Ireland in the mid-1830s to observe its people and society. In Ireland, he chronicles the history of the Irish and offers up a national portrait on the eve of the Great Famine. Published to acclaim in France, Ireland remained in print there until 1914. The English edition, translated by William Cooke Taylor and published in 1839, was not reprinted. In a devastating critique of British policy in Ireland, Beaumont questioned why a government with such enlightened institutions tolerated such oppression. He was scathing in his depiction of the ruinous state of Ireland, noting the desperation of the Catholics, the misery of repeated famines, the unfair landlord system, and the faults of the aristocracy. It was not surprising the Irish were seen as loafers, drunks, and brutes when they had been reduced to living like beasts. Yet Beaumont held out hope that British liberal reforms could heal Ireland's wounds. This rediscovered masterpiece, in a single volume for the first time, reproduces the nineteenth-century Taylor translation and includes an introduction on Beaumont and his world. This volume also presents Beaumont's impassioned preface to the 1863 French edition in which he portrays the appalling effects of the Great Famine. A classic of nineteenth-century political and social commentary, Beaumont's singular portrait offers the compelling immediacy of an eyewitness to history.
Focusing on follies and garden buildings in Ireland, this book seeks to describe and illustrate these architectural oddities. Examines buildings mainly from the 18th and 19th centuries from all four provinces of Ireland, placing them in their architectural and historical contexts.
Big ideas sometimes come from the strangest places. In this wide ranging introduction, James M Russell takes the fear out of philosophy and selects seventy-six works - from Plato, Descartes and Wittgenstein to Philip K Dick and the Moomins as well as contemporary thinkers such as Peter Singer and John Rawls. Dividing into accessible sections - history, contemplation, happiness, and -isms, Russell gives us the lives as well as the lessons of the great thinkers, including a digest of their key ideas. A perfect antidote to the complex life. The topics and books covered include: Traditional Philosophy: The Republic, Plato; The Confessions, St Augustine; The Leviathan, Thomas Hobbes; On Liberty, John Stuart Mill; Philisophical Investigations, Ludwig Wittgenstein; Critique of Pure Reason, Immanuel Kant. Outsiders: Fear and Trembling, Soren Kierkegaard; Beyond Good and Evil, Frederick Nietzsche; The Outsider, Albert Camus; Doors of Perception, Aldous Huxley. Contemplation as Philosophy: The Prophet, Kahil Gibran; Jonathan Livingston Seagull, Richard Bach; Zen and the Art of Motorcycle Maintenance, Robert Pirsig; The Tao of Pooh, Benjamin Hoff. The Continental Tradition: The Prison Notebooks, Antonio Gramsci; The History of Sexuality, Michel Foucault; Symbolic Exchange and Death, Jean Baudrillard. How to Live Your Life: The Art of War, Sun Tzu; Maxims, La Rouchefoucauld; Memories, Dreams, Reflections, Carl Jung; On Sexuality, Sigmund Freud; On Becoming a Person, Carl Rogers. Political and Personal Issues: Das Kapital, Karl Marx; Being and Nothingness, Jean Paul Sartre; Gaia, James Lovelock. Modern Philosophy: A Theory of Justice, John Rawls; Darwin's Dangerous Idea, Daniel Dennett; After the Terror, Ted Honderich.
Ireland looms large in European history just after the fall of the Roman Empire. This book provides an entry-level' narrative to this period in Irish history. At the same time, it contextualizes the artistic, literary, and architectural achievements of the age. The tradition in Early Medieval Irish studies has been to examine the past in thematic rather than chronological terms; the sources almost demand this. As such, existing publications neglect a holistic approach in favor of specific themes. Politics is rarely incorporated with church history; art and archaeology remain distinct; law and literature remain un-contextualized either in time or place. So, this book contains extracts from primary sources and illustrations that make this golden age glow for its readers, and it is full of colorful maps and photographs. Deploying a historical synthesis in the spirit of the Annales School, it is a one-stop shop' for the history of Early Medieval Ireland, for students and the general reader.
You can fool Art experts but not An Irish gardener with An eye for details. Hester Fenneily's brother Fergus, An Artist with great skill And few Sales, Appears to be The victim of a poisoner. But who would do it & how is the posioned being Administered.