The Future of Horror
The Future of Horror

Author: Audrey Niffenegger

Publisher: Solaris

Published: 2015-05-22

Total Pages: 915

ISBN-13: 1849979537

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This is the future of horror! Editor Jonathan Oliver, fast becoming the most exciting new anthologist of the weird and horrific, here brings together three of his award-winning anthologies for Solaris. Here are House of Fear, Magic and End of the Road, showcasing forty-nine stories by the most important and ground-breaking names in genre fiction, including AUDREY NIFFENEGGER ? CHRISTOPHER PRIEST ? CHRISTOPHER FOWLER ? SARAH PINBOROUGH ? ZEN CHO ? ADAM NEVILL ? LISA TUTTLE ? LAVIE TIDHAR ? ROCHITA LOENEN-RUIZ ? GAIL Z. MARTIN ? DAN ABNETT ? SARAH LOTZ ? STEVE RASNIC AND MELANIE TEM and many more! House of Fear The tread on the landing outside the door, when you know you are the only one in the house. The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed briefly through the cracked window of a derelict house. Bring horror home with a collection of haunted house stories by some of the finest writers working in the horror genre. Magic: An Anthology of the Esoteric and Arcane They gather in darkness, sharing ancient and arcane knowledge as they manipulate the very matter of reality itself. Spells and conjuration; legerdemain and prestidigitation ? these are the mistresses and masters of the esoteric arts. From otherworldly visions to diabolical political machinations, here you will find a spell for every occasion. End of the Road Each step leads you closer to your destination, but who, or what, can you expect to meet along the way? Here are stories of misfits, spectral hitch-hikers, nightmare travel tales and the rogues, freaks and monsters to be found on the road. Strap on your seatbelt, or shoulder your backpack, and wait for that next ride... into darkness.

Post-Horror
Post-Horror

Author: David Church

Publisher: Edinburgh University Press

Published: 2021-02-01

Total Pages: 281

ISBN-13: 1474475906

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Horror’s longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror,' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.

Horror Film and Otherness
Horror Film and Otherness

Author: Adam Lowenstein

Publisher: Columbia University Press

Published: 2022-07-19

Total Pages: 172

ISBN-13: 0231556152

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What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Horror Fiction in the 20th Century
Horror Fiction in the 20th Century

Author: Jess Nevins

Publisher: Bloomsbury Publishing USA

Published: 2020-01-07

Total Pages: 297

ISBN-13: 1440862060

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Providing an indispensable resource for academics as well as readers interested in the evolution of horror fiction in the 20th century, this book provides a readable yet critical guide to global horror fiction and authors. Horror Fiction in the 20th Century encompasses the world of 20th-century horror literature and explores it in a critical but balanced fashion. Readers will be exposed to the world of horror literature, a truly global phenomenon during the 20th century. Beginning with the modern genre's roots in the 19th century, the book proceeds to cover 20th-century horror literature in all of its manifestations, whether in comics, pulps, paperbacks, hardcover novels, or mainstream magazines, and from every country that produced it. The major horror authors of the century receive their due, but the works of many authors who are less well-known or who have been forgotten are also described and analyzed. In addition to providing critical assessments and judgments of individual authors and works, the book describes the evolution of the genre and the major movements within it. Horror Fiction in the 20th Century stands out from its competitors and will be of interest to its readers because of its informed critical analysis, its unprecedented coverage of female authors and writers of color, and its concise historical overview.

Universal Studios Monsters
Universal Studios Monsters

Author: Michael Mallory

Publisher: Rizzoli Publications

Published: 2009-09-08

Total Pages: 254

ISBN-13: 0789318962

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From the 1920s through the 1950s, Universal Studios was Hollywood’s number one studio for horror pictures, haunting movie theaters worldwide with Dracula, Frankenstein, and the Creature from the Black Lagoon, among others. Universal Studios Monsters: A Legacy of Horror explores all of these enduring characters, chronicling both the mythology behind the films and offering behind-the-scenes insights into how the films were created. Universal Studios Monsters is the most complete record of the horror films of this legendary studio, with biographies of major personalities who were responsible for the most notable monster melodramas in film history. The stories of these films and their creators are told through interviews with surviving actors and studio employees. A lavish photographic record, including many behind-the-scenes shots, completes the story of how these classics were made. This is a volume no fan of imaginative cinema will want to be without.

Japanese Horror Culture
Japanese Horror Culture

Author: Fernando Gabriel Pagnoni Berns

Publisher: Rowman & Littlefield

Published: 2021-11-17

Total Pages: 243

ISBN-13: 1793647062

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Contemporary Japanese horror is deeply rooted in the folklore of its culture, with fairy tales-like ghost stories embedded deeply into the social, cultural, and religious fabric. Ever since the emergence of the J-horror phenomenon in the late 1990s with the opening and critical success of films such as Hideo Nakata’s The Ring (Ringu, 1998) or Takashi Miike’s Audition (Ôdishon, 1999), Japanese horror has been a staple of both film studies and Western culture. Scholars and fans alike throughout the world have been keen to observe and analyze the popularity and roots of the phenomenon that took the horror scene by storm, producing a corpus of cultural artefacts that still resonate today. Further, Japanese horror is symptomatic of its social and cultural context, celebrating the fantastic through female ghosts, mutated lizards, posthuman bodies, and other figures. Encompassing a range of genres and media including cinema, manga, video games, and anime, this book investigates and analyzes Japanese horror in relation with trauma studies (including the figure of Godzilla), the non-human (via grotesque bodies), and hybridity with Western narratives (including the linkages with Hollywood), thus illuminating overlooked aspects of this cultural phenomenon.

Captain Future - the Horror at Jupiter
Captain Future - the Horror at Jupiter

Author: Allen Steele

Publisher: The Experimenter Publishing Company, LLC

Published:

Total Pages: 244

ISBN-13:

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Blistering space warfare with the fate of the Solar System in the balance awaits CAPTAIN FUTURE and the Futuremen as they face Ul Quorn and his plans to unleash THE HORROR AT JUPITER.

The Horror Genre
The Horror Genre

Author: Paul Wells

Publisher: Wallflower Press

Published: 2000

Total Pages: 152

ISBN-13: 9781903364000

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A comprehensive introduction to the history and key themes of the genre. The main issues and debates raised by horror, and the approaches and theories that have been applied to horror texts are all featured. In addressing the evolution of the horror film in social and historical context, Paul Wells explores how it has reflected and commented upon particular historical periods, and asks how it may respond to the new millennium by citing recent innovations in the genre's development, such as the "urban myth" narrative underpinning Candyman and The Blair Witch Project. Over 300 films are treated, all of which are featured in the filmography.

Why Horror Seduces
Why Horror Seduces

Author: Mathias F. Clasen

Publisher: Oxford University Press

Published: 2017

Total Pages: 201

ISBN-13: 019066651X

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Why do humans feel the need to scream at horror films? In Why Horror Seduces, author Matthias Clasen looks to evolutionary social science to show how the horror genre is a product of human nature.

How To Write A Horror Movie
How To Write A Horror Movie

Author: Neal Bell

Publisher: Routledge

Published: 2020-03-20

Total Pages: 248

ISBN-13: 0429619359

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How to Write a Horror Movie is a close look at an always-popular (but often disrespected) genre. It focuses on the screenplay and acts as a guide to bringing scary ideas to cinematic life using examples from great (and some not-so-great) horror movies. Author Neal Bell examines how the basic tools of the scriptwriter’s trade - including structure, dialogue, humor, mood, characters, and pace – can work together to embody personal fears that will resonate strongly on screen. Screenplay examples include classic works such as 1943’s I Walked With A Zombie and recent terrifying films that have given the genre renewed attention like writer/director Jordan Peele’s critically acclaimed and financially successful Get Out. Since fear is universal, the book considers films from around the world including the ‘found-footage’ [REC] from Spain (2007), the Swedish vampire movie, Let The Right One In (2008) and the Persian-language film Under The Shadow (2016). The book provides insights into the economics of horror-movie making, and the possible future of this versatile genre. It is the ideal text for screenwriting students exploring genre and horror, and aspiring scriptwriters who have an interest in horror screenplays.