A deeply touching Southern story filled with struggle and hope. Emmalee Bullard and her new baby are on their own. Or so she thinks, until Leona Lane, the older seamstress who sat by her side at the local shirt factory where both women worked as collar makers, insists Emmalee come and live with her. But just as Emmalee prepares to escape her hardscrabble life in Red Chert Holler, Leona dies tragically. Grief-stricken, Emmalee decides she’ll make Leona’s burying dress. There are plenty of people who don't think the unmarried Emmalee should design a dress for a Christian woman--or care for a child on her own--but with every stitch, Emmalee struggles to do what is right for her daughter and to honor Leona the best way she can, finding unlikely support among an indomitable group of seamstresses and the town’s funeral director. In a moving tale exploring Southern spirit and camaraderie among working women, a young mother will compel a town to become a community. Now with Extra Libris material, including a reader’s guide and bonus content
It's not if, but when. Those who love will also grieve. To our detriment, society would rather sanitize or skip over the topic of grief. Twelve days after her son's wedding, Shirley Thiessen was thrown into the unimaginable task of planning his funeral. Grief threatened to extinguish her purpose for living. Gradually, hope and resiliency emerged as Shirley learned to recycle the pain of loss for good purposes. While everyone's grief journey is unique, there are tips to be shared and missteps to avoid.
“A darkly funny novel about betrayal, loneliness and the surprising pleasure of being single again” from the author of The Best Exotic Marigold Hotel (Good Housekeeping). At sixty-nine years old, Pru has found herself alone for the first time in her life. Her grown children are out of the house, and her husband, Greg, has filed for divorce. She attributes Greg’s betrayal to a cancer scare and a more-than-midlife crisis, but that doesn’t make her feel any better—or less lonely. It seems that nothing—not even her eccentric, free-spirited best friend, Azra—can pull her out of her depression. Until Pru sees a black dress in a thrift store window . . . Its sleek silhouette calls to mind long-gone days of cocktail parties and sophisticated conversation. And it gives Pru a brilliant idea: where better to wear a black dress—and find age-appropriate single men—than at a funeral? As Pru combs through the obituaries and attends masses and wakes, she finds comfort among the bereaved. After all, they’re all grieving someone they have lost. But Pru’s about to discover that though her new dating plan may get her out of the house and back on the market, the life she’s so desperately trying to leave behind isn’t done with her yet . . . “With dry wit and observation, Moggach tackles the perils of ageing with brutal honesty.” —Daily Express “This page-turner is like the best wakes, it will make you feel hungry and alive.” —The Times (London) “As ever with Moggach, the joy is in her witty observations of middle-class life and bracingly tart portrayal of family relationships.” —Daily Mail
A father's loss of "true love" created a twisted, corrupted courtship that produced 34-years of abuse, pain, and depravity within a family. A son's discovery of "true love" saved his life, and inspired an amazingly loving, happy, family that achieved virtue. These two stories merge into a journey most call shocking, inspirational, and unforgettable. A mother's hideous secret, a son's complicity in her abuse, a grisly act of revenge... MJ's father was one of the nicest guys you'd ever want to meet-unless you were the mother of his three sons. MJ's mother was a bold feminist and hopeless romantic whose inclination to love was her demise. Verma lived a hellish life-what the author calls an "un-romance"-fueled by liquor, lies, desperation, and hatred. Why didn't his mother fight back? MJ's lurid and intense memoir will cheer yet incense you. MJ was a boy whose parents loved him but, overcome by their demons, caused him misery. Instead of voicing anger, MJ thanks Dad and Mom for their genetic gifts and life lessons. He spotlights his mother as his hero, detailing how her abuse increased as she was bloodied defending her grandson from a devilish mother. He praises the nuns at his school for their whacks to the head and for never giving up on him. Readers will marvel at how MJ escaped this toxic swamp-and his own death wish behaviors-and nine years after their first date, married his high school sweetheart. Today, together, they celebrate their 36-year marriage, much-to-much like a 1950's family sitcom to be true - but it is. MJ constructed a high-powered business career where family was always his top priority. A choice that cost him promotions and money but elevated him to the kind of man his mother wanted him to be. His mother's suffering convinces him God's plan is not working. Praising his Catholic education, MJ agrees all religion is good that teaches people to be good, yet explains how God is a potentially dangerous myth. Interestingly, clergy and his religious friends say his story is a tool to love God more. This memoir recounts the past but is all about our tomorrow's; full of life lessons for men, women and families. Posed are complex, critical questions of good versus evil, relationships and sex, work versus family, God and religion versus personal responsibility.
This dazzling debut novel brings the spirit of Catherine Dickens--the cast-off wife of Charles Dickens--to life in the form of Dorothea “Dodo” Gibson, a woman who is doomed to live in the shadow of her husband, Alfred, the most celebrated author in the Victorian world. Girl in a Blue Dress opens on the day of Alfred’s funeral. Dorothea is not among the throngs in attendance when The One and Only is laid to rest. Her mourning must take place within the walls of her modest apartment, a parting gift from Alfred as he ushered her out of their shared home and his life more than a decade earlier. Even her own children, save her outspoken daughter Kitty, are not there to offer her comfort--they were poisoned against her when Alfred publicly declared her an unfit wife and mother. Though she refuses to don the proper mourning attire, Dodo cannot bring herself to demonize her late husband, something that comes all too easily to Kitty. Instead, she reflects on their time together: their clandestine and passionate courtship, when he was a force of nature and she a willing follower; and the salad days of their marriage, before too many children sapped her vitality and his interest. She uncovers the frighteningly hypnotic power of the celebrity author she married. Now liberated from his hold on her, Dodo finds the courage to face her adult children, the sister who betrayed her, and the charming actress who claimed her husband’s love and left her heart aching. A sweeping tale of love and loss that was long-listed for both the Man Booker Prize and the Orange Prize, Girl in a Blue Dress is both an intimate peek at the woman who was behind one of literature’s most esteemed men and a fascinating rumination on marriage that will resonate across centuries.
Fashion is ever-changing, and while some styles mark a dramatic departure from the past, many exhibit subtle differences from year to year that are not always easily identifiable. With overviews of each key period and detailed illustrations for each new style, How to Read a Dress is an authoritative visual guide to women's fashion across five centuries. Each entry includes annotated color images of historical garments, outlining important features and highlighting how styles have developed over time, whether in shape, fabric choice, trimming, or undergarments. Readers will learn how garments were constructed and where their inspiration stemmed from at key points in history – as well as how dresses have varied in type, cut, detailing and popularity according to the occasion and the class, age and social status of the wearer. This lavishly illustrated book is the ideal tool for anyone who has ever wanted to know their cartridge pleats from their Récamier ruffles. Equipping the reader with all the information they need to 'read' a dress, this is the ultimate guide for students, researchers, and anyone interested in historical fashion.
Sometimes you have to return to the place where you began, to arrive at the place where you belong. It’s the early 1970s. The town of Ringgold, Georgia, has a population of 1,923, one traffic light, one Dairy Queen, and one Catherine Grace Cline. The daughter of Ringgold’s third-generation Baptist preacher, Catherine Grace is quick-witted, more than a little stubborn, and dying to escape her small-town life. Every Saturday afternoon, she sits at the Dairy Queen, eating Dilly Bars and plotting her getaway to Atlanta. And when, with the help of a family friend, the dream becomes a reality, she immediately packs her bags, leaving her family and the boy she loves to claim the life she’s always imagined. But before things have even begun to get off the ground in Atlanta, tragedy brings Catherine Grace back home. As a series of extraordinary events alter her perspective--and sweeping changes come to Ringgold itself--Catherine Grace begins to wonder if her place in the world may actually be, against all odds, right where she began. Intelligent, charming, and utterly readable, Looking for Salvation at the Dairy Queen marks the debut of a talented new literary voice.
This book is devoted to the Old Rus’ dress of the Upper Volga area, as gleaned from the archaeological evidence of the burial sites. The organic remains of dress and metal and glass ornaments and fasteners are considered. Issues such as the social status and age of the buried individuals, as well as the influence of various ethnic groups (including East Slavic groups, Finno-Ugric tribes and the Balts ) on the dress of the Old Rus’, are addressed through the study of variants of male and female headdresses, clothes and accessories. Furthermore, a detailed study of the evolution of the headdress and the structure of jewelry from the late 10th century to the 13th century is offered.
