On the back of the picture were two words which jumped right out at me: THE FRIGHTENERS... When Chloe starts at a new school, she gets off to a really bad start and no-one wants to be her friend - except Aidan. But everyone else seems scared of Aidan - scared of the pictures he draws. Chloe can't imagine why until she picks up one of his drawings of 'The Frighteners'. For now the Frighteners - horrifying monstrous creatures - won't leave her alone...
The Frighteners is a bizarrely compelling, laugh-out-loud exploration of societies’ fascination with the dark, spooky, and downright terrifying side of life. The author--self proclaimed “sinister minister”--opens the book by reflecting on how he went from a horror-obsessed atheist to a God-fearing Christian and then reconciled his love of the macabre with his new faith. In the chapters that follow, Laws takes us on a worldwide romp to shine light on the dark corners of our own minds. An American hell house--controversial Christian “haunted houses” that act out the horrors of abortion, drug use, etc.—hosts his reflection on the use of horror in religion. A party in London with real life “vampires” exemplifies modern sexual fascination with the parasitic undead. He goes ghost hunting in an underground barbershop where a murderer used to cut hair. A professor in Denmark who is an expert on the recent Slenderman court case helps him explore the link between technology and the supernatural. In accessible and light-hearted prose, Peter Laws takes us from the dark corners of his mind to the underbelly of various macabre cultures to illuminate society’s preoccupation with death and horror. The Frighteners combines psychology, religious theory, and personal memoir to create a dynamic and fascinating read that is informative and entertaining.
The Frighteners was Sean O'Brien's second collection, following The Indoor Park, which won him a Somerset Maugham Award. It extended the political and imaginative range of his work, including many poems responding to Margaret Thatcher's Britain and the Miners' Strike of 1984.
The Frighteners follows the quest of Peter Laws, a Baptist minister with a penchant for the macabre, to understand why so many people love things that are spooky, morbid and downright repellent. He meets vampires, hunts werewolves in Hull, talks to a man who has slept on a mortuary slab to help him deal with a diagnosis, and is chased by a chainsaw-wielding maniac through a farmhouse full of hanging bodies. Staring into the darkness of a Transylvanian night, he asks: What is it that makes millions of people seek to be disgusted and freaked out? And, in a world that worships rationality and points an accusing finger at violent video games and gruesome films, can an interest in horror culture actually give us safe ways to confront our mortality? Might it even have power to re-enchant our jaded world? Grab your crucifixes, pack the silver bullets, and join the Sinister Minister on his romp into our morbid curiosities.
Matt Helm has been assigned to impersonate a newlywed oilman, Horace Cody, who has been dabbling in arms dealing. Something tells Matt that the Mexican will not last long . . . and he is more right than he knows! The twenty-fifth in this spine-tingling, hard-hitting series.
This fascinating look at the now-celebrated director tells of the inspiration that led to the making of the three world-famous Lord of the Rings films - and the six other films that preceded them. This unauthorized biography, Peter Jackson: From Prince of Splatter to Lord of the Rings, traces the journey of a young movie fanatic, from Sunday afternoons spent fooling around with a camera, through low-budget cult movies, to control of the most ambitious film project ever, on what is probably the best-loved fantasy novel ever written. This in-depth biography explores the many talents of the young Peter Jackson: the making of Bad Taste, Meet the Feebles, Braindead, Heavenly Creatures, Forgotten Silver, The Frighteners, and the Lord of the Rings trilogy. The story behind the Rings - which tells how Jackson got the rights to make the film and the permission and funding to make three films rather than collapsing the story into just one or two films, interviews, and other behind-the-scenes material from the making of the landmark films. Past and future - in which author Ian Pryor considers Jackson's achievements and possible future - including his remake of King Kong. From casts of zombies, traumatized puppets and murderous teenagers, to deal-making in Hollywood, this book is about following one's visions wherever they might lead.
The definitive history of Peter Jackson’s Middle-earth saga, Anything You Can Imagine takes us on a cinematic journey across all six films, featuring brand-new interviews with Peter, his cast & crew. From the early days of daring to dream it could be done, through the highs and lows of making the films, to fan adoration and, finally, Oscar glory.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
"This is the best all-around view of the Tolkien phenomenon. Thompson understands the books, she understands the movies—she also understands the money and the franchising. Best of all, she understands the people. Thompson offers cultural criticism of the highest order, examining one of the most significant shifts in contemporary popular media."—Tom Shippey, author of The Road to Middle-earth "Reading these chapters has been an absolute pleasure. It’s all so complex but so succinct. Thompson has managed to do what so many others have failed to do . . . in chapter one, she has explained how all the rights to LOTR bounced around, and were finally sorted so Peter Jackson could make the movie. I’ve never understood the complexities of how that worked until now!"—Judy Alley, Merchandising Coordinator, The Lord of the Rings "I must say that Thompson has written the definitive study of Peter Jackson’s work in creating this remarkable production entity."—Alex Funke, ASC, Oscar-winning Visual Effects Director of Photography, miniatures unit, The Lord of the Rings "I had a wonderful time reading those chapters! There’s so much I don’t know about what went on—I am in awe of all the research Thompson has done. It is an extremely interesting read! There’s so much there that I’d forgotten and I always wished there was a permanent record of many things that happened. Thompson’s account of TORN’s beginnings and how it functioned gets it absolutely right—more than that, Thompson captures how it felt to us at the time. Nobody else has managed to get enough of an understanding to do that."—Erica Challis ("Tehanu"), co-founder of TheOneRing.net
