Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
"The French Revolution: A History Vol. II" book written by means of Thomas Carlyle, stands as a monumental painting that vividly captures the tumultuous occasions of one of the most transformative intervals in world history. Carlyle's narrative skillfully reconstructs the complex socio-political landscape of late 18th-century France, offering readers a gripping account of the French Revolution. The first extent of Carlyle's work lays the foundation for the overarching ancient narrative. With a unique and impassioned prose style, Carlyle immerses readers in the chaotic and modern environment of France, detailing the discontent some of the masses, the decadence of the aristocracy, and the spark that ignited the flames of rise up. The creator's deep engagement with number one resources and his philosophical reflections make a contribution to the richness of the narrative. Carlyle's paintings are going beyond a mere chronological retelling; it's miles a profound evaluation of the forces that formed an era. The author explores the beliefs, conflicts, and the relentless pursuit of justice by the French humans. While the paintings aren't without controversy, being influenced by way of Carlyle's own perspectives, it remains a great ancient account that remains studied for its literary merit and its effect on shaping perceptions of the French Revolution.
Durand provides a detailed and engaging account of one of the most significant events in European history. From the storming of the Bastille to the rise of Napoleon, Durand traces the tumultuous course of the French Revolution, highlighting the political, social, and cultural forces that shaped it. With vivid descriptions and insightful analysis, this book offers a compelling introduction to this pivotal moment in modern history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Volume II covers the revolutions of France, Europe, and Haiti, with particular focus on the French and Haitian Revolutions and the changes they wrought. An important reference text for historians of the Atlantic World with a keen interest in Europe.
The French Revolution in three volumes is a historical work by French historian Hippolyte Taine. This period of far-reaching social and political upheaval in France began in 1789 with the fall of the Bastille and held the country in turbulence for the next decade. The Revolution overthrew the monarchy, established a republic, catalyzed violent periods of political turmoil, and finally culminated in a dictatorship under Napoleon. Conceived by Taine with the aim of understanding the France of his day, his work achieved originality in its use of a long perspective to analyze the causes of the French Revolution. In particular, Taine denounced the artificiality of the revolution's political constructions (the excessively abstract and rational spirit of Robespierre, for example), which, in his mind, violently contradicted the natural and slow growth of the institutions of a State. For him, the force of history is such that it is illusory to want to change a society. Thus, following the defeat of Sedan and the Commune, Taine accuses the French Revolution of being the matrix of all evils which brought France into a cycle of decadence. It is in particular the abstraction of the philosophy of the Enlightenment which is rejected.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In the second of a proposed three-volume study, John and Jean Comaroff continue their exploration of colonial evangelism and modernity in South Africa. Moving beyond the opening moments of the encounter between the British Nonconformist missions and the Southern Tswana peoples, Of Revelation and Revolution, Volume II, explores the complex transactions—both epic and ordinary—among the various dramatis personae along this colonial frontier. The Comaroffs trace many of the major themes of twentieth-century South African history back to these formative encounters. The relationship between the British evangelists and the Southern Tswana engendered complex exchanges of goods, signs, and cultural markers that shaped not only African existence but also bourgeois modernity "back home" in England. We see, in this volume, how the colonial attempt to "civilize" Africa set in motion a dialectical process that refashioned the everyday lives of all those drawn into its purview, creating hybrid cultural forms and potent global forces which persist in the postcolonial age. This fascinating study shows how the initiatives of the colonial missions collided with local traditions, giving rise to new cultural practices, new patterns of production and consumption, new senses of style and beauty, and new forms of class distinction and ethnicity. As noted by reviewers of the first volume, the Comaroffs have succeeded in providing a model for the study of colonial encounters. By insisting on its dialectical nature, they demonstrate that colonialism can no longer be seen as a one-sided relationship between the conquering and the conquered. It is, rather, a complex system of reciprocal determinations, one whose legacy is very much with us today.
The 1648 Treaty of Westphalia marked the emergence of the nation-state as the dominant political entity in Europe. This book traces the development of the nation-state from its infancy as a virtual dynastic possession, through its incarnation as the embodiment of the sovereign popular will. Three sections chronicle the critical epochs of this transformation, beginning with the belief in the "divine right" of monarchical rule and ending with the concept that the people, not their leaders, are the heart of a nation--an enduring political ideal that remains the basis of the modern nation-state.
