In Murder by Misrule, Francis Bacon must catch a killer to regain Queen Elizabeth’s favor. He recruits handsome Thomas Clarady to chase witnesses from Whitehall to the London streets, where everyone has something up his pinked and padded sleeve. In Death by Disputation, Francis Bacon sends Thomas Clarady to Cambridge to spy on radical Puritans. When Tom finds his tutor hanging from the rafters, his first suspect is the volatile poet, Christopher Marlowe. Chased by three lusty women and spurred by the exacting Bacon, Tom risks his very soul to catch the criminals. London, 1588. The Widows Guild. Someone is turning Catholics into widows, masking the crimes under armada fever. Francis Bacon is charged with the investigation by a widows’ guild led by his formidable aunt. He must untangle multiple crimes driven by patriotism, greed, lunacy — or all three.
Brilliant Francis Bacon is at a loss -- and in danger. Francis Bacon is charged with investigating the murder of a fellow barrister at Gray's Inn. He recruits his unwanted protégé Thomas Clarady to do the tiresome legwork. The son of a privateer, Clarady will do anything to climb the Elizabethan social ladder. Bacon's powerful uncle Lord Burghley suspects Catholic conspirators of the crime, but other motives quickly emerge. Rival barristers contend for the murdered man's legal honors and wealthy clients. Highly-placed courtiers are implicated as the investigation reaches from Whitehall to the London streets. Bacon does the thinking; Clarady does the fencing. Everyone has something up his pinked and padded sleeve. Even the brilliant Francis Bacon is at a loss — and in danger — until he sees through the disguises of the season of Misrule. “Castle’s characters brim with zest and real feeling.” — Kirkus Starred Review. Don’t dally! Jump right into this first book in the award-winning Francis Bacon mystery series.
The most corrupt court in Elizabethan England has turned deadly. Francis Bacon’s clerk, Thomas Clarady, has finally passed the bar. Now it’s time to sue for his livery in the Court of Wards. Alas, nothing is simple in the most corrupt institution in Tudor England. The attorney tries to wring a bribe from Tom, who refuses in threatenting terms. When the attorney turns up dead, Tom’s the most likely suspect. He goes into hiding, leaving Bacon and Lady Dorchester to find out who really did the deed. Every ward has reasons aplenty to hate the court and its officers. Some guardians have been keeping dark secrets from their wards. That attorney had other targets closer to home. As Tom’s wits unravel, Francis and Trumpet must take on his roles in the investigation as well as their own. Clues lead them in circles. The best ones lead straight back to Tom. Can they catch the villain before the sheriff grows tired of waiting?
Professor and Mrs. Moriarty seek justice where the law can’t — or won’t — apply. In this series of lively stories, they assemble a band of misfits -- others who have been cast out or falsely accused -- to help them defend the victims of the rich and powerful in Victorian society. Their efforts often put them at odds with police consultant Sherlock Holmes. Book 1: Moriarty Meets His Match Prof. Moriarty has one desire in his ruined life: to destroy his enemy. Then he meets amber-eyed Angelina and his world turns upside down. Now he’s being stalked by the implacable Sherlock Holmes and entangled in a web of murder and deceit. Book 2: Moriarty Takes His Medicine Professor & Mrs. Moriarty tackle a case too ticklish for Sherlock Holmes — a doctor with a private clinic murdering wealthy women for a price. Book 3: Moriarty Brings Down the House The Moriartys must stop the deadly pranks threatening a West End Christmas pantomime before someone they love is killed or Holmes obtains the damning evidence his client demands. Bonus short story: The Stockbroker’s Wife Professor Moriarty commits a small fraud to expose a larger one.
This volume brings together an extraordinary variety of views on Sir Francis Bacon (1561-1626) and on his relevance for our time. There are contributions from academics, esotericists, artists and scientists - even from alternative politicians, astrologers and the historians of spiritualism and theosophy.
In June of 1963, when Michael Peppiatt first met Francis Bacon, the former was a college boy at Cambridge, the latter already a famous painter, more than thirty years his senior. And yet, Peppiatt was welcomed into the volatile artist's world; Bacon, considered by many to be “mad, bad, and dangerous to know,” proved himself a devoted friend and father figure, even amidst the drinking and gambling. Though Peppiatt would later write perhaps the definitive biography of Bacon, his sharply drawn memoir has a different vigor, revealing the artist at his most intimate and indiscreet, and his London and Paris milieus in all their seediness and splendor. Bacon is felt with immediacy, as Peppiatt draws from contemporary diaries and records of their time together, giving us the story of a friendship, and a new perspective on an artist of enduring fascination.
The first three books in the Sydney Rye Mysteries: Unleashed, Death in the Dark, and Insatiable. My dog once took a bullet that was intended for me. A bullet that ripped through his chest, narrowly missing his heart, and exited through his shoulder blade, effectively shattering it. This left him unconscious on the floor of my home. Amazingly, this bullet did not kill him. Ten years ago I adopted Blue as a present to myself after I broke up with my boyfriend one hot, early summer night with the windows open and the neighborhood listening. The next morning I went straight to the pound in Bushwick, Brooklyn. Articles on buying your first dog tell you never to buy a dog on impulse. They want you to be prepared for this new member of your family, to understand the responsibilities and challenges of owning a dog. Going to the pound because you need something in your life that's worth holding onto is rarely, if ever, mentioned. I asked the man at the pound to show me the biggest dogs they had. He showed me some seven-week-old Rottweiler-German shepherd puppies that he said would grow to be quite large. Then he showed me a six-month-old shepherd that would get pretty big. Then he showed me Blue, the largest dog they had. The man called him a Collie mix and he was stuffed into the biggest cage they had, but he didn't fit. He was as tall as a Great Dane but much skinnier, with the snout of a collie, the markings of a Siberian husky, the ears and tail of a shepherd and the body of a wolf, with one blue eye and one brown. Crouched in a sitting position, unable to lie down, unable to sit all the way up, he looked at me from between the bars, and I fell in love. "He's still underweight," the man in the blue scrubs told me as we looked at Blue. "I'll tell you, lady, he's pretty but he's skittish. He sheds, and I mean sheds. I don't think you want this dog." But I knew I wanted him. I knew I had to have him. He was the most beautiful thing I had ever seen. Blue cost me $108. I brought him home, and we lived together for years. He was, for most of our relationship, my only companion. But when I first met Blue, a lifetime ago now, I had family and friends. I worked at a crappy coffeehouse. I was young and lost; I was normal. Back then, at the beginning of this story, before I'd ever seen a corpse, before Blue saved my life, before I felt what it was like to kill someone in cold blood, I was still Joy Humbolt. I'd never even heard the name Sydney Rye. P.S. The dog does not die. **Beware: If you can’t handle a few f-bombs, you can’t handle this series.**
Madrid. Unfinished. Man dying. A great painter lies on his deathbed, synapses firing, writhing and reveling in pleasure and pain as a lifetime of chaotic and grotesque sense memories wash over and envelop him. In this bold and brilliant short work of experimental fiction by the author of Grief Is the Thing with Feathers and Lanny, Max Porter inhabits Francis Bacon in his final moments, translating into seven extraordinary written pictures the explosive final workings of the artist's mind. Writing as painting rather than about painting, Porter lets the images he conjures speak for themselves as they take their revenge on the subject who wielded them in life. The result is more than a biography: The Death of Francis Bacon is a physical, emotional, historical, sexual, and political bombardment--the measure of a man creative and compromised, erotic and masochistic, inexplicable and inspired.
Thomas Clarady is recruited to spy on a group of radical Puritans at Cambridge University. Francis Bacon is his spymaster; his tutor in both tradecraft and religious politics. Their commission gets off to a deadly start when Tom finds his chief informant hanging from the roof beams. Now he must catch a murderer as well as a seditioner. His first suspect is volatile poet Christopher Marlowe, who keeps turning up in the wrong places. Dogged by unreliable assistants, chased by three lusty women, and harangued daily by the exacting Bacon, Tom risks his very soul to catch the villains and win his reward.
Professor James Moriarty has but one desire left in his shattered life: to stop the man who ruined him from harming anyone else. Then he meets Angelina Gould and his world turns upside down. At the International Exhibition, an exploding steam engine kills a man. When Moriarty tries to figure out what happened, he comes up against Sherlock Holmes, sent to investigate by Moriarty’s old enemy. Holmes collects evidence that points at Moriarty, who realizes he must either solve the crime or swing it for it himself. He soon uncovers trouble among the board members of the engine company and its unscrupulous promoter. Moriarty tries to untangle those relationships, but everywhere he turns, he meets the alluring Angelina. She’s playing some game, but what’s her goal? And whose side is she on? Between them, Holmes and Angelina push Moriarty to his limits -- and beyond. He’ll have to lose himself to save his life and win the woman he loves.
