The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
Of all the books of the Bible, few are as fascinating or as intimidating as Revelation. Four grim horsemen, the Antichrist, the ten-horned beast, the ultimate battle at Armageddon, the "mark of the beast." It's no wonder that these images have griped the imagination of so many--and have been variously interpreted as symbolizing everything from Hitler and Gorbachev to credit cards and the Internet. Is the book of Revelation a blueprint for the future? A book of powerful symbolic imagery with warnings for the church? Is it essentially an imaginative depiction of historical events in the first century? Four Views on the Book of Revelation explores four interpretations of the book of the Apocalypse: Preterist – a historical interpretation, arguing that most of John’s prophecies occurred in the first century, soon after his writing of them. Idealist – a spiritual or symbolic interpretation, arguing that the events in Revelation are not literal, and that apocalyptic literature requires a different approach than the Gospels or Epistles. Classical dispensationalism – a literal interpretation based on a reading of Revelation that pays close attention to the rules of grammar and the separate eras of covenantal history. Progressive dispensationalism – a modification of classical that has its root in the understanding of Christ's reign beginning immediately after the resurrection. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
"Magisterial. . . . A learned, brilliant and enjoyable study."—Géza Vermès, Times Literary Supplement In this exciting book, Paula Fredriksen explains the variety of New Testament images of Jesus by exploring the ways that the new Christian communities interpreted his mission and message in light of the delay of the Kingdom he had preached. This edition includes an introduction reviews the most recent scholarship on Jesus and its implications for both history and theology. "Brilliant and lucidly written, full of original and fascinating insights."—Reginald H. Fuller, Journal of the American Academy of Religion "This is a first-rate work of a first-rate historian."—James D. Tabor, Journal of Religion "Fredriksen confronts her documents—principally the writings of the New Testament—as an archaeologist would an especially rich complex site. With great care she distinguishes the literary images from historical fact. As she does so, she explains the images of Jesus in terms of the strategies and purposes of the writers Paul, Matthew, Mark, Luke, and John."—Thomas D’Evelyn, Christian Science Monitor
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
"God, who at sundry times and in divers manners spake in time past unto the fathers by the prophets, hath in these last days spoken unto us by His Son." Hebrews 1:1. God has been speaking from the beginning. Creation itself is an expression of His thought, and all His providential government — where there are eyes to see — gives witness to His eternal power and Godhead, so that men are without excuse. In a special way, He has spoken through the prophetic ministry of His servants during the entire period covered by the Old Testament. These Old Testament Scriptures give us the record and manner of God's speaking in time past. The instruments He used were the prophets, but the Author is God. But there is a change in the Gospels — the Son Himself has come, and is speaking. "In these last days" — an expression significant of a change from His former methods of appealing to man, as well as a declaration that no further unfolding remains to be revealed — "He hath spoken unto us by His Son," or to be absolutely literal, "in a Son." This does not suggest that there are other sons, but gives the great fact of His Son standing out all alone. There is but One; no need even to designate Him in any exclusive way. The expression shows us that God's manner of communication has changed. It is not merely that we have inspired and authoritative messengers who declare unto us the will of God in many parts and in many ways — in details of biography, in historic events, in types, etc. but God Himself is present in the Son.