The History of the Organ in the United States

The History of the Organ in the United States

Author: Orpha Ochse

Publisher: Indiana University Press

Published: 1988-08-22

Total Pages: 516

ISBN-13: 9780253204950

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Immigration, wars, industrial growth, the availability of electricity, the popularity of orchestral music, and the invention of the phonograph and of the player piano all had a part in determining the course of American organ history.


The Organ Thieves

The Organ Thieves

Author: Chip Jones

Publisher: Simon and Schuster

Published: 2020-08-18

Total Pages: 400

ISBN-13: 1982107545

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The Immortal Life of Henrietta Lacks meets Get Out in this “startling…powerful” (Kirkus Reviews) investigation of racial inequality at the core of the heart transplant race. In 1968, Bruce Tucker, a black man, went into Virginia’s top research hospital with a head injury, only to have his heart taken out of his body and put into the chest of a white businessman. Now, in The Organ Thieves, Pulitzer Prize–nominated journalist Chip Jones exposes the horrifying inequality surrounding Tucker’s death and how he was used as a human guinea pig without his family’s permission or knowledge. The circumstances surrounding his death reflect the long legacy of mistreating African Americans that began more than a century before with cadaver harvesting and worse. It culminated in efforts to win the heart transplant race in the late 1960s. Featuring years of research and fresh reporting, along with a foreword from social justice activist Ben Jealous, “this powerful book weaves together a medical mystery, a legal drama, and a sweeping history, its characters confronting unprecedented issues of life and death under the shadows of centuries of racial injustice” (Edward L. Ayers, author of The Promise of the New South).


The History of the English Organ

The History of the English Organ

Author: Stephen Bicknell

Publisher: Cambridge University Press

Published: 1996

Total Pages: 430

ISBN-13: 9780521654098

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This 1996 book describes the history of organs built in England from AD 900 to the present day.


Organ-building in Georgian and Victorian England

Organ-building in Georgian and Victorian England

Author: Nicholas Thistlethwaite

Publisher: Music in Britain

Published: 2020

Total Pages: 0

ISBN-13: 9781783274673

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Established for the building of keyboard instruments, by the mid-1790s the workshop of brothers Robert and William Gray had become one of the leading organ-makers in London, with instruments in St Paul's, Covent Garden and St Martin-in-the-Fields. Under William's son John Gray, the firm built some of the largest English organs of the 1820s and 1830s, as well as exporting major instruments to Boston and Charleston in the United States. In the early 1840s, with the marriage of John Gray's daughter to Frederick Davison - a member of the circle of Bach-enthusiasts around the composer Samuel Wesley - the firm became 'Gray & Davison'. Davison was a progressive figure who reformed workshop practices, commissioned a purpose-built organ factory in Euston Road and opened a branch workshop in Liverpool to exploit the booming market for church organs in Lancashire and the north-west. Under Davison's management, the firm was responsible for significant mechanical and musical innovations, especially in the design of concert organs. Instruments such as those built in the 1850s for Glasgow City Hall, the Crystal Palace and Leeds Town Hall were heavily influenced by contemporary French practice; they were designed to perform a repertoire dominated by orchestral transcriptions. Many of the instruments made by the firm have been lost or altered; but the surviving organs in St Anne, Limehouse (1851), Usk Parish Church (1861) and Clumber Chapel (1889) testify to the quality and importance of Gray & Davison's work. This book charts the firm's history from its foundation in 1772 to Frederick Davison's death in 1889. At the same time, it describes changes in musical taste and liturgical use and explores such topics as provincial music festivals, the town hall organ, domestic music-making and popular entertainment, the building of churches and the impact on church music of the Evangelical and Tractarian movements. It will appeal to organ aficionados interested in the evolution of the English organ in the later Georgian and Victorian eras, as well as other music scholars and cultural historians. NICHOLAS THISTLETHWAITE has written extensively on the history of the English organ and other aspects of English church music, and his book, The making of the Victorian organ (1990) is recognised as the standard work on the subject. He has acted as consultant for the restoration and rebuilding of organs, most recently at St Edmundsbury Cathedral and Christ Church


All The Stops

All The Stops

Author: Craig Whitney

Publisher: PublicAffairs

Published: 2004-09-15

Total Pages: 354

ISBN-13: 0786740256

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For centuries, pipe organs stood at the summit of musical and technological achievement, admired as the most complex and intricate mechanisms the human race had yet devised. In All The Stops, New York Times journalist Craig Whitney journeys through the history of the American pipe organ and brings to life the curious characters who have devoted their lives to its music. From the mid-19th to the mid-20th century, organ music was wildly popular in America. Organ builders in New York and New England could hardly fill the huge demand for both concert hall and home organs. Master organbuilders found ingenious ways of using electricity to make them sound like orchestras. Organ players developed cult followings and bitter rivalries. One movement arose to restore to American organs the clarity and precision that baroque organs had in centuries past, while another took electronic organs to the rock concert halls, where younger listeners could be found. But while organbuilders and organists were fighting with each other, popular audiences lost interest in the organ. Today, organs are beginning to make a comeback in concert halls and churches across America. Craig Whitney brings the story to life and up to date in a humorous, engaging book about the instruments and vivid personalities that inspired his lifelong passion: the great art of the majestic pipe organ. Hear the sounds of some of the pipe organs featured in ALL THE STOPS


The Newberry Memorial Organ at Yale University

The Newberry Memorial Organ at Yale University

Author: Edward W. Flint

Publisher: Forgotten Books

Published: 2018-09-23

Total Pages: 86

ISBN-13: 9781396359330

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Excerpt from The Newberry Memorial Organ at Yale University: A Study in the History of American Organ Building The development of action in America has been a rapid one. Until the middle of the nineteenth century tracker action and slider chests were used by all American builders, but during the next two decades the principles of pneumatic action were developed and perfected to such an extent that tracker action was definitely supplanted in all but Very small instruments. The first step in this development was the use of a pressure pneumatic to open the pallet of the slider chest. Coupling was still done by the traditional sticker or drumstick mechanism, which was placed beyond the pneumatic so that the key had a uniform resistance. The disadvantages of this action were its sluggishness when couplers were drawn and the inevitable no1se of the trackers. A later refinement was introduced by the invention of the exhaust pneumatic which acted more quickly, since the maximum power of the pneumatic was brought into play when the pallet offered the greatest resist ance - namely, at the attack. One of the earliest American applications of the exhaust pneumatic lever appeared in the Hook and Hastings organ installed in the Cincinnati Music Hall in 1878. The next radical innovation was the invention of the pneumatic chest in which each pipe was supplied with wind by a separate valve. To Roosevelt belongs the credit for establishing this chest in America. The elimination of sliders marked an important advance, for the variable climate made sticking sliders and running pipe wind inevi table in spite of fine workmanship and the best of wood. When first intro duced, the pneumatic chest was built with a ventil stop action, but it was later improved by the use of pitman valves which intercepted the action wind before it reached the pipe Valve pneumatics, but allowed the pipe wind to remain in the chest at all times. The various types of the pneumatic chest were controlled at first by a single tracker key action, but later by a tubular action, and eventually by the electro-pneumatic action that is now all but universal in America. The use of the pitman stop action in conjunction with pipe valves mounted directly under the table marked a considerable advance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.