"With lively prose and sensitivity to context, this book offers a sweeping, authoritative history of the Obama presidency, focusing particularly on its impact and meaning vis-áa-vis African Americans. This interpretative account captures the America that made Obama's White House years possible, while at the same time rendering the America that resolutely resisted the idea of a Black chief executive, thus making conceivable the ascent of his most unlikely of successors"--
The First Black President is a critical and passionate reflection on the political and historical implications of an Obama administration concerning the issue of race in America. Obama’s rise to political power has forever changed the contours of race relations in the country as many hail the new age of a “post-racial” society. Yet, an Obama presidency could further complicate real racial progress and could set race relations back in the country for decades to come if not viewed in the proper context. The book demonstrates that the Obama presidency must be celebrated as a historical triumph based on America’s racist past, but also the struggle for equality, justice and freedom must also intensify with recognition of its global consequences. The problem of race in America no longer just affects American citizens but impacts cultures around the globe. The book speaks to both optimists and pessimists alike who are struggling to understand how race factors into the domestic and international policy agenda of Obama who now sits in the highest seat of political and global power.
The Black History of the White House presents the untold history, racial politics, and shifting significance of the White House as experienced by African Americans, from the generations of enslaved people who helped to build it or were forced to work there to its first black First Family, the Obamas. Clarence Lusane juxtaposes significant events in White House history with the ongoing struggle for democratic, civil, and human rights by black Americans and demonstrates that only during crises have presidents used their authority to advance racial justice. He describes how in 1901 the building was officially named the “White House” amidst a furious backlash against President Roosevelt for inviting Booker T. Washington to dinner, and how that same year that saw the consolidation of white power with the departure of the last black Congressmember elected after the Civil War. Lusane explores how, from its construction in 1792 to its becoming the home of the first black president, the White House has been a prism through which to view the progress and struggles of black Americans seeking full citizenship and justice. “Clarence Lusane is one of America’s most thoughtful and critical thinkers on issues of race, class and power.”—Manning Marable "Barack Obama may be the first black president in the White House, but he's far from the first black person to work in it. In this fascinating history of all the enslaved people, workers and entertainers who spent time in the president's official residence over the years, Clarence Lusane restores the White House to its true colors."—Barbara Ehrenreich "Reading The Black History of the White House shows us how much we DON'T know about our history, politics, and culture. In a very accessible and polished style, Clarence Lusane takes us inside the key national events of the American past and present. He reveals new dimensions of the black presence in the US from revolutionary days to the Obama campaign. Yes, 'black hands built the White House'—enslaved black hands—but they also built this country's economy, political system, and culture, in ways Lusane shows us in great detail. A particularly important feature of this book its personal storytelling: we see black political history through the experiences and insights of little-known participants in great American events. The detailed lives of Washington's slaves seeking freedom, or the complexities of Duke Ellington's relationships with the Truman and Eisenhower White House, show us American racism, and also black America's fierce hunger for freedom, in brand new and very exciting ways. This book would be a great addition to many courses in history, sociology, or ethnic studies courses. Highly recommended!"—Howard Winant "The White House was built with slave labor and at least six US presidents owned slaves during their time in office. With these facts, Clarence Lusane, a political science professor at American University, opens The Black History of the White House(City Lights), a fascinating story of race relations that plays out both on the domestic front and the international stage. As Lusane writes, 'The Lincoln White House resolved the issue of slavery, but not that of racism.' Along with the political calculations surrounding who gets invited to the White House are matters of musical tastes and opinionated first ladies, ingredients that make for good storytelling."—Boston Globe Dr. Clarence Lusane has published in The Washington Post, The Miami Herald, The Baltimore Sun, Oakland Tribune, Black Scholar, and Race and Class. He often appears on PBS, BET, C-SPAN, and other national media.
Frederick Douglass called the martyred president "emphatically the black man's president” as well as “the first who rose above the prejudice of his times and country.” This narrative history of Lincoln’s personal interchange with Black people over the course his career reveals a side of the sixteenth president that, until now, has not been fully explored or understood. In a little-noted eulogy delivered shortly after Lincoln's assassination, Frederick Douglass called the martyred president "emphatically the black man's president," the "first to show any respect for their rights as men.” To justify that description, Douglass pointed not just to Lincoln's official acts and utterances, like the Emancipation Proclamation or the Second Inaugural Address, but also to the president’s own personal experiences with Black people. Referring to one of his White House visits, Douglass said: "In daring to invite a Negro to an audience at the White House, Mr. Lincoln was saying to the country: I am President of the black people as well as the white, and I mean to respect their rights and feelings as men and as citizens.” But Lincoln’s description as “emphatically the black man’s president” rests on more than his relationship with Douglass or on his official words and deeds. Lincoln interacted with many other African Americans during his presidency His unfailing cordiality to them, his willingness to meet with them in the White House, to honor their requests, to invite them to consult on public policy, to treat them with respect whether they were kitchen servants or leaders of the Black community, to invite them to attend receptions, to sing and pray with them in their neighborhoods—all those manifestations of an egalitarian spirit fully justified the tributes paid to him by Frederick Douglass and other African Americans like Sojourner Truth, who said: "I never was treated by any one with more kindness and cordiality than were shown to me by that great and good man, Abraham Lincoln.” Historian David S. Reynolds observed recently that only by examining Lincoln’s “personal interchange with Black people do we see the complete falsity of the charges of innate racism that some have leveled against him over the years.”
"This is the first paperback edition of the only English-language translation of the Haitian scholar Antnor Firmin's The Equality of the Human Races, a foundational text in critical anthropology first published in 1885 when anthropology was just emerging as a specialized field of study. Marginalized for its ""radical"" position that the human races were equal, Firmin's lucid and persuasive treatise was decades ahead of its time. Arguing that the equality of the races could be demonstrated through a positivist scientific approach, Firmin challenged racist writings and the dominant views of the day. Translated by Asselin Charles and framed by Carolyn Fluehr-Lobban's substantial introduction, this rediscovered text is an important contribution to contemporary scholarship in anthropology, pan-African studies, and colonial and postcolonial studies."
Barack Obama's inspirational politics and personal mythology have overshadowed his fascinating history. Young Mr. Obama gives us the missing chapter: the portrait of the politician as a young leader, often too ambitious for his own good, but still equipped with a rare ability to inspire change. The route to the White House began on the streets of Chicago's South Side. Edward McClelland, a veteran Chicago journalist, tells the real story of the first black president's political education in the capital of the African American political community. Obama's touch wasn't always golden, and the unflappable and charismatic campaigner we know today nearly derailed his political career with a disastrous run for Congress in 2000. Obama learned from his mistakes, and rebuilt his public persona. Young Mr. Obama is a masterpiece of political reporting, peeling away the audacity, the T-shirts, and the inspiring speeches to craft a compelling and surpassingly readable account of how local politics shaped a national leader.
#1 NEW YORK TIMES BESTSELLER • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS In this iconic memoir of his early days, Barack Obama “guides us straight to the intersection of the most serious questions of identity, class, and race” (The Washington Post Book World). “Quite extraordinary.”—Toni Morrison In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more as a myth than as a man—has been killed in a car accident. This sudden death inspires an emotional odyssey—first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father’s life, and at last reconciles his divided inheritance. Praise for Dreams from My Father “Beautifully crafted . . . moving and candid . . . This book belongs on the shelf beside works like James McBride’s The Color of Water and Gregory Howard Williams’s Life on the Color Line as a tale of living astride America’s racial categories.”—Scott Turow “Provocative . . . Persuasively describes the phenomenon of belonging to two different worlds, and thus belonging to neither.”—The New York Times Book Review “Obama’s writing is incisive yet forgiving. This is a book worth savoring.”—Alex Kotlowitz, author of There Are No Children Here “One of the most powerful books of self-discovery I’ve ever read, all the more so for its illuminating insights into the problems not only of race, class, and color, but of culture and ethnicity. It is also beautifully written, skillfully layered, and paced like a good novel.”—Charlayne Hunter-Gault, author of In My Place “Dreams from My Father is an exquisite, sensitive study of this wonderful young author’s journey into adulthood, his search for community and his place in it, his quest for an understanding of his roots, and his discovery of the poetry of human life. Perceptive and wise, this book will tell you something about yourself whether you are black or white.”—Marian Wright Edelman
Barack Obama's election as the first black president in American history forced a reconsideration of racial reality and possibility. It also incited an outpouring of discussion and analysis of Obama's personal and political exploits. Paint the White House Black fills a significant void in Obama-themed debate, shifting the emphasis from the details of Obama's political career to an understanding of how race works in America. In this groundbreaking book, race, rather than Obama, is the central focus. Michael P. Jeffries approaches Obama's election and administration as common cultural ground for thinking about race. He uncovers contemporary stereotypes and anxieties by examining historically rooted conceptions of race and nationhood, discourses of "biracialism" and Obama's mixed heritage, the purported emergence of a "post-racial society," and popular symbols of Michelle Obama as a modern black woman. In so doing, Jeffries casts new light on how we think about race and enables us to see how race, in turn, operates within our daily lives. Race is a difficult concept to grasp, with outbursts and silences that disguise its relationships with a host of other phenomena. Using Barack Obama as its point of departure, Paint the White House Black boldly aims to understand race by tracing the web of interactions that bind it to other social and historical forces.
"A book that must be read by all Americans who desire a more critical understanding of the historical contributions that Africans made beyond the borders of the United States. It dramatically captures a history that has long been neglected by historians of the Mexican Revolution of 1810. . . . An important contribution that links the common histories of African and Latino Americans."--Carlos Muñoz, Jr., University of California, Berkeley Elected the first black Indian president of Mexico in 1829, Vicente Guerrero has been called the country's Washington and Lincoln. This revisionist biography of one of Mexico's most important historical figures--the person who issued the decree abolishing slavery--traces the impact of race and ethnicity on Mexico's national identity. An activist from boyhood and a mule driver by trade, Guerrero led a coalition of blacks and indigenous peoples during the difficult last years of Mexico's war for independence from Spain, 1810-21. In office, he taxed the rich, protected small businesses, tried to abolish the death penalty, and championed the village council movement in which peasants elected representatives without qualifications of race, property ownership, or literacy; he enjoyed signing his correspondence "Citizen Guerrero." In 1831 he was kidnapped and killed by his political opponents. This book also tells the story of seven generations of Guerrero's activist descendants, including his grandson Vicente Riva Palacio, the historian whose well-known writings elaborate on the ideals of a multiracial and democratic nation. Still in print today, his novels, essays, and five-volume national history are used here to help explain the factors that made the region of "El Sur" a center for political radicals from 1810 up to the revolution of 1910. For all readers interested in issues of diversity, this book will illuminate the evolving and distinct interactions of Indians, whites, and the descendants of the 250,000 Africans and 100,000 Asians brought to colonial Mexico. Theodore G. Vincent, a retired history instructor from the University of California, Berkeley, is a former newspaper columnist for the Los Angeles Herald Dispatch. He is the author of four books, most recently Keep Cool: The Black Activists Who Built the Jazz Age, and has published many articles on Afro-Mexico.
