A modern-day Sioux warrior is “on the warpath,” avenging five of his most famous ancestors by killing contemporary white leaders. When the pinto-riding Indian “Avenger” brutally murders the Secretary of the Interior before thousands of onlookers at a Native American gathering on the Washington Mall, President Elizabeth Chamberlain decides to intervene. But, instead of relying on federal authorities, she turns to local D.C. detective Quinn Shannon, a Harley-riding, beer-swilling, over-the-hill cop with retirement on his mind. To track the assassin, Shannon relies on one of the Indian's own--an old Sioux Sundancer named Ben Soaring Eagle. It's a race against time as Shannon and Soaring Eagle try to stop the Sioux assassin before he completes the fifth revenge.
Could the science fiction of Star Wars be the actual science of tomorrow? -How close are we to creating robots that look and act like R2-D2 and C-3PO? -Can we access a "force" with our minds to move objects and communicate telepathically with each other? -How might spaceships like the Millennium Falcon make the exhilarating jump into hyperspace? -What kind of environment could spawn a Wookiee? -Could a single blast from the Death Star destroy an entire planet? -Could light sabers possibly be built, and if so, how would they work? -Do Star Wars aliens look like "real" aliens might? -What would living on a desert planet like Tatooine be like? -Why does Darth Vader require an artificial respirator? Discover the answers to these and many other fascinating questions of physics, astronomy, biology and more, as a noted scientist and Star Wars enthusiast explores The Science of Star Wars.
Jeff and his friends are delighted when their strict teacher, Mr. Manlin, is replaced with a string of gullible substitutes. They can't believe their luck -- until Ms. Wilder shows up!
Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context. After a consideration of how our view of Elizabethan drama has obscured an accurate view of the ancient tragedies, Burnett reviews early Greek notions of vengeance as expressed in the Odyssey, Heracles' tales, Pindar's odes, Attic judicial processes, and the legend of Harmodius and Aristogeiton. Then, setting aside post-Platonic and Judeo-Christian notions of criminality, she provides new interpretations of all the Attic tragedies in which revenge is a central theme: Aeschylus' Libation Bearers, Sophocles' Ajax, Electra, and Tereus, and Euripides' Children of Heracles, Hecuba, Medea, Electra, and Orestes. Burnett shows that for the ancients, revenge meant a redress of imbalances in both human and divine worlds, achieved through human actions. The vengeful heroines thus appear in a new light. Electra, Hecuba, Medea, and others cease to be the picture of depravity in dramas that are grotesque and sensational, and are instead representative human figures who respond with grandeur to the outsize demands of necessity and supernatural powers.
Forgiveness is important in international politics because it can save thousands of lives. Its opposite, vengefulness, has played a significant part in various wars of the 20th and 21st centuries. These conflicts are examined in this book, showing how forgiveness could have avoided the tremendous ensuing bloodshed. Despite its importance, in the context of international relations, forgiveness as a means of preventing the outbreak of war (as opposed to facilitating reconciliation after conflicts) has largely been neglected as a subject of study. Indeed, it has also been ignored by politicians, as a result of which there are few examples of forgiveness to study compared with those of revenge. This book reflects this reality, but also seeks to change it by raising public awareness of the importance of forgiveness in international affairs and the need to demand that political leaders explore this avenue. The book also provides a succinct, informative guide to the background of today’s international affairs. Each chapter can be read independently and highlights either forgiveness in action or the futility and loss of life caused by vengefulness, demonstrating where and how forgiveness could have made a dramatic difference.
A most thorough study of the Elizabethan Tragedy of Revenge, its origins, development, the ethical influence affecting it and the inter-relations of the plays. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Eric Dodson-Robinson’s Revenge, Agency, and Identity from European Drama to Asian Film challenges critical readings of drama, film, and literature that downplay agency. From Attic tragedy, through Seneca and Shakespeare, and into Japanese and Korean film, the book pursues the agent of vengeance in her fury to reconstruct an identity shattered by trauma. Tragic revenge is an imaginary theater only partly encompassed by disciplines, institutions, and discourses. In this theater, violence becomes contagious and potentially transformative as performance gives birth to the agent of vengeance: a complex, emergent agent who is more than the sum of the actors, auteur, tradition, and audience, all of whom infiltrate, and strive to control, her will. The agent of vengeance, determined to outdo past exemplars, exacts traumatic excess, not equivalence.
"But ultimately it is a journey that leads her back home - where she is forced to confront her childhood dreams, her parents' failed marriage, and her ideas about family. In the end, her target turns out to be more complex - and in some ways more threatening - than the stereotypical terrorist she'd long imagined."--BOOK JACKET.
This volume was first published by Inter-Disciplinary Press in 2014. Can we answer what is revenge in a simple way, relying on ancient formulas such as “an eye for an eye”? It’s very unlikely. Revenge is a complex of beliefs, emotions and actions. Its serves a critical social function has a lot of different cultural meanings and is deeply rooted in our minds and bodies, defying the nature and nurture division. Besides that, crossing the limits of the material experience, the theme of revenge was also constantly associated with religious and metaphysical explanations of the universe. Are we biologically predisposed for revenge? What legal institutions have to do with it? What the belief that the evil done on earth will be punished on the afterlife, or here and now, by supernatural entities and forces, can alter our way of living? Could books, plays, movies or even TV shows where zombies are brutally eliminated reveal a glimpse on concrete revenge? Connecting various analysis created by scholars from different disciplines and parts of the world, this book skips the easy way and tries to embrace the concept of revenge in its full complexity. The result is a kaleidoscope where revenge can be seen by surprising perspectives.
