Sephardic Book Art of the 15th Century
Sephardic Book Art of the 15th Century

Author: Luís Urbano Afonso

Publisher: Harvey Miller

Published: 2020-06-25

Total Pages: 259

ISBN-13: 9781909400597

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The current volume presents ten different studies dealing with the final stages of Hebrew book art production in medieval Iberia. Ranging from the Farhi Codex, copied and illuminated in the late 14th century, to the Philadelphia Bible, copied and illuminated in Lisbon in 1496, this volume discusses a wide scope of topics related with the production, consumption and circulation of medieval decorated Hebrew manuscripts. Among the issues discussed in this volume we highlight the role played by three distinct artistic languages (Mudejar, Late Gothic and Renaissance) in the shapping of 15th century Sephardic illumination, the codicological specificity of some solutions in terms of layout and the relation between the layout of these manuscripts and Hebrew incunabula, the use of geometric decoration in scientific diagrams, or the afterlife of these manuscripts in Europe and Asia following the expulsion of the Jews from Iberia.

A Late Fifteenth-century Commonplace Book
A Late Fifteenth-century Commonplace Book

Author: Ariane Lainé

Publisher:

Published: 2019

Total Pages: 450

ISBN-13: 9782503582917

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This edition presents the full text of a personal collection of temporale Middle-English sermons, compiled by a parish priest for his own use. It also includes the notes and fragments of sermons or exempla found at the beginning of the manuscript with a purpose of giving insight into the way a parish priest would compile materials. This manuscript has attracted attention because it perserves versions of these sermons' early stages. This edition is therefore complementary to editions of later versions of the same sermons. The introduction provides a discussion of these sermons' textual history and the circumstances in which they were possibly preached. This volume also includes explanatory notes and a glossary.

The Fifteenth-Century Book
The Fifteenth-Century Book

Author: Curt F. Bühler

Publisher: University of Pennsylvania Press

Published: 2016-11-11

Total Pages: 204

ISBN-13: 151280097X

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The fifteenth century, one of the most curious and confused periods in recorded history, witnessed amazing developments in the printing industry and in the production of books. The present volume surveys the history of the manufacture of books throughout the fifteenth century, whether written by hand or produced by the press, and points out that both methods faced very similar problems and found almost identical solutions for them. Actually, the fifteenth century itself saw no material difference between manuscripts and incunabula (fifteenth-century printings), and regarded the latter simply as codices produced by "a new method of artificial writing." Curt F. Bühler discusses the impact of the epoch-making invention on the scribes as well as the attitudes that the contemporary book-lovers adopted toward the products of the press. The author also studies the types of men who were attracted to the new industry and the nature of the books that they believed to be readily vendible. In addition, certain familiar beliefs regarding the history of the early presses are challenged, and possible solutions are presented for the problems are still imperfectly understood. To illustrate the text, beautiful reproductions of illuminated manuscript pages, printed pages, colophons, woodcut illustration, and early typefaces have been included. The author's discussion of the decoration in books is not so much a study in the fine arts but, rather, an analysis of the types of volumes which lent themselves to decoration, and the various forms of such work.

European Art of the Fifteenth Century
European Art of the Fifteenth Century

Author: Stefano Zuffi

Publisher: Getty Publications

Published: 2005

Total Pages: 384

ISBN-13: 9780892368310

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Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century.

Christianity in Fifteenth-Century Iraq
Christianity in Fifteenth-Century Iraq

Author: Thomas A. Carlson

Publisher: Cambridge University Press

Published: 2018-09-06

Total Pages: 325

ISBN-13: 1107186277

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Reveals a religiously diverse pre-industrial society in the Middle East, broadening studies of global Christianity and challenging Islamic history's exceptionalism.

Painting and Experience in Fifteenth Century Italy
Painting and Experience in Fifteenth Century Italy

Author: Michael Baxandall

Publisher: Oxford Paperbacks

Published: 1988

Total Pages: 200

ISBN-13: 9780192821447

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An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.

Images and Identity in Fifteenth-century Florence
Images and Identity in Fifteenth-century Florence

Author: Patricia Lee Rubin

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 456

ISBN-13: 9780300123425

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An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.