Read and Download eBook Full
Author: Peter Cooke
Publisher: CUP Archive
Published: 1986
Total Pages: 188
ISBN-13: 9780521268554
DOWNLOAD EBOOKA comprehensive study of the Shetland Isles 1970-1980, one of the liveliest fiddle-playing traditions in the world.
Author: Ken Perlman
Publisher: Univ. of Tennessee Press
Published: 2015-04-24
Total Pages: 494
ISBN-13: 1621900975
DOWNLOAD EBOOK13. The Role of Radio and Recordings -- 14. The Repertoire -- 15. "It's Amazing How Quick It Did Go Down"--16. "If Everybody Does a Little Bit, Great Things Can Happen"--17. "There's Been a Big Revival of Music on the Island" -- Appendix A. Musical Examples -- Appendix B. Lists of Interview Sessions -- Appendix C. Lists of Collected Tunes -- Appendix D. Pronunciation Guide -- Appendix E. Discography and Suggested Listening -- Glossary -- Bibliography -- Index
Author: Simon McKerrell
Publisher: Routledge
Published: 2015-09-16
Total Pages: 190
ISBN-13: 1317806220
DOWNLOAD EBOOKFocus: Scottish Traditional Music engages methods from ethnomusicology, popular music studies, cultural studies, and media studies to explain how complex Scottish identities and culture are constructed in the traditional music and culture of Scotland. This book examines Scottish music through their social and performative contexts, outlining vocal traditions such as lullabies, mining songs, Scottish ballads, herding songs, and protest songs as well as instrumental traditions such as fiddle music, country dances, and informal evening pub sessions. Case studies explore the key ideas in understanding Scotland musically by exploring ethnicity, Britishness, belonging, politics, transmission and performance, positioning the cultural identity of Scotland within the United Kingdom. Visit the author's companion website at http://www.scottishtraditionalmusic.org/ for additional resources.
Author: Sean Williams
Publisher: Routledge
Published: 2013-02-01
Total Pages: 360
ISBN-13: 1135204136
DOWNLOAD EBOOKFocus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland's size relative to Britain or to the mainland of Europe is small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance. Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad.
Author: R. Anderson Sutton
Publisher: CUP Archive
Published: 1991-04-26
Total Pages: 328
ISBN-13: 9780521361538
DOWNLOAD EBOOKThis book is a wide-ranging study of the varieties of gamelan music in contemporary Java seen from a regional perspective. While the focus of most studies of Javanese music has been limited to the court-derived music of Surakarta and Yogyakarta, Sutton goes beyond them to consider also gamelan music of Banyumas, Semarang and east Java as separate regional traditions with distinctive repertoires, styles and techniques of performance and conceptions about music. Sutton's description of these traditions, illustrated with numerous musical examples in Javanese cipher notation, is based on extensive field experience in these areas and is informed by the criteria that Javanese musicians judge to be most important in distinguishing them.
Author: Brian W. Harvey
Publisher:
Published: 1995
Total Pages: 556
ISBN-13:
DOWNLOAD EBOOKIn this book, Harvey explains in detail the history of violin-making in Britain, from one of the earliest extant English instruments made of iron by John Bunyan in about 1647, to the extensive British craft industry of today, including within his book a comprehensive directory of violin-and-bow-makers of the British Isles, with auction prices. The book includes numerous high-quality color and monochrome illustrations, including samples of the work of the major craftesmen involved. The book is also a social and economic history of stringed instruments, showing how in England in particular the violin was slow to win acceptance by association with gypsies and the devil, and how the cello became the instrument favoured by royalty and the aristocracy. The demand for instruments at any particular time is gauged against musical activity in the country.
Author: Caroline Bithell
Publisher: Oxford University Press
Published: 2014-06-26
Total Pages: 721
ISBN-13: 0199384924
DOWNLOAD EBOOKRevival movements aim to revitalize traditions perceived as threatened or moribund by adapting them to new temporal, spatial, and social contexts. While many of these movements have been well-documented in Western Europe and North America,those occurring and recurring elsewhere in the world have received little or no attention. Particularly under-analyzed are the aftermaths of revivals: the new infrastructures, musical styles, performance practices, subcultural communities, and value systems that grow out of these movements. The Oxford Handbook of Music Revival fills this gap, and helps us achieve a deeper understanding of how and why musical pasts are reimagined and transfigured in modern-day postindustrial, postcolonial, and postwar contexts. The book's thirty chapters present innovative theoretical perspectives illustrated through new ethnographic case studies on diverse music and dance cultures around the world. Together these essays reveal the potency of acts of revival, resurgence, restoration, and renewal in shaping musical landscapes and transforming social experience. The book makes a powerful argument for the untapped potential of revival as a productive analytical tool in contemporary, global contexts. With its detailed treatment of authenticity, recontextualization, transmission, institutionalization, globalization, the significance of history, and other key concerns, the collection engages with critical issues far beyond the field of revival studies and is crucial for understanding contemporary manifestations of folk, traditional, and heritage music in today's postmodern cosmopolitan societies.
Author: Robin Stowell
Publisher: Cambridge University Press
Published: 1992-12-10
Total Pages: 310
ISBN-13: 113982497X
DOWNLOAD EBOOKThe Cambridge Companion to the Violin offers students, performers, and scholars a fascinating and composite survey of the history and repertory of the instrument from its origins to the present day. The volume comprises fifteen essays, written by a team of specialists, and is intended to develop the violin's historical perspective in breadth and from every relevant angle. The principal subjects discussed include the instrument's structure and development; its fundamental acoustical properties; principal exponents; technique and teaching principles; solo and ensemble repertory; pedagogical literature; traditions in folk music and jazz; and aspects of historical performing practice. The text is supported by numerous illustrations and diagrams as well as music examples, a useful appendix, glossary of technical terms, and an extensive bibliography.
Author: Craig Mishler
Publisher: University of Illinois Press
Published: 1993
Total Pages: 268
ISBN-13: 9780252019968
DOWNLOAD EBOOKNamed for a popular local fiddle tune, The Crooked Stovepipe is a rollicking, detailed, first-ever study of the indigenous fiddle music and social dancing enjoyed by the Gwich'in Athapaskan Indians and other tribal groups in northeast Alaska, the Yukon, and the northwest territories. Though the music has obvious roots in the British Isles, French Canada, and the American South, the Gwich'in have used it in shaping their own aesthetic, which is apparent in their choice of fiddle tunings, bowing techniques, foot clogging, and a distinctively stratified tune repertoire. Craig Mishler treats this rural subarctic artistic tradition as a distinctive regional style akin to Cajun, bluegrass, or string-band music. He uses convergence theory as the framework for showing how this aesthetic came about. His skillful use of personal anecdotes, interviews, music examples, dance diagrams, and photographs will appeal to general readers interested in folk music and dance, as well as to specialists.
