Thea Astley won the coveted Miles Franklin Award for the third time with this powerful, bitterly funny novel, her favourite among her own works. Many lives orbit around the radiant genius of Jack Holberg - including wife, lover, child and acolyte - all slowly destroyed by their devotion to the blind musician.
This will be a book for the world’s last reader, she decided, chewing pen-end over an open exercise book. In the dying town of Drylands, Janet Deakin sells papers to lonely locals. At night, in her flat above the newsagency, she attempts to write a novel for a world in which no one reads—‘full of people, she envisaged, glaring at a screen that glared glassily back.’ Drylands is the story of the townsfolk’s harsh, violent lives. Trenchant and brilliant, Thea Astley’s final novel is a dark portrait of outback Australia in decline. Thea Astley was born in Brisbane in 1925. Her first novel, Girl with a Monkey, was published in 1958 and her third, The Well Dressed Explorer (1962), won the Miles Franklin Literary Award. Many notable books followed, among them the groundbreaking A Kindness Cup (1974), which addressed frontier massacres of Indigenous Australians, and It’s Raining in Mango (1987). Her last novel was Drylands (1999), her fourth Miles Franklin winner. Her fiction is distinguished by vivid imagery and metaphor; a complex, ironic style; and a desire to highlight oppression and social injustice. One of the most distinctive and influential Australian novelists of the twentieth century, Astley died in 2004. ‘It is impossible to put this book down. It seethes with energy and passion.’ Herald Sun 'Wonderful.' Australian
Thea Astley is one of the outstanding Australian fiction writers of the twentieth century. Four of her novels, including her last, Drylands (1999), won the prestigious Miles Franklin prize, and she was awarded numerous literary and civic honors during her lifetime. Always a writer who avoided solemnity and undercut her characters' claims to heroism of any kind, she reveled in the new-found capacity to mock male pretension and assert female rebellion. Perhaps because of this, her late masterpieces have not yet had the proper recognition that is due to them. This book examines Astley's works and reinforces her standing as a major novelist. The main organizing principle in this study of Astley's fiction is her representation of place and power relations, and the innovative work of historicizing place. Continuing threads from chapter to chapter include the modes of irony, humor, and satire; her varying use of point of view; and her characteristic compression of language and narrative. Descriptive accounts of the novels are offered to raise broader issues of interpretation. Over the period 1986 to 1999 she produced six major works which amply demonstrate her capacity to bring together a critical exploration of patriarchal power relations and a postcolonial perspective on race relations. Also important in her later stories is her satire on the worship of unbridled 'development' which dominated Australian economic and social life in this period, especially in Queensland. The currency of such political and moral issues frames her work, yet her lively engagement with them was never merely topical, but grew out of that acute yet compassionate consciousness of human weakness, formed by her Catholic upbringing, and the darkly comic sensibility draws all these elements into relationship in Astley's art. This book, which is in the Cambria Australian Literature Series (general editor: Susan Lever; see http: //www.cambriapress.com/Austlit-series) will encourage readers familiar with Astley's work to revisit it and reconsider her lifelong achievement, and it will also lead a whole new generation of readers to enter her imaginative world, to be moved and informed by it.
This is the first biography of one of Australia's most beloved novelists, Thea Astley (1925–2004). Over a 50-year writing career, Astley published more than a dozen novels and short story collections, including The Acolyte, Drylands, and The Slow Natives, and was the first person to win multiple Miles Franklin Awards. With many of her works published internationally, Astley was a trailblazer for women writers. In her personal life, she was renowned for her dry wit, eccentricity, and compassion. Karen Lamb has drawn on an unparalleled range of interviews and correspondence to create a detailed picture of Thea the woman, as well as Astley the writer. She has sought to understand Astley's private world and how that shaped the distinctive body of work that is Thea Astley's literary legacy.
• This May, Text will concurrently publish four Text Classics by the prolific and highly awarded Thea Astley • As with previous suites of Text Classics by Randolph Stow, Christina Stead, Amy Witting and Robin Klein, the concurrent publication of these four Astley novels demonstrates Text’s belief in the importance of this author • Astley is among the most significant Australian woman writers of the twentieth century—typified by her ironic style and her social consciousness, particularly of the injustices faced by indigenous Australians • At the time of her death in 2004, she held the record for the most Miles Franklin Literary Award wins by one author, a record she now jointly holds with Tim Winton • Collectively these four works of fiction are an opportunity for readers to rediscover parts of Astley’s catalogue that have been unjustly out-of-print, guided by two established and two emerging contemporary Australian woman authors • Reaching Tin River won the Christina Stead Prize for Fiction when first published in 1990 • A woman becomes obsessed with the story of a long-dead colonial pioneer, and her research becomes a way of coming to terms with her own past • This Text Classics edition will be introduced by Sydney Morning Herald 2017 Young Novelist of the Year and author of Our Magic Hour and Pulse Points, Jennifer Down
Women are rarely if ever mentioned in commentaries upon Australian Christianity and spirituality. Only exceptional women are recognized as authorities on religious matters. Why is this so? Does it matter? Don't people from the same religious tradition share similar experiences of the divine, regardless of their gender?Rewriting Godasks whether women have been writing about the divine and whether their insights are different from those contained in malestream accounts of Australian Christianity and spirituality. An analysis of the writings of popular theologians and religious commentators over the last twenty years suggests that the most popular form of spirituality among Australian theologians is Desert Spirituality. An analysis of women's autobiographical writings, however, suggests that the desert is irrelevant to many women's spiritual experiences. This book, through a close investigation of the fictions of Thea Astley, Elizabeth Jolley and Barbara Hanrahan, attempts to posit alternative forms of women's spirituality and to signal ways in which this spirituality is already being expressed.From the evidence gathered here, it becomes obvious that traditional expressions of Australian Christianity and spirituality are gender-specific and that they have functioned to deny women's religious experiences and to silence their claims to equality in the sight and service of the divine. It becomes obvious, too, that women have been developing their own forms of religious expression and that these may be expected to supplant gradually withering images of Desert Spirituality. Whether this new imagery will strengthen Australian Christianity or whether it merely marks a decline in the authority of Christianity remains a moot point.
A story of rebellion and loyalty on a small Pacific Island where one man becomes caught in a struggle for independence from colonial rule.Written in 1985, and awarded the ALS Gold Medal the following year, Beachmasters remains relevant in our globalised, post-colonial society, offering pertinent observations about politics, nationalism and race.Thea Astley AO (1925-2004) was a multi-award-winning novelist and short story writer. She won the Miles Franklin Literary Award four times, for The Well Dressed Explorer (1962) and The Acolyte (1972), both also part of the Untapped Collection, as well as The Slow Natives (1965), and Drylands (1999). Her personal awards included the Patrick White Award in 1989 and, in 2002, a New South Wales Premier's Special Award for a lifetime's achievement in literature.
From the author of the bestselling novel, GOODWOOD, comes a compelling mystery set deep within the hearts of Cedar Valley and its inhabitants. 'This is a masterful novel...readers who loved Goodwood will find even more to love here.' Books + Publishing on Cedar Valley 'So much truth, so much aching and pain by humour. What a wonderful book. I can see the Australian novelist continuum from Patrick White and Thea Astley in her explicit representation of the character of Australians in regional towns. Others have compared Throsby with Tim Winton. I hope she is writing another book.' Lindy Morrison in LoudMouth on Goodwood 'Stunning...a distinctly Australian coming-of-age story...balancing carefully evoked dread with genuine warmth, it's an assured and singular debut.' The Big Issue on Goodwood 'He strolled down Valley Road, only briefly, past the hairdresser and a small cafe. A warm wind stirred, carrying with it the faint smell of pies and horses, and the man paused for just a moment before he sat down. Benny Miller would have driven right past him in her station wagon on that bright and brimming day.' On the first day of summer in 1993, two strangers arrive in the town of Cedar Valley. One is a calm looking man in a brown suit. He makes his way down the main street and walks directly to Cedar Valley Curios & Old Wares, sitting down on the footpath, where he leans silently against the big glass window for hours. The other is 21-year-old Benny Miller. Fresh out of university, Benny has come to Cedar Valley in search of information about her mother, Vivian, who has recently died. Vivian's mysterious old friend, Odette Fisher, has offered Benny her modest pale green cottage for as long as she wants it. Is there any connection between the man on the pavement and Benny's quest to learn more about her mother? Holly Throsby is the perfect guide as Cedar Valley and its inhabitants slowly reveal their secrets. Praise for Goodwood: 'The kind of big-hearted, emotionally bruising story that reminds you why you love fiction... Goodwood is many things: a satisfying and conscientiously constructed mystery, an affectionate but clear-eyed portrait of a time and a place, and a darkly lovely coming of age story. But most of all, it's a complete revelation, the conjuring up of a sad, beautiful, indelible little world of its own' - The Sydney Morning Herald 'It has been a while since I lost a weekend to a debut novel... There is so much to enjoy about this book; my tip is that it will become a firm book club favourite. Five stars!' - Good Reading Magazine
Pompous, vain and a self-professed charmer, George Brewster moves from one unfulfilling journalism job to the next, one empty relationship to another, his faithful wife and daughter ever the afterthought. The Well Dressed Explorer is the story of a man of his time, but as a story of toxic workplaces and an Australia where comfort and self-interest breed men like George, it might well feel familiar to a new generation of readers.Described as a 'formidable and enduring novel' by the American magazine Publishers Weekly on its original publication in 1962, The Well Dressed Explorer won the Miles Franklin Literary Award at same year. Thea Astley AO (1925-2004) went on to win the Miles Franklin Literary Award three more times, for the novels The Slow Natives (1965), The Acolyte (1972) which is also part of the Untapped Collection, and Drylands (1999). Other awards for her work include The Age Book of the Year, the New South Wales Premier's Literary Award's Christina Stead Prize for Fiction, and the Queensland Premier's Literary Award for Best Fiction Book. She also received multiple personal awards including, in 1989, Patrick White Award and in 2002, a New South Wales Premier's Special Award for a lifetime's achievement in literature.
'This landmark contribution to Australian literary studies is the first collection of critical responses to the work of one of our most important novelists, Thea Astley. As well as essays from leading Australian and international critics, dating from 1967 to the present, it includes three essays by Astley herself, a major interview with her and the first Thea Astley lecture, given by Kate Grenville in 2005.' Professor Elizabeth Webby Sydney University