A compilation of books 7-9 in the Left Behind series: The Indwelling--It's the midpoint of the seven-year Tribulation. A renowned man is dead, and the world mourns. In heaven, the battle for the ages continues to rage until it spills to earth and hell breaks loose. The Mark--Nicolae Carpathia is back, resurrected and indwelt by the devil himself. Terror comes to the believers in Greece as they are among the first to face a GC loyalty mark application site and its hideous death contraption. Desecration--Believers in Jerusalem must flee or take the mark of the beast. Carpathia has ordered every Morale Monitor armed as he travels along the Via Dolorosa and on to the temple. God inflicts the first Bowl Judgment.
Mr. Fabrice is a Cameroonian poet, playwright and dramatist who has just arrived America, a nation that has witnessed the feminist movement and civil right activists and reforms. He has no papers, and so has to stay with one of his one-time classmate Miss Beatrice who picks him at the John F. Kennedy International Air Port,New York. With the passage of time, Mr. Fabrice will discover how Miss Beatrice has been influenced and corrupted by the new feminist culture in America. His life will later turn to be a story of tragedy because his friend under the pressure and lust for money would want to influence Mr. Fabrice to marry her best friend Miss Asunder who is an American born citizen to his detriment. Mr. Fabrice later falls in love with a Cameroonian woman, Miss Angel who even though living under the feminist law system in America has not been influenced in anywhere. His life is full of thorns as Miss Asunder, using the feminist law and her position as a native born American fights his marriage engagement with Miss Angel. Every attempt of hers to break the relationship fails, and on the eve of Mr. Fabrices wedding with Miss Angel, Miss Asunder invites him to her house, and threatens him to either have a sexual affair with her for her to be pregnant, or she calls the police against Mr. Fabrice for sexual harassment. Mr. Fabrice stands his grounds, Miss Asunder calls the police against Mr. Fabrice, he is arrested and his trial is on the same day of his wedding with Miss Angel. Miss Angel presents herself in court on the day of the trial with her wedding gown, and after the trial, Mr. Fabrice is declared not guilty and so the judge decides to marry Mr. Fabrice and Miss Angel in front of Miss Asunder. Love, suspense, spirituality, poetry, theological controversies Comments you are great warehouse still to be discovered. An intellectual icon that Cameroon is about to count among its intelligentsias Dr. Vivien Nkongmenec, Lecturer of poetry and drama University of Dschang,Cameroon. Another Chinua Achebe, with Things Fall Apart Pastor Mike Nathan
In this highly individual study, Avrom Fleishman explores a wide range of literary references to human culture—the culture of ideas, facts, and images. Each critical essay in Fiction and the Ways of Knowing takes up for sustained analysis a major British novel of the nineteenth or the twentieth century. The novels are analyzed in the light of social, historical, philosophical, and other perspectives that can be grouped under the human sciences. The diversity of critical contexts in these thirteen essays is organized by Avrom Fleishman's governing belief in the interrelations of literature and other ways of interpreting the world. The underlying assumptions of this approach—as explained in his introductory essay—are that fiction is capable of encompassing even the most recondite facts and recalcitrant ideas; that fiction, though never a mirror of reality, is linked to realities and takes part in the real; and that a critical reading may be informed by scientific knowledge without reducing the literary work to a schematic formula. Fleishman investigates the matters of fact and belief that make up the designated meanings, the intellectual contexts, and the speculative parallels in three types of novel. Some of the novels discussed make it clear that their authors are informed on matters beyond the nonspecialist's range; these essays help bridge this information gap. Other fictional works are only to be grasped in an awareness of the cultural lore tacitly distributed in their own time; a modern reader must make the effort to fathom their anachronisms. And other novels can be found to open passageways that their authors can only have glimpsed intuitively; these must be pursued with great caution but equal diligence. The novels discussed include Little Dorrit, The Way We Live Now, Daniel Deronda, he Return of the Native, and The Magus. Also examined are Wuthering Heights, Vanity Fair, Northanger Abbey, To the Lighthouse, Under Western Eyes, Ulysses, and A Passage to India.
