The Feudists is a western short story by Ernest Haycox. Haycox was an American writer of Western fiction. Excerpt: "THERE was something deceptive about the rugged land into which he traveled. It seemed to bury him in its depths, yet more than two miles out of Blackrock the first quick tilt of the bench lifted him to a crest from which he caught again the lights of the town. After that the road tackled an increasing grade earnestly, and for long intervals Reno's pony went on at a slogging walk. A bank of fog drifted thickly about him."
Recounts the feud between the Hatfields and the McCoys, examines the sociological implications of the conflict, and offers brief profiles of the main participants
" Among the darkest corners of Kentucky’s past are the grisly feuds that tore apart the hills of Eastern Kentucky from the late nineteenth century until well into the twentieth. Now, from the tangled threads of conflicting testimony, John Ed Pearce, Kentucky’s best known journalist, weaves engrossing accounts of six of the most notorior accounts to uncover what really happened and why. His story of those days of darkness brings to light new evidence, questions commonly held beliefs about the feuds, and us and long-running feuds—those in Breathitt, Clay Harlan, Perry, Pike, and Rowan counties. What caused the feuds that left Kentucky with its lingering reputation for violence? Who were the feudists, and what forces—social, political, financial—hurled them at each other? Did Big Jim Howard really kill Governor William Goebel? Did Joe Eversole die trying to protect small mountain landowners from ruthless Eastern mineral exploiters? Did the Hatfield-McCoy fight start over a hog? For years, Pearce has interviewed descendants of feuding families and examined skimpy court records and often fictional newspapeputs to rest some of the more popular legends.
The Kentucky Encyclopedia's 2,000-plus entries are the work of more than five hundred writers. Their subjects reflect all areas of the commonwealth and span the time from prehistoric settlement to today's headlines, recording Kentuckians' achievements in art, architecture, business, education, politics, religion, science, and sports. Biographical sketches portray all of Kentucky's governors and U.S. senators, as well as note congressmen and state and local politicians. Kentucky's impact on the national scene is registered in the lives of such figures as Carry Nation, Henry Clay, Louis Brandeis, and Alben Barkley. The commonwealth's high range from writers Harriette Arnow and Jesse Stuart, reformers Laura Clay and Mary Breckinridge, and civil rights leaders Whitney Young, Jr., and Georgia Powers, to sports figures Muhammad Ali and Adolph Rupp and entertainers Loretta Lynn, Merle Travis, and the Everly Brothers. Entries describe each county and county seat and each community with a population above 2,500. Broad overview articles examine such topics as agriculture, segregation, transportation, literature, and folklife. Frequently misunderstood aspects of Kentucky's history and culture are clarified and popular misconceptions corrected. The facts on such subjects as mint juleps, Fort Knox, Boone's coonskin cap, the Kentucky hot brown, and Morgan's Raiders will settle many an argument. For both the researcher and the more casual reader, this collection of facts and fancies about Kentucky and Kentuckians will be an invaluable resource.
For more than a century, the enduring feud between the Hatfields and the McCoys has been American shorthand for passionate, unyielding, and even violent confrontation. Yet despite numerous articles, books, television shows, and feature films, nobody has ever told the in-depth true story of this legendarily fierce-and far-reaching-clash in the heart of Appalachia. Drawing upon years of original research, including the discovery of previously lost and ignored documents and interviews with relatives of both families, bestselling author Dean King finally gives us the full, unvarnished tale, one vastly more enthralling than the myth. Unlike previous accounts, King's begins in the mid-nineteenth century, when the Hatfields and McCoys lived side-by-side in relative harmony. Theirs was a hardscrabble life of farming and hunting, timbering and moonshining-and raising large and boisterous families-in the rugged hollows and hills of Virginia and Kentucky. Cut off from much of the outside world, these descendants of Scots-Irish and English pioneers spoke a language many Americans would find hard to understand. Yet contrary to popular belief, the Hatfields and McCoys were established and influential landowners who had intermarried and worked together for decades. When the Civil War came, and the outside world crashed into their lives, family members were forced to choose sides. After the war, the lines that had been drawn remained-and the violence not only lived on but became personal. By the time the fury finally subsided, a dozen family members would be in the grave. The hostilities grew to be a national spectacle, and the cycle of killing, kidnapping, stalking by bounty hunters, and skirmishing between governors spawned a legal battle that went all the way to the United States Supreme Court and still influences us today. Filled with bitter quarrels, reckless affairs, treacherous betrayals, relentless mercenaries, and courageous detectives, The Feud is the riveting story of two frontier families struggling for survival within the narrow confines of an unforgiving land. It is a formative American tale, and in it, we see the reflection of our own family bonds and the lengths to which we might go in order to defend our honor, our loyalties, and our livelihood.
The Hatfield-McCoy feud, the entertaining subject of comic strips, popular songs, movies, and television, has long been a part of American folklore and legend. Ironically, the extraordinary endurance of the myth that has grown up around the Hatfields and McCoys has obscured the consideration of the feud as a serious historical event. In this study, Altina Waller tells the real story of the Hatfields and McCoys and the Tug Valley of West Virginia and Kentucky, placing the feud in the context of community and regional change in the era of industrialization. Waller argues that the legendary feud was not an outgrowth of an inherently violent mountain culture but rather one manifestation of a contest for social and economic control between local people and outside industrial capitalists -- the Hatfields were defending community autonomy while the McCoys were allied with the forces of industrial capitalism. Profiling the colorful feudists "Devil Anse" Hatfield, "Old Ranel" McCoy, "Bad" Frank Phillips, and the ill-fated lovers Roseanna McCoy and Johnse Hatfield, Waller illustrates how Appalachians both shaped and responded to the new economic and social order.
America’s most notorious family feud began in 1865 with the murder of a Union McCoy soldier by a Confederate Hatfield relative of "Devil Anse" Hatfield. More than a decade later, Ranel McCoy accused a Hatfield cousin of stealing one of his hogs, triggering years of violence and retribution, including a Romeo-and-Juliet interlude that eventually led to the death of one of McCoy’s daughters. In a drunken brawl, three of McCoy's sons killed Devil Anse Hatfield’s younger brother. Exacting vigilante vengeance, a group of Hatfields tied them up and shot them dead. McCoy posses hijacked part of the Hatfield firing squad across state lines to stand trial, while those still free burned down Ranel McCoy’s cabin and shot two of his children in a botched attempt to suppress the posses. Legal wrangling ensued until the US Supreme Court ruled that Kentucky could try the captured West Virginian Hatfields. Seven went to prison, and one, mentally disabled, yelled, “The Hatfields made me do it!” as he was hanged. But the feud didn’t end there. Its legend continues to have an enormous impact on the popular imagination and the region. With a charming voice, a wonderfully dry sense of humor, and an abiding gift for spinning a yarn, bestselling author Lisa Alther makes an impartial, comprehensive, and compelling investigation of what happened, masterfully setting the feud in its historical and cultural contexts, digging deep into the many causes and explanations of the fighting, and revealing surprising alliances and entanglements. Here is a fascinating new look at the infamous Hatfield-McCoy feud.
A little known fact about the Hatfield and McCoy Feud is that nearly all of the men involved were also Civil War veterans. The Hatfield patriarch, William Anderson “Devil Anse” Hatfield, served in the Confederate army 1861-1865. He fought in numerous skirmishes along the border territories of western Virginia and Kentucky. Unfortunately, most popular accounts of Devil Anse’s Confederate service are based on legends rather than facts. Many also overlooked important details linking his Civil War service to the famous feud. Using official military records, newspaper accounts, and other historic sources, the author debunks several myths and sheds more insight into one of the most mysterious characters in American folk history.
Feud stands at the core of the Old Icelandic sagas. Jesse Byock shows how the dominant concern of medieval Icelandic society—the channeling of violence into accepted patterns of feud and the regulation of conflict—is reflected in the narrative of the family sagas and the Sturlunga saga compilation. This comprehensive study of narrative structure demonstrates that the sagas are complex expressions of medieval social thought. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983. Feud stands at the core of the Old Icelandic sagas. Jesse Byock shows how the dominant concern of medieval Icelandic society—the channeling of violence into accepted patterns of feud and the regulation of conflict—is reflected in the narrative of the fami
