This novel is one of the most important statements about the Duvalier regime in Haiti, written by a Haitian who played a prominent role in the revolutionary movement that brought down the Lescot regime in January 1946. _The Festival of the Greasy Pole_ includes a scathing caricature of Papa Doc Duvalier and the bloodbath that he visited on his own country.
This history for the first time charts the literature of the entire Caribbean, the islands as well as continental littoral, as one cultural region. It breaks new ground in establishing a common grid for reading literatures that have been kept separate by their linguistic frontiers. Readers will have access to the best current scholarship on the evolution of popular and literate cultures in the various regions since their earliest emergence."The History of Literature in the Caribbean" brings together the most distinguished team of literary Caribbeanists ever assembled, cutting across ideological commitments and critical methods. Differences in point of view between individual contributors are left intact here as the sign of the colonial inheritance of the region. Introductions and conclusions to the various sections of the History written by the respective subeditors, set them in proper perspective. The unique synoptic aspect of the History lies in its comprehensiveness and its range, which are unequaled."Contributors" A. James Arnold, Julio Rodriguez-Luis, H. Lopez Morales, Maria Elena Rodriguez Castro, Silvio Torres Saillant, Seymour Menton, Ian I. Smart, Efrain Barradas, Raquel Chang-Rodriguez, Carlos Alonso, Ivan A. Schulman, W.L. Siemens, William Luis, Gustavo Pellon, Emilio Bejel, Sandra M. Cypess, Peter Earle, Adriana Mndez Rodenas, J. Michael Dash, Ulrich Fleischmann, Maximilien Laroche, Rgis Antoine, Lon-Franois Hoffmann, Randolph Hezekiah, Bridget Jones, F.I. Case, Marie-Denise Shelton, Beverly Ormerod, J. Michael Dash, Jack Corzani, Anthea Morrison, Juris Silenieks, Frantz Fanon, Vere Knight.
Edward Norman Gardiners 'The History of Ancient Greek Sports and Athletic Festivals' is a detailed examination of the origins, significance, and evolution of sports in ancient Greece. Gardiner takes the reader on a journey through time, exploring the cultural and historical context in which athletic competitions such as the Olympic Games emerged. With a comprehensive analysis of events, rules, and athletes, the book provides insights into the role of sports in promoting physical excellence and fostering camaraderie among Greeks. Gardiners engaging writing style and meticulous research make this book a valuable resource for scholars and enthusiasts of ancient Greek history and sports. Edward Norman Gardiner, a renowned historian and classicist, brings a wealth of knowledge and expertise to his exploration of ancient Greek sports. His passion for the subject is evident in his thorough examination of primary sources and scholarly literature, giving readers a comprehensive understanding of the significance of sports in Greek society. I highly recommend 'The History of Ancient Greek Sports and Athletic Festivals' to anyone interested in the intersection of sports, culture, and history. Gardiners scholarly yet accessible approach makes this book a must-read for those seeking a deeper understanding of ancient Greek civilization.
Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region’s history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or “freedom runner.” The Zombie in Contemporary French Caribbean Fiction is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four “avatars” of the zombie—the slave, the trauma victim, the horde, and the popular zombie—that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes.
Leonara is a first in francophone Caribbean literature: neither fiction nor biography, this book by sociologist and Creole-culture advocate Dany Bebel-Gisler has elements of both novelistic and documentary style. It has been likened to the Latin-American testimonio genre (testimony novel). The real-life Leonara- model for and subject of this book- told Bebel-Gisler that "in this book made up of my words, it is my very self that is present. You have written the story just as I have told it" In the course of her life, Leonara has witnessed, from her perspective as the mother of a large family, the passage of Guadeloupe from colony to departement of France; from the hard-scrabble subsistence agriculture of the rural poor to the subsudized consumer economy of France's overseas departements today. Along the way she offers witty and pungent observations on language, politics, sex, and religion.
