17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the notion of Mimesis. The author restarts the discussion, by putting more emphasis on the historical notions of Nature and Image. She examines how mimetic structures acquired a biotic reproductive capacity in the 17th century. Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general.
Pregnancy is not just a trek from one medical appointment to another but a journey of the heart. Here at last is a guidebook through its sacred terrain. For each week, Orthodox doula Laura Jansson provides a new reflection on a theme specific to the ground covered at that stage. From one milestone to the next, she helps us unearth the spiritual treasures buried within the physical experiences of childbearing. These are gifts of love from a merciful God who reaches out to us, making a perilous expedition into a path of salvation.
A guide to the unique collection of Telfair's paintings, drawings, and prints donated by twenty-two artists who either were friends with or were admired by the renowned curator and Savannah native Kirk Varnedoe (1946-2003). Each piece is reproduced alongside a remembrance of Varnedoe by the artist.
Lies of the Land examines the often-overlooked artistic roots of mapmaking practice in early modern France, offering an original perspective on discourses of accuracy and their relationship to the pictorial origins of modern mapmaking. Until the seventeenth century, most mapmakers in France were painters. Schooled in techniques of drawing and perspective—and in the careful study of nature that we associate with early modernity—they also learned the more expressive and imaginative Mannerist forms that dominated French painting in this period. Their maps draw on conventions of both painting and mapmaking to create beautiful, informative, and persuasive images for a wide variety of contexts and purposes. In this book, Camille Serchuk explores the strategies these cartographers deployed to weave together accuracy, ornament, and artifice in maps at all scales. Looking beyond the techniques of measurement and perspective, Serchuk shows how painterly interventions framed and manipulated the appearance and reception of cartographic objects. Lies of the Land is an important new assessment of the character and status of early modern cartography that challenges binary distinctions between art and science and between decorative and epistemic images. It will appeal especially to art historians and historians of sixteenth-century France as well as scholars of map history.
As you read this book, you will see how Bruegel's scenes capture the universal conditions of conflict, work, play, folly and chaos, as well as innumerable pieces of biblical and folk wisdom."--BOOK JACKET.
The book investigates the lives and careers of the Procaccini brothers: Camillo (1561–1629), Carlo Antonio (1571–1631) and Giulio Cesare (1574–1625), the most important family of painters working in northern Italy at the start of the seventeenth century. The Procaccinis' work is here analysed by interconnecting their individual stories and understanding their success as the combination of mutual artistic choices, a high level of specialization and precise business organization. The book looks at this family of painters as entrepreneurs, emphasizing their conscious response to the requests of public and private patrons, as well as their ability to balance instances of originality and imitation in an era characterized by a wide range of artistic opportunities, including religious commissions, national and international patronage and multifaceted markets. This book will be of interest to scholars studying art history, early modern studies, the art market, Italian studies and Italian history.
Presents exciting, original conclusions about Leonardo da Vinci's early life as an artist and amplifies his role in Andrea del Verrocchio's studio This groundbreaking reexamination of the beginnings of Leonardo da Vinci's (1452-1519) life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in the studio of his teacher, Andrea del Verrocchio (1435-1488). Anchoring this analysis are important yet often overlooked considerations about Verrocchio's studio--specifically, the collaborative nature of most works that emerged from it and the probability that Leonardo must initially have learned to paint in tempera, as his teacher did. The book searches for the young artist's hand among the tempera works from Verrocchio's studio and proposes new criteria for judging Verrocchio's own painting style. Several paintings are identified here as likely the work of Leonardo, and others long considered works by Verrocchio or his assistant Lorenzo di Credi (1457/59-1536) may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter's detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo.
During the 1930s San Francisco's most ambitious public murals were painted by artists on the left. In this study, Anthony Lee shows how these painters, led by Diego Rivera, sought to transform murals into a vehicle for their rejection of the economic and political status quo and their support of labor and radical ideologies, including Communism. In addressing these subjects, the mural painters developed a new imagery, based on the activities of the city's laboring population - its efforts to organize, its protests, its strikes.
Unleash your inner artist and embark on an inspiring journey into the world of abstract painting with "Paint Your Dreams." This comprehensive guide lights the path to discovering and mastering your unique abstract style, transforming your creative visions into compelling works of art. Dive into the vibrant evolution of abstract art and gain a profound understanding of its language. Unravel the myths and unlock the mysteries that have captivated artists and art lovers alike. With detailed guidance, you'll explore different styles and techniques, helping you to discover your own artistic identity while building confidence in your abstract expression. Master the essentials with clear and concise explanations of tools, materials, and color theory. Learn techniques to create texture and depth, and experiment with shapes, forms, and dynamic lines that will bring your artwork to life. Delve into the principles of composition to craft visually balanced and harmonious pieces, using the power of negative space to your advantage. "Paint Your Dreams" takes you beyond traditional painting, guiding you through the world of mixed media to add dimensionality and intrigue to your work. You'll harness the emotional power of color and form, learning how to convey deep emotions and translate personal experiences into abstract masterpieces. Develop your personal artistic process with strategies for finding inspiration and nurturing your creativity. Discover the influential figures in contemporary abstract art, keep pace with current trends, and understand the role of abstract art in social commentary. Finally, learn to showcase and market your work, navigate critique, and engage with the artistic community. "Paint Your Dreams" equips you to sustain your creativity over time, maintain your artistic vision, and embrace the exciting evolution of your abstract journey. It's time to paint the future of your dreams with bold strokes and timeless creativity.
