“[We] can’t get enough of Christie’s plush and murderous thrills.” —Entertainment Weekly From the Queen of Mystery—this all-new collection of stories about love gone horribly wrong will get your heart racing. Love can propel us to our greatest heights . . . and darkest depths. In this new compendium of Agatha Christie short stories, witness the dark side of love—crimes of passion, games of the heart, and deadly deceits. This pulse-pounding compendium features beloved detectives Hercule Poirot and Miss Marple, master of charades Parker Pyne, the enigmatic Harley Quin, and the adventurous Tommy and Tuppence, all at the ready to solve tantalizing mysteries. In “The Face of Helen,” a night at the Royal Opera could reach a fatal crescendo for a woman caught in a dicey love triangle; “Finessing the King” delivers a curious ad in the personals that could mask sinister intentions; who’s in danger of getting stung in “Wasps’ Nest” depends on rounding up suspects and solving a murder—before it even happens. These are just a few of the tales in this collection featuring essential reading that Christie fans old and new will simply love to death.
When Mr. Satterthwaite visits a new exhibit at the Harchester Galleries, there is one painting that bears an unusual likeness to a mysterious acquaintance of his, Mr. Quin. In one bold move he purchases the canvas on the spot, and in another invites the artist of “The Dead Harlequin” to dine with him that night, with an empty place at the table set for Mr. Quin. Dinner conversation soon turns to the setting of “The Dead Harlequin,” the doomed and ghostly house Charnley, where many have perished under tragic circumstances. But when a new guest is announced, it is not Mr. Quin but famed comic stage actress Aspasia Glen, who demands that she be given that very painting. Then comes a frantic telephone call from Alix Charnley herself, and Alix has the same request. What is the meaning of the painting, and can it shed any light upon the happenings at Charnley?
When Agatha Christie died in 1976, she was the bestselling mystery writer in history. This collection of new essays brings fresh perspectives to Christie scholarship with new readings and discussions of little-known aspects of her life, career and legacy. The contributors explore her relationship with modernism, the relevance of queer theory, television adaptations, issues with translations, information behavior theory, feminist readings, postcolonial tribute novels, celebrity culture and heritage cinema. The final word is given to fans in an editorial that collates testimonies from readers, collectors and enthusiasts.
Soon after Gwenda moved into her new home, odd things started to happen. Despite her best efforts to modernize the house, she only succeeded in dredging up its past. Worse, she felt an irrational sense of terror every time she climbed the stairs. In fear, Gwenda turned to Miss Marple to exorcise her ghosts. Between them, they were to solve a “perfect” crime committed many years before.
Doss's charming, touching, and at times hilarious chronicle tells how each of the children, representing white, Chinese, Japanese, Filipino, Korean, Mexican, and Native American backgrounds, came to her and husband Carl, a Methodist minister. She writes of the way the "unwanted" feeling was erased with devoted love and understanding and how the children united into one happy family. Her account reads like a novel, with scenes of hard times and triumphs described in vivid prose. The Family Nobody Wanted, which inspired two films, opened doors for other adoptive families and was a popular favorite among parents, young adults, and children for more than thirty years. Now this edition will introduce the classic to a new generation of readers. An epilogue by Helen Doss that updates the family's progress since 1954 will delight the book's loyal legion of fans around the world.