The Ethics of Ernst Lubitsch

The Ethics of Ernst Lubitsch

Author: Ivana Novak

Publisher: Rowman & Littlefield

Published: 2024-08-20

Total Pages: 177

ISBN-13: 1538146177

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Against the idea that comedy offers us a relief from the horrors of the real world, the German-Jewish-American filmmaker Ernst Lubitsch defended his masterpiece To Be or Not to Be, a comedy from 1942 about the concurrent Nazi occupation of Poland, with the claim that he had made up his mind “to make a picture with no attempt to relieve anybody from anything at any time.” The essays included in The Ethics of Ernst Lubitsch consider Lubitsch’s work from his early Berlin years to his Hollywood fame, emphasizing the idea of ‘comedy without relief’ as the fundamental ethical premise of his special cinematic ‘touch.’ In this edited collection, contributors take a closer look at how Lubitsch addresses delicate and controversial topics like sexuality, love, and revolution, and set out a picture of an engaged ethics without moralism. The Ethics of Ernst Lubitsch is a vital contribution to film scholarship and a tribute to an essential filmmaker.


Ethics and Social Criticism in the Hollywood Films of Erich Von Stroheim, Ernst Lubitsch, and Billy Wilder

Ethics and Social Criticism in the Hollywood Films of Erich Von Stroheim, Ernst Lubitsch, and Billy Wilder

Author: Nora Henry

Publisher: Praeger

Published: 2000-10-30

Total Pages: 0

ISBN-13: 0275964507

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Detailed analyses of their individual styles of filmmaking and readings of selected films reveal how they put their philosophies into practice and to what extent they influenced one another. Films analyzed include The Merry Widow, The Wedding March, Heaven can Wait, To Be or Not To Be, Sunset Boulevard, and The Fortune Cookie among others. By delineating their contributions to the development of modern film, this research explores the filmmakers impact on film and cultural history."


Continental Strangers

Continental Strangers

Author: Gerd Gemünden

Publisher: Columbia University Press

Published: 2014-01-21

Total Pages: 297

ISBN-13: 0231536526

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Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.


How Did Lubitsch Do It?

How Did Lubitsch Do It?

Author: Joseph McBride

Publisher: Columbia University Press

Published: 2018-06-26

Total Pages: 590

ISBN-13: 0231546645

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Orson Welles called Ernst Lubitsch (1892–1947) “a giant” whose “talent and originality are stupefying.” Jean Renoir said, “He invented the modern Hollywood.” Celebrated for his distinct style and credited with inventing the classic genre of the Hollywood romantic comedy and helping to create the musical, Lubitsch won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, “How would Lubitsch do it?” Despite the high esteem in which Lubitsch is held, as well as his unique status as a leading filmmaker in both Germany and the United States, today he seldom receives the critical attention accorded other major directors of his era. How Did Lubitsch Do It? restores Lubitsch to his former stature in the world of cinema. Joseph McBride analyzes Lubitsch’s films in rich detail in the first in-depth critical study to consider the full scope of his work and its evolution in both his native and adopted lands. McBride explains the “Lubitsch Touch” and shows how the director challenged American attitudes toward romance and sex. Expressed obliquely, through sly innuendo, Lubitsch’s risqué, sophisticated, continental humor engaged the viewer’s intelligence while circumventing the strictures of censorship in such masterworks as The Marriage Circle, Trouble in Paradise, Design for Living, Ninotchka, The Shop Around the Corner, and To Be or Not to Be. McBride’s analysis of these films brings to life Lubitsch’s wit and inventiveness and offers revealing insights into his working methods.


Lubitsch Can't Wait

Lubitsch Can't Wait

Author: Ivana Novak

Publisher: Slovenian Cinematheque

Published: 2014

Total Pages: 0

ISBN-13: 9789616417846

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"The contributions collected in this book examine Lubitsch's best Hollywood pictures from the 1930s and '40s--Trouble in paradise, Design for living, Ninotchka, To be or not to be, and Cluny Brown--to demonstrate that comedy, at its best, is not merely a matter of providing comic relief."--Page 4 of cover.


Movie Lists

Movie Lists

Author: Paul Simpson

Publisher: Profile Books

Published: 2011-05-26

Total Pages: 416

ISBN-13: 1847653553

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Action, African greats, alcohol, Robert Aldrich, aliens, Woody Allen, Pedro Almodovar, Robert Altman, animated, anime, apocalypses, Argentina, art, Asia minor, avant garde... And that's just A for you. A taste of this fabulously quirky and enjoyable book which is both a celebration of movies - and movie trivia - and a handy, entertaining guide to films that we know you will enjoy. It is fantastically functional. The lists are well conceived and easy to understand - mostly assembled by genre, actor, director, theme or country of origin - and the reviews are witty and informative. Oddly enough, most movie guides are not full of recommendations. But Movie Lists is, in spades, leaving readers in no doubt that the films reviewed are the business. Oh - and you don't have to watch them all before you die. There is no premise of death in this book. You just need to get down to the local Blockbusters or flick your remote to Movies on Demand. Only the popcorn is not supplied.


Sex and Nothing

Sex and Nothing

Author: Alejandro Cerda-Rueda

Publisher: Routledge

Published: 2018-05-08

Total Pages: 241

ISBN-13: 042990469X

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From its etymological roots, sex is related to a scission, Latin for sectus, secare, meaning "to divide or cut." Therefore, regardless of the various studies applied to defining sex as inscribed by discursive acts, i.e. merely a 'performatively enacted signification,' there is something more to sex than just a social construction or an aprioristic substance. Sex is irreducible to meaning or knowledge. This is why psychoanalysis cannot be formulated as an erotology nor a science of sex (scientia sexualis). In this matter, sex escapes the symbolic restraints of language; however, it is through its failure that it manifests itself through the symbolic, e.g. symptoms or dream life. So, what is sex? Sex and Nothing embarks upon a dialogue between colleagues and friends interested in bridging psychoanalysis and philosophy, linking sex and thought, where what emerges is a greater awareness of the irreducucibility of sex to the discourse of knowledge and meaning: in other words, sex and nothing.


Ernst Lubitsch's American Comedy

Ernst Lubitsch's American Comedy

Author: William Paul

Publisher:

Published: 1983

Total Pages: 367

ISBN-13: 9780231056816

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Analyzes the style and social themes of the comic films made in Hollywood by the director, Ernst Lubitsch


Throwing the Moral Dice

Throwing the Moral Dice

Author: Thomas Claviez

Publisher: Fordham University Press

Published: 2021-12-07

Total Pages: 365

ISBN-13: 0823298094

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More than a purely philosophical problem, straddling the ambivalent terrain between necessity and impossibility, contingency has become the very horizon of everyday life. Often used as a synonym for the precariousness of working conditions under neoliberalism, for the unknown threats posed by terrorism, or for the uncertain future of the planet itself, contingency needs to be calculated and controlled in the name of the protection of life. The overcoming of contingency is not only called upon to justify questionable mechanisms of political control; it serves as a central legitimating factor for Enlightenment itself. In this volume, nine major philosophers and theorists address a range of questions around contingency and moral philosophy. How can we rethink contingency in its creative aspects, outside the dominant rhetoric of risk and dangerous exposure? What is the status of contingency—as the unnecessary and law-defying—in or for ethics? What would an alternative “ethics of contingency”—one that does not simply attempt to sublate it out of existence—look like? The volume tackles the problem contingency has always posed to both ethical theory and dialectics: that of difference itself, in the difficult mediation between the particular and the universal, same and other, the contingent singularity of the event and the necessary generality of the norms and laws. From deconstruction to feminism to ecological thought, some of today’s most influential thinkers reshape many of the most debated concepts in moral philosophy: difference, agency, community, and life itself. Contributors: Étienne Balibar, Rosi Braidotti, Thomas Claviez, Drucilla Cornell, Hans Ulrich Gumbrecht, Viola Marchi, Michael Naas, Cary Wolfe, Slavoj Žižek