Part 50 Shades of Grey, part Purple Rain, The Eternal Outsider is an erotic true story about one man¿s whimsical journey to the fourth largest city in Japan. When Trevor¿s efforts to bring emotion to an emotionless society gets lost in translation, he is given fifteen minutes of fame as a consolation prize. However, with this new found notoriety came unheralded street fights, near death experiences, sold out concerts, magazine covers, billboard ads, and of course the excessive amount of women, including a ¿lovesick¿ model who suffers from an acute memory lapse, an emotional Japanese Jazz singer¿and then there¿s his withdrawn wife, who one afternoon found the courage to plead with his addictive girlfriend to dissolve their secret rendezvous for the sake of their two children. Notably, one of the finest love stories ever told¿revealing, shocking, sometimes witty and vividly unforgettable.Visit the dark side of Japan without actually leaving your house. Japan; arguably the most mysterious and cultural enigmatic place on Earth. Japan.It¿s not what you think it is¿
For as long as she can remember, Gabrielle Hope has had the gift of knowing--visions that warn of things to come. When she and her mother joined the Pleasant Hill Shaker community in 1807, the community embraced her gift. But Gabrielle fears this gift, for the visions are often ones of sorrow and tragedy. When one of these visions comes to pass, a local doctor must be brought in to save the life of a young man, setting into motion a chain of events that will challenge Gabrielle's loyalty to the Shakers. As she falls deeper into a forbidden love for this man of the world, Gabrielle must make a choice. Can she experience true happiness in this simple and chaste community? Or will she abandon her brothers and sisters for a life of the unknown? Soulful and filled with romance, The Outsider lets readers live within a bygone time among a unique and peculiar people. This tender and thought-provoking story will leave readers wanting more from this writer.
What does Christianity have to say about the salvation of the African tribesman who died before the missionaries arrived, and the great sorrow of the Messianic Jew who grieves for family and friends who did not or will not acknowledge his Jesus as their Messiah? C. S. Lewis said these outsiders represent the scandal of exclusivity. Jim Geiger is a Christian insider and fully committed to the exclusivity of Christ's atonement. However, he is suggesting an expanded Christology where: ¥ The constant speed of light in E = mc2 corroborates the constant Christ of Heb 13:8. ¥ Special and general relativity model special and general revelation. ¥ The Christ of general revelation represents the hope of salvation for some of Christianity's outsiders.
Author Michelle Belanger has fascinated and informed readers about the vampire in folklore, fiction, and fact since the early 90s. Now enjoy all of Michelle's major essays on this fascinating topic, collected for the first time in one volume. Find out why author Bram Stoker wrote about vampires -- and what real-life psychic vampire inspired the figure of Dracula. Learn about the history and development of the modern community of real vampires. Explore the allure of the vampire in modern culture, and meet members of the vampire underground who have made this potent archetype a fundamental part of their lives ...
Erik Erikson (1902-1994) was one of the most eminent and prolific psychologists of the 20th century. Over his long career he published a dozen books, including classics such as Childhood and Society; Identity, Youth, and Crisis; and Young Man Luther . He was awarded the Pulitzer Prize and the National Book Award in 1970 for his biography Gandhi's Truth. It was also in 1970, when he retired from Harvard University, that Erikson began to rethink his earlier theories of development. He became increasingly occupied with the conflicts and challenges of adulthood--a shift from his earlier writings o.
One of François Truffaut's most poignantly memorable films, Jules and Jim, adapted a novel by the French writer and art collector Henri-Pierre Roch. The characters and events of the 1960s film were based on a real-life romantic triangle, begun in the summer of 1920, which involved Roch himself, the German-Jewish writer Franz Hessel, and his wife, the journalist Helen Grund. Drawing on this film and others by Truffaut, Robert Stam provides the first in-depth examination of the multifaceted relationship between Truffaut and Roch. In the process, he provides a unique lens through which to understand how adaptation works-from history to novel, and ultimately to film-and how each form of expression is inflected by the period in which it is created. Truffaut's adaptation of Roch's work, Stam suggests, demonstrates how reworkings can be much more than simply copies of their originals; rather, they can become an immensely creative enterprise-a form of writing in itself. The book also moves beyond Truffaut's film and the mnage--trois involving Roch, Hessel, and Grund to explore the intertwined lives and work of other famous artists and intellectuals, including Marcel Duchamp, Walter Benjamin, and Charlotte Wolff. Tracing the tangled webs that linked these individuals' lives, Stam opens the door to an erotic/writerly territory where the complex interplay of various artistic sensibilities-all mulling over the same nucleus of feelings and events-vividly comes alive.
Great Trials and the Law in the Historical Imagination: A Law and Humanities Approach introduces readers to the history of law and issues in historical, legal, and artistic interpretation by examining six well-known historical trials through works of art that portray them. Great Trials provides readers with an accessible, non-dogmatic introduction to the interdisciplinary ‘law and humanities’ approach to law, legal history, and legal interpretation. By examining how six famous/notorious trials in Western history have been portrayed in six major works of art, the book shows how issues of legal, historical, and artistic interpretation can become intertwined: the different ways we embed law in narrative, how we bring conscious and subconscious conceptions of history to our interpretation of law, and how aesthetic predilections and moral commitments to the law may influence our views of history. The book studies well-known depictions of the trials of Socrates, Cicero, Jesus, Thomas More, the Salem ‘witches’, and John Scopes and provides innovative analyses of those works. The epilogue examines how historical methodology and historical imagination are crucial to both our understanding of the law and our aesthetic choices through various readings of Harper Lee’s beloved character, Atticus Finch. The first book to employ a ‘law and humanities’ approach to delve into the institution of the trial, and what it means in different legal systems at different historical times, this book will appeal to academics, students and others with interests in legal history, law and popular culture and law and the humanities.
The Writer Uprooted is the first book to examine the emergence of a new generation of Jewish immigrant authors in America, most of whom grew up in formerly communist countries. In essays that are both personal and scholarly, the contributors to this collection chronicle and clarify issues of personal and cultural dislocation and loss, but also affirm the possibilities of reorientation and renewal. Writers, poets, translators, and critics such as Matei Calinescu, Morris Dickstein, Henryk Grynberg, Geoffrey Hartman, Eva Hoffman, Katarzyna Jerzak, Dov-Ber Kerler, Norman Manea, Zsuzsanna Ozsvath, Lara Vapnyar, and Bronislava Volkova describe how they have coped creatively with the trials of displacement and the challenges and opportunities of resettlement in a new land and, for some, authorship in a new language.
The Dreyfus Affair of the 1890s and the violent controversies that surrounded it appeared to pass two very different judgments on the France of the Third Republic. The outcome o the trial -- Captain Dreyfus convicted without guilt and the real traitor acquitted despite guilt -- demonstrated without question the extraordinary hypocrisy of the military justice system. But the furor raised by Dreyfus' conviction and the agitation for his release suggested that the injustice of the courts' verdict was uncharacteristic of French society; that for France as a nation the rendering of justice was paramount, even at the expense of disgracing both the military and a conspiring government. In The Hypocrisy of Justice in the Belle Epoque, Benjamin Martin examines the events of three sensational criminal cases to reveal that the willful mangling of justice that occurred in the Dreyfus trial was far from rare in the Third Republic France. He finds, in fact, that justice in the Belle Epoque was "hypocritical in the extreme," with the outcome of trials easily tainted by the power and influence of politics, money, and illicit sex. At times, justice deviated so far from the ideal that its goal was not the strict application of the law or even the discovery of the truth, but rather the imposition of a system of rewards and punishments meted out in accordance with a capricious vision of social utility. Martin begins with the case of Marguerite Steinheil, the wife of an artist of only middling talent. A strikingly beautiful woman, she presided over a famous salon and was the lover of influential politicians. When she was tried for the brutal murders of her husband and her mother, Marguerite defended herself with a flurry of extravagant stories and unlikely counter-accusations. Even so, she was found innocent of all charges, and the crimes were left unsolved. The second trial considered is that of Thérèse Humbert, a young woman who used an apparently innate talent for elaborate deception in rising from poverty to the upper reaches of Parisian society. With the aid of her husband and her brothers, Thérèse created a series of specious lawsuits over an illusory American legacy. Then, playing on the greed of dozens of investors, she skillfully manipulated the French courts to perpetrate a fraud that would last for twenty years, yield millions, and make her salon one of the most dazzling in Europe until the day when the ruse was finally found out. The third case is that of Henriette Caillaux, the wife of an important leader in the Radical party. She admitted shooting Gaston Calmette, the influential newspaper editor who had been carrying out a campaign of vilification against her husband. But when she was tried for the murder in 1914, Henriette was found innocent and allowed to go free. The sensational trials of Marguerit Steinheil, Thérèse Humbert, and Henriette Caillaux mirrored in many the stalemate society of the Belle Epoque itself. By examining the hypocrisy of justice in the Third Republic, Benjamin Martin uncovers the vast extent of that society's corruption, the amorality and sordidness that were cloaked only partially by the mantle of respectability.
