The Essence Of The Blues
The Essence Of The Blues

Author: Jim Snidero

Publisher: Alfred Music

Published: 2018-04-09

Total Pages: 56

ISBN-13: 9783954810512

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The Essence of the Blues by Jim Snidero provides beginners and moderately advanced musicians with an introduction to the language of the blues. In 10 etudes focusing on various types of the blues, the musician learns to master the essential basics step by step. Each piece comes with an in-depth analysis of blues styles and music theory, appropriate scale exercises, tips for studying and practicing, suggestions for improvising, recommended listening, and specific techniques used by some of the all-time best jazz/blues musicians, including Miles Davis, Charlie Parker, B.B. King, Stanley Turrentine, and others. The accompanying play-along CD features world famous New York recording artists including Eric Alexander, Jeremy Pelt, Jim Snidero, Steve Davis, Mike LeDonne, Peter Washington, and others. Recorded at a world-class studio, these play alongs are deeply authentic, giving the musician a real-life playing experience to learn and enjoy the blues.

Blues Grooves for Guitar
Blues Grooves for Guitar

Author: Rob Fletcher

Publisher: Alfred Music Publishing

Published: 2002

Total Pages: 88

ISBN-13: 9780739028094

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Blues Grooves for Guitar is an essential collection of tips, tricks, techniques and theory that will give your rhythm playing an authentic blues feel. Examples demonstrate everything from basics of rhythm and harmony to comping to the subtleties of Chicago, Texas, Delta and other blues styles. Rob Fletcher's enthusiastic approach makes it fun and easy to learn the vital elements of a great musical tradition. A CD demonstrating all the examples and compositions in the book is included.

The Blues Bag
The Blues Bag

Author: Happy Traum

Publisher: Oak Publications

Published: 1968-06-01

Total Pages: 95

ISBN-13: 1783234539

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The Blues Bag is both a songbook and an instruction book. It is, first of all, an anthology of blues songs, some of which are very well known; others have (as far as I know) never been in print before. As such, it can be used simply as a vehicle for learning new songs, and providing the words and guitar chords for songs you already know. In addition, it provides for the learning guitarist fills, introductions, and turnarounds for the songs, as well as complete instrumental breaks for the majority of the blues presented in this collection. These breaks are written out both in standard music notation and guitar tablature.

Cape Verdean Blues
Cape Verdean Blues

Author: Shauna Barbosa

Publisher: University of Pittsburgh Press

Published: 2018-04-07

Total Pages: 87

ISBN-13: 082298329X

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The speaker in Cape Verdean Blues is an oracle walking down the street. Shauna Barbosa interrogates encounters and the weight of their space. Grounded in bodily experience and the phenomenology of femininity, this collection provides a sense of Cape Verdean identity. It uniquely captures the essence of “Sodade,” as it refers to the Cape Verdean American experience, and also the nostalgia and self-reflection one navigates through relationships lived, lost, and imagined. And its layers of unusual imagery and sound hold the reader in their grip.

Blue Chicago
Blue Chicago

Author: David Grazian

Publisher: University of Chicago Press

Published: 2005-11-15

Total Pages: 332

ISBN-13: 9780226305899

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The club is run-down and dimly lit. Onstage, a black singer croons and weeps of heartbreak, fighting back the tears. Wisps of smoke curl through the beam of a single spotlight illuminating the performer. For any music lover, that image captures the essence of an authentic experience of the blues. In Blue Chicago, David Grazian takes us inside the world of contemporary urban blues clubs to uncover how such images are manufactured and sold to music fans and audiences. Drawing on countless nights in dozens of blues clubs throughout Chicago, Grazian shows how this quest for authenticity has transformed the very shape of the blues experience. He explores the ways in which professional and amateur musicians, club owners, and city boosters define authenticity and dish it out to tourists and bar regulars. He also tracks the changing relations between race and the blues over the past several decades, including the increased frustrations of black musicians forced to slog through the same set of overplayed blues standards for mainly white audiences night after night. In the end, Grazian finds that authenticity lies in the eye of the beholder: a nocturnal fantasy to some, an essential way of life to others, and a frustrating burden to the rest. From B.L.U.E.S. and the Checkerboard Lounge to the Chicago Blues Festival itself, Grazian's gritty and often sobering tour in Blue Chicago shows us not what the blues is all about, but why we care so much about that question.

Conversation with the Blues
Conversation with the Blues

Author: Paul Oliver

Publisher:

Published: 1997

Total Pages: 208

ISBN-13: 9780521598262

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Compiled from transcriptions of interviews with blues artists made by Paul Oliver in 1960, Conversation with the Blues tells--in the artists' own words--of the significance of their music and the turbulent times and lives it reflects. Included are guitarists, pianists and other instrumentalists from the rural South and the urban North, from famous blues singers who recorded extensively to singers known only to their local communities. Copiously illustrated with Paul Oliver's photographs the book provides a rare glimpse--from cotton fields to the big-city--of African American music at a time when the South was still segregated. In a larger format to better display the pictures and with a new introduction by the author, this edition also contains a CD that captures the stark, ironic, but moving music and narratives of the singers themselves.

Jelly Roll
Jelly Roll

Author: Kevin Young

Publisher: Knopf

Published: 2005-02-01

Total Pages: 210

ISBN-13: 0375709894

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In this jaunty and intimate collection, Kevin Young invents a language as shimmying and comic, as low-down and high-hearted, as the music from which he draws inspiration. With titles such as “Stride Piano,” “Gutbucket,” and “Can-Can,” these poems have the sharp completeness of vocalized songs and follow a classic blues trajectory: praising and professing undying devotion (“To watch you walk / cross the room in your black / corduroys is to see / civilization start”), only to end up lamenting the loss of love (“No use driving / like rain, past / where you at”). As Young conquers the sorrow left on his doorstep, the poems broaden to embrace not just the wisdom that comes with heartbreak but the bittersweet wonder of triumphing over adversity at all. Sexy and tart, playfully blending an African American idiom with traditional lyric diction, Young’s voice is pure American: joyous in its individualism and singing of the self at its strongest.

The Blues
The Blues

Author: Chris Thomas King

Publisher: Chicago Review Press

Published: 2021-06-08

Total Pages: 581

ISBN-13: 1641604476

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"A fresh new perspective that will be a true revolution to readers and will open new lines of discussion on . . . the importance of the city of New Orleans for generations to come." —Dr. Michael White, jazz clarinetist, composer, and Keller Endowed Chair at Xavier University of LA An untold authentic counter-narrative blues history and the first written by an African American blues artist All prior histories on the blues have alleged it originated on plantations in the Mississippi Delta. Not true, says author Chris Thomas King. In The Blues, King present facts to disprove such myths. This book is the first to argue the blues began as a cosmopolitan art form, not a rural one. As early as 1900, the sound of the blues was ubiquitous in New Orleans. The Mississippi Delta, meanwhile, was an unpopulated sportsman's paradise—the frontier was still in the process of being cleared and drained for cultivation.? Expecting these findings to be controversial in some circles, King has buttressed his conclusions with primary sources and years of extensive research, including a sojourn to West Africa and interviews with surviving folklorists and blues researchers from the 1960s folk-rediscovery epoch.? New Orleans, King states, was the only place in the Deep South where the sacred and profane could party together without fear of persecution, creating the blues.

Blues
Blues

Author: John Hersey

Publisher: Vintage

Published: 1988-02-12

Total Pages: 230

ISBN-13: 0394757025

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From the revered Pulitzer Prize winning journalist and writer, comes his National Bestseller on one of the world’s oldest and most popular activities, fishing. Presented in narrative form as a conversation between a Fisherman and the Stranger, Hersey draws upon his own experiences and passion as the fisherman reflects on the age old sport, offering his own insights and thoughts. From the depths of the ocean to the creatures near the shore, Hersey perfectly answers why fishing has been such an integral part of humanity. “Almost no one has answered “why fish?” better than Mr. Hersey . . . what he does best of all is evoke wonder.”—New York Times Book Review “Blues is, of course, about much more than the pleasures and techniqu3es of fishing; it is, as Fisherman tells Stranger, about interconnections—the ties between mankind and the natural world, among others.”—The New Yorker “Wonderful . . . He gives us a rich and vivid sense of ocean life. . . . The whole thing is as stately as a minuet, and as graceful.”—Chicago Sun-Times