Introducing the hilarious new heroine, Mazie Maguire, in Juliet Rosetti’s irresistible debut novel that follows the outrageous adventure of a woman on the run. Wrongly convicted of killing her philandering husband, Mazie Maguire is three years into her life sentence when fate intervenes—in the form of a tornado. Just like that, she’s on the other side of the fence, running through swamps and cornfields, big box stores and suburban subdivisions. Hoping to find out who really murdered her husband, Mazie must stay a few steps ahead of both the law and her mother-in-law, who would like nothing better than to personally administer Mazie the death penalty via lethal snickerdoodle. With the Feds in hot pursuit and the national media hyping her story, Mazie stumbles upon a vast political conspiracy and a man who might just be worth a conjugal visit—if she survives. Praise for The Escape Diaries “I can’t say enough good things about this fun, delightful book. It’s a quick read that will have you calling your friends to have them read it so you can all talk about it.”—Barbara Vey, Publishers Weekly Includes a special message from the editor, as well as excerpts from these Loveswept titles: The Devil’s Thief, Paradise Café, and The Perfect Catch.
‘Everyone should spend a couple of hours of their life reading it, to remind themselves that, even in the darkest depth of human misery, the bravest souls still exist.’ Sunday Times Since ISIS occupied Raqqa in eastern Syria, it has become one of the most isolated and fear-ridden cities on earth. The sale of televisions has been banned, wearing trousers the wrong length is a punishable offence, and using a mobile phone is considered an unforgivable crime. No journalists are allowed in and the penalty for speaking to the western media is death by beheading. Despite this, after several months of nervy and often interrupted conversations, the BBC was able to make contact with a small activist group, Al-Sharqiya 24. Finally, courageously, one of their members agreed to write a personal diary about his experiences. Having seen friends and relatives butchered, his community's life shattered and the local economy ruined by these hate-fuelled extremists, Samer is fighting back in the only way he can: by telling the world what is happening to his beloved city. This is Samer's story. 'Remarkable . . . rare, intimate . . . Samer is an understated hero of our time.' Anthony Loyd, The Times 'A clarion call to all of us that we should not give up. Somewhere there is a voice in the wreckage.' Michael Palin 'This is brutal non-fiction, plainly and urgently told.' Robin Yassin-Kassab, Guardian 'The simple act of bearing witness is one of the most powerful human responses available . . . The Raqqa Diaries is so important.' Evening Standard
Fans of Horrid Henry and Wimpy Kid will love the diaries of Britain's most famous naughty boy. In this story, Dennis the Menace - Prankmaster General and feared enemy of softies everywhere - has been sent to an elite boarding school. Help! Dennis is surrounded by bookish boffins, can't hang out with the Bash Street Kids and is nearly starving as the school dining room only serves super-healthy food. What he needs is a plan. With a little help from his menacing buddies on the outside, some fart pellets and Gran on a Charley Davison bike, it's time for Dennis to make his great escape . . .
Fans of Horrid Henry and Wimpy Kid will love the diaries of Britain's most famous naughty boy. In this story, Dennis the Menace - Prankmaster General and feared enemy of softies everywhere - has been sent to an elite boarding school. Help! Dennis is surrounded by bookish boffins, can't hang out with the Bash Street Kids and is nearly starving as the school dining room only serves super-healthy food. What he needs is a plan. With a little help from his menacing buddies on the outside, some fart pellets and Gran on a Charley Davison bike, it's time for Dennis to make his great escape . . .
Sixty years in the making and the capstone of a monumental literary career, The Diaries of Emilio Renzi: A Day in the Life is the final volume of the autobiographical trilogy from the author who is considered Borges’ heir and the vanguard of the Post-Boom generation of Latin American literature. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world. How could we define a perfect day? Maybe it would be better to say: how could I narrate a perfect day? Is that why I write a diary? To capture—or reread—one of those days of unexpected happiness? The final installment of Ricardo Piglia’s lifelong compilation of journals completes the seemingly impossible project of documenting the entire life of a writer. A Day in the Life picks up the thread of Piglia’s life in the 1980s until his death from ALS in 2017. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world and escape the shadows of legendary authors Jorge Luis Borges and Roberto Arlt. Renzi’s peripatetic, drinking, philandering ways don’t abate as he grows older, and we’re exposed to the intrinsic insecurities that continually plague him even as fate tips in his favor and he goes on to win international literary prizes and becomes professor emeritus of Princeton University. His literary success is marred only by the disappointments and tragedies of his personal life as he deals with the death of friends and family, failed relationships, and the constant pecuniary struggles of a writer trying to live solely on his ability to produce art. The final sections of this ambitious project intimately trace the deterioration of Piglia’s body after his diagnosis: My right hand is heavy and uncooperative but I can still write. When I can no longer…. The crowning achievement of a prolific, internationally acclaimed author, this third volume cements Ricardo Piglia’s position as one of the most influential Latin American authors of the last century. Praise for The Diaries of Emilio Renzi: A Day in the Life: “[A] posthumous autobiographical masterpiece…. [P]rofoundly moving. A meditation on both the accumulation and ephemerality of time, Piglia’s final work is a brilliant addition to world literature.” —Publishers Weekly, Starred Review “Filled with literary aperçus and fragments of history: an elegant, affecting close to a masterwork.” —Kirkus Reviews, Starred Review Praise for The Diaries of Emilio Renzi: “Splendidly crafted and interspliced with essays and stories, this beguiling work is to a diary as Piglia is to ‘Emilio Renzi’: a lifelong alter ego, a highly self-conscious shadow volume that brings to bear all of Piglia’s prowess as it illuminates his process of critical reading and the inevitable tensions between art and life. Amid meeting redheads at bars, he dissects styles and structures with a surgeon’s precision, turning his gaze on a range of writers, from Plato to Dashiell Hammett, returning time and again to Pavese, Faulkner, Dostoyevsky, Arlt and Borges. Chock-full of lists of books and films he consumed in those voracious early years of call girls, carbon paper, amphetamines and Heidegger, this is an embarrassment of riches — by turns an inspiring master class in narrative analysis, an accounting of the pesos left in his pockets and a novel of Piglia’s grandfather (named Emilio, natch) with his archive of World War I materials pilfered from Italian corpses…. No previous familiarity with Piglia’s work is needed to appreciate these bibliophilic diaries, adroitly repurposed through a dexterous game of representation and masks that speaks volumes of the role of the artist in society, the artist in his time, the artist in his tradition.” —Mara Faye Lethem, The New York Times Book Review “For the past few years, every Latin American novelist I know has been telling me how lavish, how grand, how transformative was the Argentinian novelist Ricardo Piglia’s final project, a fictional journal in three volumes, Los diarios de Emilio Renzi—Renzi being Piglia’s fictional alter ego. And now here at last is the first volume in English, The Diaries of Emilio Renzi: Formative Years, translated by Robert Croll. It’s something to be celebrated… [It] offer[s] one form of resistance to encroaching fascism: style.” —Adam Thirlwell, BookForum, The Best Books of 2017 “[A] masterpiece…. everything written by Ricardo Piglia, which we read as intellectual fabrications and narrated theories, was partially or entirely lived by Emilio Renzi. The visible, cerebral chronicles hid a secret history that was flesh and bones.” —Jorge Carrión, The New York Times “A valediction from the noted Argentine writer, known for bringing the conventions of hard-boiled U.S. crime drama into Latin American literature...Fans of Cortázar, Donoso, and Gabriel García Márquez will find these to be eminently worthy last words from Piglia." —Kirkus Reviews, Starred Review “When young Ricardo Piglia wrote the first pages of his diaries, which he would work on until the last years of his life, did he have any inkling that they would become a lesson in literary genius and the culmination of one of the greatest works of Argentine literature?” —Samanta Schweblin, author of Fever Dream “Ricardo Piglia, who passed away earlier this year at age seventy-five, is celebrated as one of the giants of Argentine literature, a rightful heir to legends like Borges, Cortázar, Juan Jose Saer, and Roberto Arlt. The Diaries of Emilio Renzi is his life's work...An American equivalent might be if Philip Roth now began publishing a massive, multi-volume autobiography in the guise of Nathan Zuckerman…It is truly a great work...This is a fantastic, very rewarding read—it seems that Piglia has found a form that can admit everything he has to say about his life, and it is a true pleasure to take it in.” —Veronica Esposito, BOMB Magazine “In 1957, Argentinian writer Ricardo Piglia started to write what would become 327 notebooks filled with the thoughts of his alter ego, Emilio Renzi. Piglia’s final literary act before his death in January 2017 was to organize and publish these works as Renzi’s diaries. Formative Years, the first of three volumes, covers the years 1957 to 1967, detailing Renzi’s development into a central figure of Argentine literary culture. In epigrammatic diary entries filled with memorable observations, Piglia details Renzi’s political education, relationships, views on Argentinian politics, and experiences during this remarkably productive era of Latin American fiction. As a fictionalized autobiography, it is, like the work of Karl Ove Knausgaard, of My Struggle fame, part confession and part performance. Renzi meets and corresponds with literary luminaries like Borges, Cortázar, and Márquez, and offers insightful readings of Dostoevsky, Kafka, Faulkner, and Joyce. Ilan Stavans (Quixote: The Novel and the World, 2015) provides a wonderfully informative introduction. Fans of W.G. Sebald and Roberto Bolaño will find the first installment in Piglia’s trilogy to be a fascinating portrait of a writer’s life.” —Alexander Moran, Booklist "Here through the Boom and Bolaño breech storms Ricardo Piglia, not just a great Latin American writer but a great writer of the American continent. Composed across his entire career, The Diaries of Emilio Renzi is Piglia's secret story of his shadow self—a book of disquiet and love and literary obsession that blurs the distinctness of each and the other." —Hal Hlavinka, Community Bookstore (Brooklyn, NY) “In this fictionalized autobiography, Piglia’s ability to succinctly criticize and contextualize major writers from Kafka to Flannery O’Connor is astounding, and the scattering of those insights throughout this diary are a joy to read. This book is essential reading for writers.” —Publishers Weekly “The Diaries of Emilio Renzi is a rare glimpse into the heart of twentieth-century Latin American literature, with the inimitable Ricardo Piglia as tour guide. More than just a traditional diary, Renzi is an illuminating voyage into the hearts of books and writers and history. An inspiring work and an important achievement.” —Mark Haber, Brazos Bookstore (Houston, TX) “The great Argentine writer…. In a career that spanned four decades, during which he became one of Latin America’s most distinctive literary voices.” —Alejandro Chacoff, The New Yorker “The Diaries of Emilio Renzi continue to be a fascinating literary-autobiographical experiment ... and, especially, a wonderful immersion in literature itself. Of particular interest in showing the transition of Latin American (and specifically Argentine) literature—no longer: ‘out of sync, behind, out of place’—Piglia's range extends far beyond that too. Yes, most of this is presumably mainly of interest to the similarly literature-obsessed—but Piglia makes it hard to imagine who wouldn't be.” — M. A. Orthofer, The Complete Review
The Greatest Escape: A True American Civil War Adventure tells the story of the largest prison breakout in U.S. history. It took place during the Civil War, when more than 1,200 Yankee officers were jammed into Libby, a special prison considered escape-proof, in the Confederate capitol of Richmond, Virginia. A small group of men, obsessed with escape, mapped out an elaborate plan and one cold and clear night, 109 men dug their way to freedom. Freezing, starving, clad in rags, they still had to travel 50 miles to Yankee lines and safety. They were pursued by all the white people in the area, but every Black person they encountered was their friend. In every instance, slaves risked their lives to help these Yankees, and their journey was aided by a female-led Union spy network. Since all the escapees were officers, they all could read and write well. Over 50 of them would publish riveting accounts of their adventures. This is the first book to weave together these contemporary accounts into a true-to-life narrative. Much like a Ken Burns documentary, this book uses the actual words the prisoners recorded more than 150 years ago, as found in their many diaries and journals.
A haunting personal story of Berlin at the end of the Third Reich—and an unflinching investigation into a family’s Nazi past When Gabrielle Robinson found her grandfather’s Berlin diaries, hidden behind books in her mother’s Vienna apartment, she made a shocking discovery—her beloved Api had been a Nazi. The entries record his daily struggle to survive in a Berlin that was 90% destroyed. Near collapse himself Api, a doctor, tried to help the wounded and dying in nightmarish medical cellars without cots, water or light. The dead were stacked in the rubble outside. Searching to understand why her grandfather had joined the Nazi party, Robinson retraces his steps in the Berlin of the 21st century. She reflects on German guilt, political responsibility, and facing the past. But she also remembers Api, who had given her a loving home in those cold and hungry post-war years. “This a must read for anyone interested in the German experience during WWII” —Ariana Neumann, author of When Time Stopped Scroll up and click “buy now” to read Api’s Berlin Diaries today
WESTWORLD meets CHARLIE AND THE CHOCOLATE FACTORY meets JURASSIC PARK, as kids win a chance to enter the place of their dreams -- and find that it quickly turns into a nightmare. It's all anyone talks about, and it's all Cody dreams about. It's the biggest adventure park in the world, and it's more than mere rides and rollercoasters: At ESCAPE, you can do anything you want, be anyone you want, and there are no adults to tell you no. Cody's a nobody, but for some reason he receives an invitation and the opportunity of a lifetime. At first, it's the most fun he's ever had. But after a few days, everything in the park starts to go haywire. One at a time, rides malfunction. Simulations turn deadly. His fantasy world glitches, and the games become races for survival. A voice comes over the intercoms, then-ESCAPE was never a theme park for the rich and famous. It was a place for punishment. They have less than a week to escape from the park before it floods. Only five kids will be allowed to leave. It started out as a fight to get to the coolest rides. Now, they have to fight to survive.
When the intelligent and determined 15 year old Zyaire Ryan discovers her great-grandmother's missing pocketbook, a thousand year old mystery begins to unravel. After the pocketbook one day takes on a life of its own, Zyaire is sucked inside and hurled into the clandestine world of Aphrodan, where she meets Acaeus; General of North Aphrodan. Soon, battle lines are drawn as her presence sparks off a life or death struggle spanning from Aphrodan to Earth with Zyaire caught in the middle. It is only through Zyaire's inner strength, Acaeus' love, and the help of a faithful friend that she can make it out alive.
We all have good luck and bad, courtesy of our very own white rabbits and black cats. One rarely ever notices them of course, because they're so exceptionally clever. Cecil Bean has certainly never noticed his. But when shadowy Millikin crosses Leek's path, rather than Cecil's, the hapless rabbit finds himself cast into a savage realm of peril and misfortune. So begins Leek's quest to return to his boy, whose luck has turned for the worse.
